The AG 500 is a 500-watt Class D bass amp head designed for bassists seeking a pristine, hi-fi sound that is both articulate and responsive. It delivers transparent tone that allows the natural voice of your bass to shine clearly with high clarity, dynamic range, and fast transient response.
The AG 700 is a 700-watt Class D bass amp head designed for bassists seeking a pristine, hi-fi sound that is both articulate and responsive. It features a comprehensive 4-band EQ with Deep and Bright broadband boosts and delivers transparent tone that allows the natural voice of your bass to shine clearly.
The DB 751 combines the legendary tube-driven tone of the DB 750 with greater EQ control, delivering 975 watts at 2 ohms and 750 watts at 4 ohms for the headroom to play any size venue.
The Tone Hammer 210 Combo delivers the sound, feel, and authority of an Aguilar rig in a streamlined, gig-ready combo for small to medium rooms, combining a compact vertically oriented 2x10 cabinet with a 300-watt Tone Hammer amplifier.
Designed for the discerning bassist, the Tone Hammer 500 is a lightweight yet powerful 500-watt Class D bass amplifier inspired by the soulful warmth of tube amplifiers. Its harmonically rich preamp offers a round, full-bodied character with a 3-band EQ, fully sweepable midrange, and Aguilar's proprietary AGS Drive circuit for tube-like grit and punch.
Designed for the discerning bassist, the Tone Hammer 700 is a lightweight yet powerful 700-watt Class D bass amplifier inspired by the soulful warmth of tube amplifiers. Its rich, harmonically-voiced preamp features a classic 3-band EQ with fully sweepable midrange, a proprietary AGS Drive circuit, and the Aguilar Cabinet Suite for studio-quality cabinet emulation.
An all-tube bass amplifier head that combines circuits from the original 1969 Blue Line SVT and mid-1970s Magnavox-era designs — the SVT for the 21st century, with modern enhancements and vintage aesthetics.
Designed and assembled in the U.S.A., the Ampeg Heritage SVT-CL features the highest-quality components. At the core of its classic SVT tone is the legendary Ampeg EQ, which offers time-tested flexibility and control. It's our Heritage, but it's your gear—and it has been for more than 60 years.
The 20-watt PF-20T is a lower-wattage version of the PF-50T. Like its more powerful sibling, the PF-20T features a versatile EQ section, a transformer-balanced DI circuit, and a user-adjustable Bias control. It delivers the same legendary all-tube tone, just at lower volumes.
The 50-watt PF-50T traces its origins back to the legendary B-15 flip-top amp, revered for its glorious all-tube, low-wattage studio and stage sounds. Features include a versatile EQ section, a transformer-balanced DI circuit, and a user-adjustable Bias control for adjusting the power amplifier's response to playing dynamics.
The 30-watt RB-108 combo is the ideal practice amp for professionals and beginners alike. Classic 3-band EQ and Super Grit Technology overdrive make it easy to dial in legendary Ampeg tone, with an auxiliary input for play-along and a headphone output for silent practice.
The 50-watt RB-110 is an ideal amp for practicing and playing small venues. Classic 3-band EQ and Super Grit Technology overdrive make it easy to dial in legendary Ampeg tone, with an auxiliary input for play-along, a headphone output for silent practice, and an XLR direct output for P.A. or recording.
The 100-watt RB-112 combo features a custom 12" Lavoce speaker for practicing, performing, and recording. Classic Ampeg 3-band EQ with Ultra Hi/Ultra Lo switches and Super Grit Technology overdrive deliver legendary Ampeg tone.
The 200-watt RB-115 is an exceptional gigging and recording amplifier with a custom 15" Lavoce speaker. Classic Ampeg 3-band EQ and Ultra Hi/Ultra Lo switches combine with Super Grit Technology overdrive for legendary Ampeg tone.
The 500-watt RB-210 is the ideal portable gigging amp. Dual custom 10" Lavoce speakers paired with a mutable HF horn reproduce a wide range of bass sounds, while classic Ampeg 3-band EQ, Ultra Hi/Ultra Lo switches, and Super Grit Technology overdrive deliver legendary Ampeg tone.
