Tuned from B to B, the ABT60 is pitched between a dreadnought and acoustic bass, giving you deep, sonorous tones. Providing easy playability, chord shapes and scales on this baritone are the same as a standard six-string, only with a lower voicing.
Tuned from B to B, the ABT60 is pitched between a dreadnought and acoustic bass to give you deep tones with easy playability. Chord shapes and scales are the same as a standard six-string, but the voicing is lower.
Tuned from B to B, the ABT60ce 8-String is pitched between a dreadnought and acoustic bass, giving you deep, sonorous tones with easy playability where chord shapes and scales mirror a standard six-string, only with a lower voicing. The 8-string configuration adds two-octave strings on the 3rd and 4th strings for layers of treble response and octave shimmer.
A 12-fret 000-body acoustic guitar with Sitka spruce top and Honduran mahogany back and sides, designed for string-band purists who want maximum power from a comfortably-sized instrument with an elegant, old-time appearance.
The Collings 0002H is a 12-fret 000-sized acoustic guitar. The longer 12-fret body typically produces more bass and overall volume, making it ideal for string-band purists or any guitarist who wants maximum power.
The 0003 is a 12-fret 000-body acoustic guitar with East Indian rosewood back and sides and a higher trim level, delivering more bass and overall volume ideal for string-band purists who want maximum power from a comfortably-sized instrument.
A guitar shape first designed around the time of the Civil War, the 001 is a 12-fret 00-size acoustic guitar with dimensions similar to classical guitars. It features a slotted headstock and small pyramid bridge. The tone is typically balanced and precise, suited for a wide range of playing styles from simple vocal accompaniment to ragtime solos.
The 001 14-Fret represents a mid-point between compact and mid-sized instruments, offering a pleasing midrange resonance alongside articulate attack and enhanced low-end definition. The shorter 24 7/8" scale enables delicate top-voicing with openness suitable for fingerstyle, strumming, and varied playing approaches.
The 001 14-Fret T is a Traditional Series acoustic guitar that occupies a middle ground in size while offering a distinctive voice and character. This vintage-inspired instrument delivers a fundamental tonality and dry articulation with warmer high-end response. The ultra-thin lacquer finish and lightweight construction provide added nuance and responsiveness.
The Traditional Series variations of the classic 12-fret 00 take a vintage-inspired approach to voicing and construction designed to produce a strong fundamental response and open feel, with rounder highs and less overtone complexity. The ultra-thin nitrocellulose lacquer finish and unique neck construction make for a woody and articulate voice with rich, balanced tone and excellent note separation.
The 002H is a 12-fret 00-size acoustic guitar combining timeless appearance with a comfortable size, wide neck, and shorter string scale. Its tone is typically balanced and precise, well-suited for everything from simple vocal accompaniment to ragtime solos. The guitar features East Indian rosewood back and sides, a Sitka spruce top with pre-war scalloped X-bracing, herringbone purfling body binding, and an ebony pyramid-style bridge.
The 002H 14-Fret represents a mid-point between small-bodied and mid-sized instruments, delivering a pleasing midrange resonance that distinguishes this size from other offerings. It combines a dry and articulate attack with more low-end definition than you would typically expect in an instrument of comparable dimensions.
The 002H 14-Fret T is a Traditional Series 00-size acoustic guitar that finds the sweet spot between small- and mid-sized instruments, offering a vintage-inspired voice with dry articulation, warmer high-end response, a rounder high end, fuller low midrange, and a slightly looser, more broken-in feel and tone.
The 002H T is a Traditional Series 12-fret 00-size acoustic guitar combining East Indian rosewood back and sides with vintage-inspired construction. The ultra-thin nitrocellulose lacquer finish and unique neck construction make for a woody and articulate voice with rich, balanced tone and excellent note separation.
The 003 is a 12-fret 00-sized acoustic guitar with 3-style appointments built on a body shape dating to the Civil War era. It delivers a typically balanced and precise tone suited for a wide range of playing styles, featuring East Indian rosewood back and sides, a Sitka spruce top, abalone rosette, chevron backstrip, and ivoroid binding throughout.
The 00 14-Fret Series finds the sweet spot between a small-bodied and mid-sized instrument while bringing to the table a distinctive voice and character all its own. This fullness of tone is complemented by dry and articulate attack, with more low-end definition than you'd typically expect to find in an instrument of this size.
The 01 is a single-0 14-fret acoustic guitar that functions equally well as a travel instrument or a small OM-style stage guitar. It delivers a uniquely round, punchy tone with the coveted small body character, along with impressive volume and headroom. Built with a Sitka spruce top and Honduran mahogany back and sides, it features a pre-war scalloped X-brace pattern and a high-gloss nitrocellulose lacquer finish.
The 01 12-Fret is a Single-0 size acoustic guitar featuring softer contours and a longer body dimension that produce a balanced and full tone with slightly more bass and overall volume. Built with a comfortable short 24 7/8" scale, it works well for both fingerstyle and strumming techniques and excels as a recording instrument.
The 01 12-Fret T is a vintage-inspired 0-size acoustic guitar from Collings' Traditional Series, designed to showcase the most desirable characteristics of coveted pre-war instruments. Its construction emphasizes warm, rounded highs and a present low midrange, with a quick attack and strong projection. The ultra-thin nitrocellulose lacquer finish and 12-fret neck joint preserve the vintage small-body acoustic tradition.
The 01 T is a Traditional Series 0 14-fret acoustic guitar built as a vintage-inspired variation on the distinctive Collings sound, designed to showcase the desirable characteristics of pre-war instruments. Its voicing delivers warm, rounded highs and a present low midrange while retaining a quick attack and strong projection. Featuring a Sitka spruce top over Honduran mahogany back and sides, the 01 T is braced with a custom pre-war scalloped X-brace and finished in an ultra-thin nitrocellulose lacquer.
The 02H is one of Collings' smallest acoustic offerings, functioning equally well as a travel instrument and a small OM-style guitar. It delivers a uniquely round, punchy tone with small body character, offering impressive volume and headroom despite reduced low-end response compared to larger models. Built with a Sitka spruce top and East Indian rosewood back and sides, it features ivoroid binding with herringbone purfling and a pre-war scalloped X-brace pattern.
The 02H 12-Fret is a small-body single-0 acoustic guitar that delivers a balanced and full tone with slightly more bass and overall volume than its 14-fret counterpart. Built with a Sitka spruce top, East Indian rosewood back and sides, and a pre-war scalloped X-brace pattern, it excels as both a fingerstyle and strumming instrument. Its compact dimensions make it a versatile choice for recording, with shimmery highs, punchy midrange, and a tight, clean low end.
The 02H 12-Fret T is a vintage-inspired acoustic guitar from the Traditional Series, designed to showcase the most desirable characteristics of coveted pre-war instruments. It features a Sitka spruce top with East Indian rosewood back and sides, delivering warm, rounded highs and a present low midrange while retaining quick attack and strong projection. The 12-fret neck joint, ebony pyramid bridge, and nickel Waverly tuners contribute to its classic aesthetic and feel.
The 02H T is a vintage-inspired Traditional Series 0-body acoustic guitar built to showcase the most desirable characteristics of coveted pre-war instruments. Its voicing delivers warm, rounded highs and a present low midrange while retaining a quick attack and strong projection. Crafted with a Sitka spruce top and East Indian rosewood back and sides, it is finished in high-gloss ultra-thin nitrocellulose lacquer with ivoroid binding and herringbone purfling.
The 03 is a compact Single 0 14-fret acoustic guitar that functions equally well as a travel instrument or a small OM-style stage guitar. Despite its modest size, it delivers a uniquely round, punchy tone with characteristic small-body warmth, strong volume, and responsive headroom. It features East Indian rosewood back and sides, an ebony fingerboard and bridge, and pre-war scalloped X-brace construction with premium appointments throughout.
The 03 12-Fret is a single-0 acoustic guitar with softer contours and a longer body dimension than its 14-fret counterpart, producing a balanced, full tone with slightly more bass and overall volume. It features a short 24 7/8" scale and wide 2 5/16" string spacing, making it well-suited for fingerstyle playing, strumming, and recording. East Indian rosewood back and sides pair with a Sitka spruce top and pre-war scalloped X-bracing for a responsive, articulate voice.
Built in limited quantities, this 16" archtop is designed to function as an acoustic instrument. Drawing inspiration from 1920s American f-hole archtops, it delivers a warm and balanced response with clarity and projection. The guitar features understated appointments and gracefully-shaded finishing.
Built in limited quantities, this 16" archtop is designed to be played as an acoustic guitar. Based on 1920s American f-hole archtops, it delivers warm and balanced response with clarity, projection, and immediate response. The Deluxe version features a venetian cutaway, multiple black/white purflings, bound S-holes, and a stylized flared peghead. The fully hollow X-braced construction and fully carved premium figured maple body and solid spruce top make it equally at home in jazz, blues, and beyond.
The Baby 1 is Collings' smallest guitar model, a small-body acoustic that defies expectations for its size. Despite lacking the deep bass of larger instruments, it delivers remarkably balanced tone with adequate volume, making it equally at home as a travel guitar or a songwriter's tool. It features a Sitka spruce top over Honduran mahogany back and sides, finished in high-gloss nitrocellulose lacquer with tortoise binding and pre-war scalloped X-bracing.
The Baby 2H is Collings' smallest model and a rarity among fractional-size guitars, built as an approximately 3/4-size version of their OM. At 12 1/2 inches wide with a 24 1/8-inch scale, it delivers remarkably balanced tone with adequate volume for most applications. Equally at home as a travel guitar or a songwriter's tool, it brings Collings' hallmark craftsmanship to a compact, portable format.
The C-00 is a soulful, vintage-inspired 14-fret parlor acoustic guitar influenced by iconic 00 models from the early-to-mid 1930s. It delivers a drier, more fundamental tone with honky, punchy midrange suited for blues, folk, and fingerstyle playing. The instrument emphasizes raw character over polish, featuring woody thump and exceptional note separation.
Based on guitars first introduced around the same time as the OM, the C10 is a parlor-style acoustic with a narrow waist and small upper bout that delivers a precise, focused response. Its C-shape neck profile makes it a natural choice for electric guitarists transitioning to acoustic. The guitar is built with a Sitka spruce top and Honduran mahogany back, sides, and neck, finished in high gloss nitrocellulose lacquer.
The C10 Deluxe is a parlor acoustic guitar with a narrow waist and small upper bout that delivers a precise, focused response. It draws inspiration from guitars introduced around the same era as the OM model. The Deluxe version upgrades the standard C10 with East Indian rosewood back and sides, ivoroid fingerboard and peghead binding, and a deluxe maple/rosewood backstrip.
The C10 Traditional is a compact parlor acoustic guitar from Collings' vintage-inspired Traditional Series, delivering a focused, punchy response with an open, airy midrange. It pairs the short-scale comfort of the C10 body with Traditional Series construction for a broken-in feel and surprising projection. Handcrafted in Austin, Texas, it features a Sitka spruce top, Honduran mahogany back and sides, and premium appointments throughout.
The CJ is a slope-shouldered jumbo acoustic guitar that draws on classic American guitar design while incorporating Collings' hallmark precision craftsmanship. It delivers a distinctly different tone from a traditional dreadnought, with a somewhat percussive bottom end ideal for acoustic blues or styles that benefit from a more controlled bass response. Built with a Sitka spruce top, East Indian rosewood back and sides, and a pre-war scalloped X-brace.
The CJ Mh is a slope-shouldered jumbo acoustic guitar that draws on classic pre-war dreadnought tradition while carving out its own tonal identity. Built with a Sitka spruce top and Honduran mahogany back, sides, and neck, it delivers a warm, percussive bottom end well suited to blues and roots playing. A pre-war scalloped X-brace contributes to its vintage-inspired response and projection.
The CJ-45 T is a Traditional Series slope-shoulder jumbo acoustic guitar fully reimagined with vintage-inspired construction. Built with a Sitka spruce top and Honduran mahogany back, sides, and neck, it delivers the dry, fundamental tone with growl and thump characteristic of Wartime-era dreadnoughts. A Wartime scalloped X-brace pattern and ebony straight-style bridge reinforce its vintage character.
The CW Indian A is a modified dreadnought acoustic guitar designed for flatpicking specialists, named after the Walnut Valley Festival in Winfield, Kansas. It features an Adirondack spruce top and bracing with an enlarged soundhole and pre-war scalloped X-brace construction. East Indian rosewood back and sides deliver strong projection for aggressive playing while maintaining Collings' signature tone.
The CW Mh A (Collings Winfield) is a modified dreadnought acoustic guitar designed for flatpicking specialists, named after the Walnut Valley Festival in Winfield, Kansas. It features an Adirondack spruce top with an enlarged soundhole and a pre-war scalloped X-brace pattern for maximum projection and headroom. Honduran mahogany back, sides, and neck are paired with an ebony fingerboard and bridge for a focused, resonant tone suited to bluegrass performance.
The D1 is a square-shouldered 14-fret dreadnought acoustic guitar built with a Sitka spruce top and Honduran mahogany back, sides, and neck. It delivers tonal clarity combined with depth and warmth, making it equally suited to vocal accompaniment and bluegrass flatpicking. The guitar features pre-war scalloped X-bracing, an ebony fingerboard with MOP long dot inlays, and a high-gloss nitrocellulose lacquer finish.
The D1 A HC is part of the Hill Country series, designed to push acoustic tone to the far end of the tonal spectrum with a strong fundamental voice that is both warm and woody. Built with an Adirondack spruce top and Honduran mahogany back and sides, it delivers a dry character and full low end suited to bluegrass and beyond. Appointments include an ebony fingerboard with gold MOP dots, a hand-poured tortoise pickguard, and Relic Nickel Waverly tuners.
The D1 T is a Traditional Series dreadnought acoustic guitar designed to evoke the character of coveted pre-war instruments. It features a Sitka spruce top with Honduran mahogany back, sides, and neck, voiced for warm, rounded highs and a present low midrange with quick attack and strong projection. The pre-war scalloped X-brace pattern and vintage-inspired appointments give it a slightly looser, more broken-in feel compared to the standard D1.
The D2 A Hill Country is a dreadnought acoustic guitar from the Hill Country series, designed to push the tonal spectrum toward a strong fundamental voice that is both warm and woody. It features an Adirondack spruce top with Hill Country scalloped X-bracing and an abbreviated soundboard graft, producing a dry character and full low end well suited for bluegrass and beyond. East Indian rosewood back and sides complement the Honduran mahogany neck and ebony fingerboard for a classic, resonant build.
The D2H is a square-shouldered 14-fret dreadnought acoustic guitar, the most popular steel-string body shape in the world. It is built with a Sitka spruce top and East Indian rosewood back and sides, bringing tonal clarity to the depth and warmth associated with this large, deep-bodied instrument. Well suited to both vocal accompaniment and bluegrass flatpicking.
The D2H T is a Traditional Series dreadnought acoustic guitar voiced as a vintage-inspired tonal variation on the Collings sound, designed to showcase the most desirable characteristics of coveted pre-war instruments. Its voicing features warm, rounded highs and a present low midrange, while retaining quick attack and strong projection. It pairs East Indian rosewood back and sides with a Sitka spruce top and pre-war scalloped X-bracing for a full, resonant tone.
The D3 is a 14-fret dreadnought acoustic guitar featuring a Sitka spruce top and East Indian rosewood back and sides. It combines tonal clarity with the warmth and depth characteristic of large-bodied dreadnoughts, making it well-suited for vocal accompaniment and bluegrass flatpicking. The guitar features a pre-war scalloped X-brace, ebony belly-style bridge, and gold Waverly tuners.
The DS1 is a 12-fret slope shoulder dreadnought based on the original dreadnought shape first designed as an oversized Hawaiian guitar almost a century ago. The wide neck and slotted headstock retain the vintage body shape while delivering an open, airy tone with smoothness and warmth suited to both flatpicking and fingerstyle playing. The 12-fret neck join positions the bridge further down the body for a uniquely resonant, vintage-voiced response.
The DS1 A Hill Country is a 12-fret dreadnought acoustic guitar from the Hill Country Series, built to push the tonal spectrum toward a strong fundamental voice that is warm and woody. Constructed with an Adirondack spruce top and Honduran mahogany back, sides, and neck, it delivers a dry character with full low-end response well suited to bluegrass and roots styles. Its Hill Country scalloped X-brace pattern and ebony appointments give it a distinctive voice and look.
The DS2 A Hill Country is a 12-fret dreadnought acoustic guitar built with Hill Country voicing — a construction approach that pushes the instrument toward a warm, woody tonal character with a strong fundamental and full low end. It features an Adirondack spruce top over East Indian rosewood back and sides, with a Hill Country scalloped X-brace pattern designed for bluegrass and beyond. Cosmetic appointments include ivoroid body binding, a zipper backstrip, gold MOP long diamond & squares inlays, and a 2-style rosette.
The DS2H is a 12-fret slope shoulder dreadnought based on the original oversized Hawaiian guitar shape developed nearly a century ago. Built with a Sitka spruce top and East Indian rosewood back and sides, it delivers an open, airy tone with smoothness and warmth suited to both flatpicking and fingerstyle playing. Herringbone purfling and abalone long diamond and square inlays place it in the middle of the DS lineup.
The DS3 is a 12-fret slope shoulder dreadnought rooted in the original oversized Hawaiian guitar shape developed nearly a century ago. The bridge placement closer to the center of the lower bout produces an open, airy tone with smoothness and warmth not typically found in contemporary 14-fret dreadnoughts, handling both flatpicking and fingerstyle playing with substantial headroom and dynamic range. Ivoroid binding throughout, an abalone rosette, and gold Waverly tuners distinguish it as the flagship of the DS series.
The OM1 is a 14-fret Orchestra Model steel-string acoustic guitar built for fingerstyle soloists, flatpickers, and lead players. Its compact body features a Sitka spruce top paired with Honduran mahogany back and sides, delivering balanced tone and immediate response. Pre-war scalloped X-bracing, an ebony fingerboard, and bone nut and saddle round out a classic, player-focused build.
The OM1 A HC is part of Collings' Hill Country series, designed to deliver a strong fundamental voice that is both warm and woody with a dry character and full low end. Built with an Adirondack spruce top and Honduran mahogany back, sides, and neck, it features Hill Country scalloped X-bracing for distinctive tonal character. The guitar is particularly well suited to bluegrass players while remaining versatile across musical styles.
The OM1 JL is a Julian Lage signature acoustic guitar developed through collaboration between guitarist Julian Lage and Collings founder Bill Collings. Its custom neck is modeled after Lage's cherished 1939 Martin 000-18, digitized for precision replication. Built to Traditional Series specs, it features a custom satin nitrocellulose lacquer finish and a script peghead logo hand-cut by Bill Collings roughly 30 years ago.
The OM1 T is a Traditional Series Orchestra Model acoustic guitar from Collings, offering a vintage-inspired variation on the distinctive Collings sound. Built with a Sitka spruce top and Honduran mahogany back, sides, and neck, it is designed to showcase the most desirable characteristics of coveted pre-war instruments. The Traditional Series designation means it features period-correct construction details including a pre-war scalloped X-brace, ebony fingerboard, and nickel Waverly tuners.
The OM2 A Hill Country is an orchestra model acoustic guitar built around Collings' Hill Country voicing, delivering a strong fundamental voice that is both warm and woody with a dry character and full low end. Featuring an Adirondack spruce top over East Indian rosewood back and sides, it appeals especially to bluegrass players while remaining versatile across styles. Appointments include ivoroid binding, an ebony fingerboard and bridge, and Relic Nickel Waverly tuners.
The OM2H is a 14-fret Orchestra Model steel-string acoustic guitar favored by fingerstyle soloists. Its compact body measures just over 4 inches deep, producing balanced tone and immediate response. Built with a Sitka spruce top and East Indian rosewood back and sides, it delivers clarity and warmth across the full dynamic range.
The OM2H T is a Traditional Series Orchestra Model acoustic guitar designed to showcase the most desirable characteristics of coveted pre-war instruments. Its voicing delivers warm, rounded highs and a present low midrange while retaining a quick attack and strong projection. Built with a Sitka spruce top and East Indian rosewood back and sides, it combines vintage aesthetics with meticulous modern craftsmanship.
The OM3 is a 3-style Orchestra Model acoustic guitar built on Collings' most popular 14-fret body shape. It features a Sitka spruce top with East Indian rosewood back and sides, an ebony fingerboard and belly bridge, abalone rosette, and gold Waverly tuners. The shallow 4-inch body delivers balanced tone and immediate response suited to both fingerstyle and flatpicking approaches.
The Parlor 1 T is a Traditional Series 12-fret acoustic guitar inspired by late 19th century early steel string guitar designs. Built with a Sitka spruce top and Honduran mahogany back, sides, and neck, it delivers exceptional tonal balance and responsiveness in a compact, portable body. A pre-war scalloped X-brace pattern and high-gloss nitrocellulose lacquer finish reflect its vintage-inspired construction, complemented by Waverly engraved bronze tuners with ebony buttons.
The Parlor 2H T is a Traditional Series 12-fret acoustic guitar drawing inspiration from some of the earliest steel string guitar designs that form the roots of the modern acoustic guitar family tree. Originally popularized in the late 19th century, this parlor-sized instrument offers exceptional tonal balance and responsiveness along with portability and a comfortable feel. It pairs a Sitka spruce top with East Indian rosewood back and sides, featuring vintage-inspired appointments including ivoroid binding with herringbone purfling, a slotted peghead, and Waverly engraved bronze tuners.
The Parlor Deluxe T is a Traditional Series 12-fret acoustic guitar inspired by the earliest steel string guitar designs of the late 19th century. Built with a Sitka spruce top and East Indian rosewood back and sides, it delivers exceptional tonal balance and responsiveness in a compact, portable body. Pre-war scalloped X-bracing and a mortise & tenon hybrid neck joint reflect Collings' meticulous approach to traditional construction.
The SJ is a Small Jumbo acoustic guitar featuring a 16-inch lower bout with deep sides and a tight waist curve that creates a distinctive sound chamber. It delivers pronounced midrange response alongside strong bass and volume, balanced with treble clarity. The standard model features a Sitka spruce top with European maple back, sides, and neck, finished in high gloss nitrocellulose lacquer.
The SJ Indian is a Small Jumbo acoustic guitar featuring a 16-inch lower bout and deep sides with a tight waist curve that creates a distinctive sound chamber. It combines the bass and volume of a large guitar with pronounced midrange response and treble clarity. Built with a Sitka spruce top, East Indian rosewood back and sides, and a pre-war scalloped X-brace.
The SJ Mh is a Small Jumbo acoustic guitar with a 16-inch lower bout, slightly wider than a dreadnought yet with similarly deep sides. Its tight waist curve creates a distinct sound chamber with pronounced midrange response and strong treble clarity. Honduran mahogany back and sides pair with a Sitka spruce top and pre-war scalloped X-brace for a warm, articulate voice with substantial bass and volume.
Gretsch® presents a darkly alluring take on its classic acoustic model with the G5013CE Rancher™ Jr. Black. With its slick, elegant appointments and onboard electronics, it’s a cool and classic performer with a distinctive Gretsch personality all its own.
Surely one of the most fabulous Gretsch birds ever to take flight, the G5021WPE Rancher™ Penguin™ Parlor Acoustic/Electric delivers classic Penguin style and appointments in a richly resonant parlor-size acoustic guitar.
A great Gretsch® guitar returns with the Rancher acoustic guitars. The biggest and fullest-sounding Rancher is the G5022CE Rancher Jumbo Cutaway Electric, which produces great volume and broadly expansive tone complemented by its elegant Venetian cutaway for easy access to the fingerboard’s upper reaches and onboard electronics that let it be heard even more loudly and clearly.
Gretsch Rancher acoustics are back and better than ever! The G5022CWFE Rancher Falcon Jumbo gives you full-bodied jumbo tone with full-on Gretsch Falcon style, sparkling gilded appointments and onboard electronics for peerless amplified tone.
Gretsch Rancher acoustics are back and better than ever! The G5022CWFE-12 Rancher Falcon Jumbo 12-String gives you lavishly full 12-string tone with full-on Gretsch Falcon style, sparkling gilded appointments and onboard electronics for peerless amplified tone.
Gretsch Rancher acoustics are back and better than ever! The G5024E Rancher dreadnought is an eminently affordable model with fine construction and appointments, as well as onboard electronics for peerless amplified tone.
Gretsch Rancher acoustics are back and better than ever! The G5031FT Rancher dreadnought is a distinctive Rancher model, with a sweet iso-chamber mounted Fideli'Tron pickup for great amplified tone and performance.
The G5034TFT Rancher dreadnought is one of the most distinctive Rancher models ever, with a sweet iso-chamber mounted Fideli'Tron pickup for great amplified tone and performance and a Bigsby B70G tailpiece with a "wire" trem arm.
Crackerjack quality at a sober price! Faithful to the Gretsch "Rex" parlor guitars of the 1930s, '40s and '50s, the all-new G9500 Jim Dandy Flat Top parlor-style model embodies everything that was great about everyone's first guitar. Everything and then some that is, because the G9500 is crafted with select guitar woods and is fully lined and braced for warm and pleasing tone, with a 24" scale for endless hours of playing comfort.
Featuring a comfortable and compact concert body shape and a modest 24.75" scale length, the Jim Dandy Concert strikes the perfect sweet-spot of versatile tone and approachable playability for a wide variety of musical settings.
Featuring a comfortable and compact concert body shape and a modest 24.75" scale length, the Jim Dandy Deltoluxe Concert strikes the perfect sweet-spot of versatile tone and approachable playability for a wide variety of musical settings.
Inspired by the historic “Rex” line of instruments offered by mail-order catalog in the 1930s, ‘40s and ’50s, Jim Dandy™ models embody the charm and spirit of those early Gretsch® flat-top guitars with superior playability and best-in-class-tone to boot. Featuring a specially-designed slope shoulder body shape and a modest 24.75” scale length, the Jim Dandy™ Deltoluxe™ Dreadnought offers a refreshingly comfortable and compact form factor without sacrificing the volume, projection and bass response for which dreadnought guitars are so revered.
Featuring a petite and portable parlor body shape and a short 24" scale length, the Jim Dandy Deltoluxe Parlor punches above its weight with a distinct tonal clarity and throaty midrange for which parlor guitars are so beloved.
Inspired by the historic “Rex” line of instruments offered by mail-order catalog in the 1930s, ‘40s and ’50s, Jim Dandy™ models embody the charm and spirit of those early Gretsch® flat-top guitars with superior playability and best-in-class-tone to boot. Featuring a specially-designed slope shoulder body shape and a modest 24.75” scale length, the Jim Dandy™ Dreadnought offers a refreshingly comfortable and compact form factor without sacrificing the volume, projection and bass response for which dreadnought guitars are so revered.
Inspired by the historic "Rex" line of instruments offered by mail-order catalog in the 1930s, '40s and '50s, Jim Dandy models embody the charm and spirit of those early Gretsch flat-top guitars with superior playability and best-in-class-tone to boot. Featuring a petite and portable parlor body shape and a short 24" scale length, the Jim Dandy Parlor punches above its weight with a distinct tonal clarity and throaty midrange for which parlor guitars are so beloved.
Featuring a petite and portable parlor body shape and a short 24" scale length, the Jim Dandy Parlor punches above its weight with a distinct tonal clarity and throaty midrange for which parlor guitars are so beloved.
Well suited for everything from bluesy porch pickin' to speakeasy swingin', the Gretsch Limited Edition Jim Dandy Concert Solid Top is a ramblin' companion for newbies and old-timers alike.
Well suited for everything from bluesy porch pickin' to speakeasy swingin', the Gretsch Limited Edition Jim Dandy Parlor Solid Top is a ramblin' companion for newbies and old-timers alike. Featuring a petite and portable parlor body shape, a solid spruce top, and a short 24" scale length, the Limited Edition Jim Dandy Parlor Solid Top punches above its weight with a distinct tonal clarity and throaty midrange for which parlor guitars are so beloved.
The new Nick 13 Outlaw Heart acoustic from Gretsch offers the perfect blend of vintage style and modern playability. Modeled on a vintage Gretsch from Nick's collection but updated with his own flair, it captures his eclectic influences from midcentury roots music to punk – all the territory he traverses both as frontman of Tiger Army and in his Americana solo career.
The 0-X1 Black is an affordable acoustic Concert model available in a striking all-black colorway with high-pressure laminate (HPL) top, back, and sides. Part of the X Series, it features a birch laminate neck with Richlite fingerboard and includes a softshell case.
The 00-18 pairs a smaller Grand Concert body with solid spruce and mahogany, delivering clear, balanced sound with vintage-inspired bracing and refined playability. Its bright treble response and warm bass suit both fingerstyle and dynamic strumming.
The 00-28 combines a comfortable Grand Concert body with spruce and rosewood tonewoods for rich, balanced sound. Handcrafted with a solid Sitka spruce top and East Indian rosewood back and sides, it is designed for fingerstyle, intimate strumming, and everything in between.
The 00-28 Modern Deluxe delivers Golden Era tone and modern luxury in a comfortable Grand Concert size, blending a spruce VTS top and Adirondack X-bracing with refined appointments.
An acoustic-electric guitar with a solid mahogany top delivering warm, woody tones with pronounced midrange, paired with sapele back and sides for bright, airy trebles. Equipped with Martin E1 electronics featuring a chromatic tuner and volume, tone, and phase controls.
The Martin 000-15M StreetMaster pairs a comfortable Auditorium body with all-solid mahogany tone and a worn satin finish, delivering vintage style and warm, balanced sound with a broken-in look.
The 000-16 StreetMaster pairs East Indian rosewood back and sides with an Adirondack spruce VTS top under a distressed vintage-style satin finish for aged tone and character.
The 000-17 Whiskey Sunset blends vintage style with a balanced tone full of character. Built with a solid spruce top and mahogany back and sides, it offers clear articulation with a touch of warmth, ideal for a wide range of playing styles.
The 000-17E Black Smoke blends vintage style with a balanced tone that's full of character. Built with a solid spruce top and mahogany back and sides, it offers clear articulation with a touch of warmth—ideal for a wide range of playing styles.
The 000-18 pairs spruce and mahogany for clear, balanced tone in a comfortable Auditorium body. Handcrafted with a solid spruce top and solid mahogany back and sides, it offers a bright treble response, punchy midrange, and impressive projection in a classic, comfortable design.
The 000-18 Modern Deluxe blends vintage Martin tone with cutting-edge features. With a VTS top, comfort-focused neck, carbon fiber bridgeplate, and refined appointments, it's a premium Auditorium model built for tone, style, and innovation.
The 000-28 pairs spruce and rosewood for rich tone and beautiful balance in a comfortable Auditorium body. With vintage-style bracing, elegant appointments, and enhanced playability, it's a timeless Martin built for every player.
The 000-42 Modern Deluxe blends Golden Era elegance with contemporary sophistication, featuring a VTS Sitka spruce top, East Indian rosewood back and sides, and luxurious appointments including pearl bordering and a torch headstock inlay.
Classic Martin craftsmanship in a nylon-string, 12-fret Auditorium with a cutaway. Features solid woods, smooth playability, and E1 electronics, designed for classical, Latin, and fingerstyle players.
The 0012-28 Modern Deluxe blends vintage tone with cutting-edge features in a 12-fret design. With a VTS top, advanced materials, and comfort-focused playability, it's a small-bodied Martin that delivers big character and sound.
The 012-28 Modern Deluxe brings Martin's historic tone to a refined twelve-fret 0-size design. A spruce VINTAGE TONE SYSTEM (VTS) top and Golden Era-style Adirondack spruce X-bracing emulate the warmth and presence of a nearly century-old Martin.
This 000-18 pairs sinker mahogany and Adirondack spruce with Authentic 1937 specs for rich, vintage-inspired tone—balanced and warm, right out of the case.
A solid wood acoustic-electric Dreadnought featuring warm tone, modern playability, and reliable performance with integrated Martin E1 electronics ready for stage or studio use.
Pairs all-solid mahogany construction with a beautifully worn satin finish for vintage vibe and bold Dreadnought tone. Features a mahogany top, back, and sides delivering warm lows, punchy mids, and a strong, dry voice.
The D-16E blends Dreadnought power with Auditorium comfort and comes in rosewood or mahogany. With a solid spruce top, satin finish, and E1 electronics, it's a versatile acoustic-electric built for any performance.
Martin's D-18 Authentic 1937 Aged recreates one of the finest pre-war Dreadnoughts with hide glue construction, Authentic 1937 forward-shifted scalloped bracing, and a thermally aged Adirondack spruce top for the rich, open sound of a well-played pre-war guitar.
The D-18 Authentic 1937 recreates instruments from one of the finest years in Martin's history, utilizing hide glue construction and historically accurate detailing throughout. Genuine mahogany back and sides pair with an Adirondack spruce top, voiced through Martin's Vintage Tone System (VTS) for the warmth and clarity of a well-preserved pre-war Dreadnought.
The D-18 StreetLegend pairs classic Martin tone with a top visually aged to echo museum-worthy guitars. With solid woods, vintage-style details, and bold Dreadnought sound, it's built to look-and sound-like a legend.
The Martin D-28 is widely regarded as the most iconic acoustic guitar in the world, trusted by generations of players and played by countless legends across genres. Its Dreadnought body with scalloped bracing delivers bold, projective tone with strong bass, clear trebles, and rich overtones.
The D-28 Authentic 1937 Aged pairs VTS-aged tonewoods with a beautifully worn finish and vintage specs to recreate the look, feel, and sound of a pre-war Martin Dreadnought.
The D-28 Modern Deluxe elevates Martin's flagship Dreadnought with heritage tone and contemporary craftsmanship, combining a VTS spruce top, Adirondack X-bracing, and exclusive Liquidmetal bridge pins.
The D-28 StreetLegend combines Martin's legendary tone with a worn-in look inspired by vintage museum pieces. Solid East Indian rosewood back and sides with a solid spruce top deliver bold, projective tone with strong bass, clear trebles, and rich overtones.
The Martin D-35 is a unique and trusted classic, first introduced in the mid-1960s and played by countless music legends ever since. Its iconic three-piece East Indian rosewood back and non-scalloped 1/4" bracing deliver a bold, projective Dreadnought voice with strong bass, clear trebles, and rich overtones.
A Standard Series dreadnought featuring a solid Sitka spruce top, East Indian rosewood back and sides, and elegant abalone appointments including hexagon fingerboard inlays and top-edge trim.
The Martin D-42 is a trusted blend of power and pearl, designed for players who seek bold tone and stunning visual details. Its Dreadnought body size delivers a loud, projective sound with strong bass, clear trebles, and rich overtones, making it perfect for both powerful strumming and intricate picking.
The Martin D-42 Modern Deluxe fuses heritage craftsmanship with contemporary innovation, pairing a VTS spruce top and Adirondack X-bracing with luxury Style 42 appointments. A Dreadnought voiced for full, rich tone with notable clarity and projection.
The D-45 is Martin's most ornate Standard Series Dreadnought, featuring elegant abalone inlay, premium tonewoods, and Golden Era bracing—delivering bold tone, timeless style, and the highest level of acoustic craftsmanship.
Part of Project 91, a numbered legacy reborn. A limited-edition recreation of a pre-war D-45 from 1937, faithfully tied to a specific original serial number with period-correct construction.
A limited-edition tribute to the original 1937 D-45, individually linked by serial number to its pre-war counterpart. Features Adirondack Spruce top with VTS, Brazilian Rosewood back and sides, and period-correct appointments throughout.
The D-45 Modern Deluxe pairs Martin's most ornate style with cutting-edge features like a VTS top, carbon fiber bridgeplate, and asymmetrical neck—blending vintage tone and modern performance in a showstopping flagship guitar.
The GPC-16E blends the power of a Grand Performance with the comfort of an Auditorium body, offering tonewood options, smooth playability, and stage-ready electronics—handcrafted in Nazareth to inspire wherever you play.
The Grand J-16E 12-String pairs rosewood tone, comfortable playability, and rich, layered sound with onboard electronics and a built-in tuner for a gig-ready acoustic-electric. Its 12-string configuration adds a unique layer of chime and texture atop a satin spruce top and East Indian rosewood back and sides.
The HD-28 blends legendary Martin tone with timeless craftsmanship. Scalloped bracing and bold herringbone trim pair with rosewood and spruce construction for powerful, balanced sound trusted by generations and ready for today's artist.
The HD-28E combines iconic Martin tone with modern electronics. Scalloped bracing, rosewood and spruce construction, and vintage appointments deliver bold, balanced sound.
The Martin HD-35 is a unique and trusted favorite, delivering bold tone and refined style with a Dreadnought body, solid spruce top, and East Indian rosewood three-piece back and sides.
A 12-string Standard Series Dreadnought with solid Sitka spruce top and East Indian rosewood back and sides, delivering bold projection, rich overtones, and the chime of an extra octave of strings.
The J-40 pairs bold Jumbo tone with timeless style. Rosewood and spruce meet refined details like abalone and hex inlays, delivering rich projection, vintage-inspired tone, and smooth playability that commands attention.
The OM-28 is a timeless Martin classic with a long scale for added projection and clarity. Golden Era bracing, herringbone trim, and smooth playability make it a go-to for tone, comfort, and style.
A compact auditorium-sized acoustic guitar with scalloped bracing, designed for fingerpicking, strumming, or soloing. Combines bold herringbone, East Indian rosewood, ebony, spruce, and vintage appointments for a classic Martin aesthetic.
The OM-28 Modern Deluxe merges vintage Martin character with modern sophistication. A spruce VTS (Vintage Tone System) top and Golden Era-style Adirondack spruce X-bracing replicate the articulate, lively tone of a nearly century-old Martin.
The OM-28E pairs iconic Martin tone with modern upgrades, combining a solid spruce top with East Indian rosewood back and sides in an auditorium 000-14 fret body. Available with either Fishman Aura VT Blend or LR Baggs Anthem onboard electronics for stage-ready performance.
The OM-42 delivers balanced tone, elegant pearl appointments, and long-scale projection, combining premium tonewoods with Golden Era bracing in Martin's Standard Series Orchestra Model.
The crown jewel of Martin's Standard Series, the OM-45 pairs elegant pearl appointments with premium tonewoods for an exceptional acoustic instrument that blends classic Style 45 aesthetics with modern playability enhancements.
Modern playability and classic looks—the SC-18E pairs technology with timeless style and tone, combining SC innovation and Standard Series appointments.
The SC-28E blends Standard Series tonewoods with SC innovation for unmatched playability. With a Sure Align neck, rosewood body, premium electronics, and classic styling, it's a modern Martin built for the stage.
The PRS SE A20E brings all-mahogany construction to our best-selling body shape: the Angelus Cutaway. The Angelus Cutaway body shape delivers comfort and playability and is well-suited for picking and fingerstyle playing.
The PRS SE A40E pairs Ovangkol back and sides with a solid spruce top for full, lush tone. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate, the SE A40E’s voice projects with breathtaking volume and delicate nuance.
The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar.
The PRS SE A60E pairs ziricote back and sides with a solid spruce top. The tone favors a full bottom end with rolled-off highs reminiscent of some vintage acoustic guitars.
The PRS SE A60E pairs ziricote back and sides with a solid spruce top. The tone favors a full bottom end with rolled-off highs reminiscent of some vintage acoustic guitars.
The PRS SE T60E pairs ziricote back and sides with a solid spruce top. The Tonare Grand body shape delivers a familiar feel and a thunderous tone with full bottom end and rolled-off highs, well suited for picking and fingerstyle playing.
Outfitted with a solid spruce top, layered sapele back and sides, and a comfortable neck profile, the 110ce offers big, bold sound for players of all styles and skill levels. This classic Dreadnought acoustic-electric guitar delivers a rich sonic punch with enough projection for both practice and performance situations.
Players love our cutaway Grand Concert acoustic guitars for their articulate sound and compact dimensions, and the 112ce fits the bill at a price point that's especially ideal for new players. A solid spruce top delivers bold, punchy sound with a balanced, clean character, making it a great choice for fingerstyle players as well as flatpickers and strummers.
The 112ce-N is our first 100 Series nylon-string cutaway Grand Concert, blending the warm, snappy sound of nylon strings with a comfortable, compact body shape. It offers an outstanding value for players of all skill levels.
With exceptional playability, rich tone and all the features a player needs for everyday musical applications, the Taylor 114ce acoustic-electric guitar delivers a versatile Grand Auditorium body with a Venetian cutaway, solid torrefied spruce top, and Taylor's Expression System 2 electronics.
The 117e is the first guitar in the 100 Series to feature Taylor's Grand Pacific round-shoulder dreadnought body shape, delivering seasoned neo-vintage tone with a warm voice, clear projection, and low-end power through a torrefied spruce top and layered sapele back and sides.
One of the world's best-selling 12-string acoustic-electric guitars, the Taylor 150ce delivers a satisfyingly textured 12-string tone — clear and balanced with a rich low-end response and octave shimmer on a traditional Dreadnought body.
The 210ce pairs a Dreadnought body with a solid torrefied spruce top and layered walnut back and sides, delivering powerful acoustic tone with clarity, projection, and mature warmth alongside a Venetian cutaway and Expression System 2 electronics.
A compact Grand Concert acoustic-electric featuring a solid torrefied spruce top with layered walnut back and sides, Venetian cutaway, and built-in Expression System 2 electronics suited for both stage and studio use.
An ideal choice for virtually any type of player, the 214ce pairs a Grand Auditorium body with a solid torrefied spruce top, layered walnut back and sides, Venetian cutaway, and Expression System 2 electronics for stage-ready performance.
The 214ce Plus is a Grand Auditorium acoustic-electric with a solid torrefied spruce top, layered Indian Rosewood back and sides, C-Class bracing for enhanced volume and low-end, and Expression System 2 electronics — shipped with an AeroCase.
The 214ce-K combines beautiful layered Hawaiian koa back and sides with a solid torrefied spruce top and Taylor's versatile Grand Auditorium body, delivering warmth and depth alongside a Venetian cutaway and Expression System 2 electronics.
A nylon-string acoustic-electric guitar featuring Taylor's Grand Auditorium body shape with a Venetian cutaway, delivering snappy nylon-string tone from a torrefied spruce top with punchy attack and aged-in warmth, ready for amplified performance via ES-N electronics.
The 217e Plus SB is a Grand Pacific round-shoulder dreadnought acoustic-electric featuring a torrefied Sitka spruce top with Indian Rosewood layered back and sides, tobacco sunburst finish, and Expression System 2 electronics.
Crafted at the intersection of solid-wood tone and workhorse utility, the 312ce generates a clear, punchy midrange response with a warm, woody character from sapele back and sides paired with a Sitka spruce top.
The 312ce 12-Fret pairs a solid Sitka Spruce top with Sapele back and sides using Taylor's patented V-Class bracing, with a 12-fret neck join for warmer, more balanced tone and Expression System 2 electronics.
The 312ce-N is a nylon-string acoustic-electric guitar from Taylor's 300 Series, designed for classical and fingerstyle players, with a Grand Concert body, solid Sitka spruce top, solid sapele back and sides, and ES-N electronics.
The 314ce is an all-solid Grand Auditorium acoustic-electric guitar with a Sitka spruce top and sapele back and sides, delivering a punchy, shimmering midrange with warm low-end character via V-Class bracing and ES2 electronics.
The 314ce-N brings classical nylon-string tone to Taylor's versatile Grand Auditorium platform, with a Sitka spruce top, sapele back and sides, Venetian cutaway, and ES-N electronics for amplified performance.
The 322ce is a Grand Concert acoustic-electric built entirely from Neo-Tropical Mahogany — top, back, sides, and neck — delivering rich midrange punch and articulate fingerstyle response with V-Class bracing and ES2 electronics.
The 324ce is a Grand Auditorium acoustic-electric built entirely from solid Neo-Tropical Mahogany — top, back, sides, and neck — delivering bold midrange warmth with Taylor's patented V-Class bracing and ES2 electronics.
The 352ce is a 12-string Grand Concert acoustic-electric from Taylor's 300 Series, featuring a solid Sitka spruce top with sapele back and sides, V-Class bracing, and ES2 electronics.
The 354ce is a 12-string Grand Auditorium acoustic-electric from Taylor's 300 Series, featuring a solid Sitka spruce top with sapele back and sides, V-Class bracing, and ES2 electronics.
The 362ce is a 12-string Grand Concert acoustic-electric built from all-solid Neo-Tropical Mahogany, with V-Class bracing, a Venetian cutaway, and ES2 electronics — the compact 24-7/8" scale reduces string tension for more comfortable 12-string playability.
The 412ce is a Grand Concert acoustic-electric from Taylor's 400 Series, featuring Indian rosewood back and sides with a Sitka spruce top, V-Class bracing, and ES2 electronics — a fingerstyle-friendly combination with crisp trebles and warm low end.
The 414ce is a Grand Auditorium acoustic-electric from Taylor's 400 Series, pairing a solid Sitka spruce top with solid Indian rosewood back and sides for warm lows and pristine highs, with V-Class bracing and ES2 electronics.
The 454ce is a 12-string Grand Auditorium acoustic-electric from Taylor's 400 Series, pairing Indian rosewood back and sides with a Sitka spruce top, V-Class bracing, and ES2 electronics for rich, full-bodied amplified performance.
The 512ce is a Grand Concert acoustic-electric from Taylor's 500 Series, featuring a torrefied Sitka spruce top with solid red ironbark back and sides, V-Class bracing, and ES2 electronics — delivering a warm, piano-like balance with rich low end and midrange clarity.
The 514ce is a Grand Auditorium acoustic-electric from Taylor's 500 Series, featuring a torrefied Sitka spruce top with solid red ironbark back and sides — a tonewood delivering a sweet, muscular voice combining rosewood's fidelity with mahogany's warmth — with V-Class bracing and ES2 electronics.
The 552ce is a 12-string Grand Concert acoustic-electric from Taylor's 500 Series, featuring a torrefied spruce top with solid red ironbark back and sides, V-Class bracing, Venetian cutaway, and ES2 electronics.
The 612ce is a Grand Concert acoustic-electric from Taylor's 600 Series, featuring a torrefied Engelmann spruce top with solid maple back, sides, and neck, delivering bright and articulate tone with warmth — with V-Class bracing and ES2 electronics.
The 614ce is a Grand Auditorium acoustic-electric from Taylor's 600 Series, featuring a torrefied Sitka spruce top with Big Leaf maple back and sides, V-Class bracing, and ES2 electronics — producing bright, articulate tone with strong note definition.
The 722ce is a Grand Concert acoustic-electric from Taylor's 700 Series built entirely from select-grade Hawaiian koa, delivering a vibrant, articulate tone with crisp trebles and warm midrange, with V-Class bracing and ES2 electronics.
The 724ce is a Grand Auditorium acoustic-electric from Taylor's 700 Series built entirely from select-grade solid Hawaiian koa, delivering bold attack with crisp trebles, rich midrange, and a low end that deepens over time, with V-Class bracing and ES2 electronics.
The 812ce is a Grand Concert acoustic-electric from Taylor's 800 Series, pairing Indian rosewood back and sides with a Sitka spruce top and V-Class bracing — delivering richly textured sound with lush overtones, crisp trebles, and warm low end, with ES2 electronics.
The 814ce is a Grand Auditorium acoustic-electric from Taylor's flagship 800 Series, pairing East Indian rosewood back and sides with a Sitka spruce top and V-Class bracing for warm lows, pristine trebles, and natural amplified performance via ES2 electronics.
The 854ce is an 800 Series 12-string Grand Auditorium acoustic-electric, pairing Indian rosewood back and sides with a solid Sitka spruce top and V-Class bracing — featuring a radius rosewood armrest for enhanced playing comfort and ES2 electronics.
The Academy 10e is an entry-level acoustic-electric dreadnought from Taylor's Academy Series, featuring a solid torrefied spruce top, layered walnut back and sides, a slender neck profile for beginners, and ES-B electronics with a built-in chromatic tuner.
The Academy 12e is an acoustic-electric Grand Concert guitar from Taylor's Academy Series, featuring a solid torrefied spruce top, layered walnut back and sides, ES-B electronics with built-in chromatic tuner, and an integrated armrest for comfortable playability.
The Academy 12e-N is a nylon-string acoustic-electric from Taylor's Academy Series, featuring a solid torrefied spruce top, layered walnut back and sides, Grand Concert body, carved armrest, and ES-N electronics for amplified classical performance.
The Academy 22e is a Grand Concert acoustic-electric from Taylor's Academy Series, featuring a solid walnut top, layered walnut back and sides, integrated walnut armrest bevel, and ES-B electronics with built-in chromatic tuner.
The Baby Mahogany BT2 is a 3/4-scale acoustic guitar with a solid Neo-Tropical Mahogany top and layered Sapele back and sides, designed for beginners and travelers with a comfortable slim neck and 22-3/4" scale length.
The Baby Taylor BT1 is a 3/4-scale acoustic guitar with a torrefied spruce top and layered walnut back and sides — compact and portable for beginners, young players, and travelers, with a 22-3/4" scale length and no electronics.
The BT1e is a 3/4-scale acoustic-electric from Taylor's Baby Taylor series, pairing a torrefied spruce top with layered walnut back and sides, and ES-B electronics with a built-in digital chromatic tuner.
The BTe Koa is a 3/4-scale acoustic-electric Baby Taylor built with all-Hawaiian-koa construction — solid koa top with layered koa back and sides — featuring ES-B electronics with built-in digital tuner.
The GS Mini is a compact acoustic guitar featuring a solid torrefied spruce top with layered sapele back and sides, delivering bold, clear tone from Taylor's travel-friendly GS Mini body shape with a 23-1/2" scale length.
The GS Mini Mahogany is a compact travel acoustic guitar with a solid Neo-Tropical Mahogany top and layered Sapele back and sides, delivering a warm, focused midrange tone in Taylor's portable GS Mini body.
The GS Mini-e Bass is a compact acoustic-electric bass guitar featuring a solid Sitka spruce top with layered sapele back and sides, delivering a punchy, warm bass tone with ES-B electronics and a built-in digital chromatic tuner.
The GS Mini-e Koa is a compact acoustic-electric guitar featuring a solid Hawaiian koa top with layered koa back and sides, delivering a clear, warm, punchy tone with ES-B electronics and a built-in digital chromatic tuner.
The GS Mini-e Koa Bass is a portable acoustic-electric bass guitar featuring a solid Hawaiian koa top with layered koa back and sides, delivering warm, snappy bass tone with ES-B electronics and a built-in digital chromatic tuner.
The GS Mini-e Mahogany is a compact acoustic-electric guitar featuring a solid neo-tropical mahogany top with layered sapele back and sides, delivering a punchy midrange voice with ES-B electronics and a built-in digital chromatic tuner.
The GS Mini-e Rosewood Plus is a compact acoustic-electric guitar featuring a solid Sitka spruce top with layered rosewood back and sides, equipped with Taylor's Expression System 2 pickup in a travel-friendly GS Mini body. It ships with a brown AeroCase.
The K22ce is a Grand Concert acoustic-electric guitar built entirely from solid Hawaiian koa with a Venetian cutaway and Taylor's Expression System 2 electronics, delivering warm midrange and clear articulation well-suited for fingerstyle playing.
The K22ce 12-Fret is a Grand Concert acoustic-electric guitar built entirely from solid Hawaiian koa with a 12th-fret neck joint, Venetian cutaway, and Taylor's Expression System 2 electronics, offering enhanced midrange warmth with V-Class bracing.
The K24ce is a Grand Auditorium acoustic-electric guitar built entirely from solid Hawaiian koa with a Venetian cutaway and Taylor's Expression System 2 electronics, pairing V-Class bracing with a 25-1/2" scale length for balanced volume, sustain, and intonation.
The PS14ce is a Grand Auditorium acoustic-electric from Taylor's Presentation Series, featuring a Sinker Redwood top with Honduran Rosewood back and sides, V-Class bracing, and ES2 electronics with California Vine inlays and a radius armrest.
The PS54ce is a 12-string Grand Auditorium acoustic-electric from Taylor's Presentation Series, featuring an Adirondack spruce top with Honduran rosewood back and sides, V-Class bracing, ES2 electronics, and premium appointments including Paua California Vine inlays and a radius ebony armrest.
The T5z Custom Koa is a hybrid hollowbody guitar featuring a figured Hawaiian koa top over a Shamel Ash body with chamfered edges and an integral armrest, combining a concealed neck humbucker, middle humbucker, and acoustic body sensor with five-way switching for a wide range of acoustic and electric tones.