The best-selling PRO Series amp. The SVT-3PRO is a hybrid tube/solid-state bass amplifier head engineered for flexibility and potency, capable of producing stage-shattering sound night after night. Delivers the signature fat and warm Ampeg Round Sound in a powerful, flexible, and portable 2U rackmount package.
The SVT-4PRO crystallizes the SVT-PRO philosophy, delivering more performance, flexibility, and power than any other amp in its class. A hybrid tube/solid-state preamp drives dual high-output Class AB power amps in a 3U rack chassis with extensive tone shaping and bi-ampable, bridgeable outputs.
Lightweight, heavy-duty tone. The SVT-7PRO is a 1,000-watt Class D bass amplifier head with a tube-driven preamp, switchmode power supply, and onboard compressor. It delivers signature fat and warm Ampeg Round Sound in a rack-mountable 15.5 lb chassis.
The SVT-CL is Ampeg's modernized version of its legendary 300-watt all-tube bass amplifier head, descended directly from the original late-'60s SVT but updated with a balanced output and Neutrik speakON jack for contemporary stage and studio use.
A limited-edition, hand-built 600-watt bass amplifier head built on Ashdown's ABM EVO-IV platform, with a variable valve-driven preamp using a 12AX7 tube, a 9-band EQ, one-knob dynamic compression and a sub-harmonic generator. Styled to match the 20th Anniversary ABM 410H cabinet with black diamond check vinyl and an anodized alloy front panel.
A rackmount bass head combining the all-tube preamp warmth and grind of the 427 Small Block with a tour-proven 500-watt ABM power stage. It offers High and Low gain inputs, front-panel Effects Send and Return, Bass/Middle/Treble EQ with Mid Shift, Bass Shift and Bright switching, a Mute switch, Gain and Master volume, and a balanced DI output with Pre/Post switching.
An entry-level bass practice combo in the AAA (All Access) range, pairing a 30-watt power section (4 Ohms) with a single 8" Ashdown speaker. It has Bass/Middle/Treble EQ, a Gain control for tube-emulated overdrive, and an MP3/line input with a level mix control.
A 30-watt bass practice combo with a single 8" Ashdown speaker, part of the AAA range. It retains the core AAA features in a compact package: High and Low impedance inputs for active or passive basses, Bass/Middle/Treble EQ, a line input with mix control, a headphone output, an extension speaker output that mutes the internal speaker, and an AppTek socket for iOS amp-sim integration.
A 60-watt bass practice combo in the AAA range, driving a custom 10" Ashdown speaker. It has High and Low impedance inputs, a 3-band EQ, tube-emulated drive, a line input, a headphone output with speaker mute, an XLR DI, an extension speaker output, and an AppTek socket for iOS amp-sim integration.
A 40-watt bass practice combo in the AAA (All Access) range, driving a custom 10" Ashdown speaker. It offers a 3-band EQ, Hi and Low inputs, a Drive control, an XLR DI, a headphone output, an auxiliary input with mix control, and an AppTek socket for iOS amp-sim integration.
A lightweight 300-watt bass combo in the AAA EVO range, loaded with 2 x 10" custom Ashdown speakers. It features footswitchable tube-emulated overdrive, a 4-band EQ with sweepable mid, Vintage/Modern voicing switches for lows and highs, passive and active inputs, a balanced XLR DI, an FX loop, a line input, a tweeter mute, a speaker mute, and a headphone socket.
A 125-watt bass combo in the AAA range (named for John Entwistle), driving a single 15" Ashdown speaker as a compact practice and rehearsal amp. It has High and Low impedance inputs, a 5-band EQ, tube-emulated drive, a line input, a transparent effects loop, a headphone output with speaker mute, an XLR DI, and an AppTek socket for iOS amp-sim integration.
The Five 15 BB ("Big Boy") is a 220-watt bass combo in the AAA range, driving a single 15" Ashdown speaker and fitted with casters as standard. It has High and Low impedance inputs, a 5-band EQ, tube-emulated drive, a line input, a transparent effects loop, a headphone output with speaker mute, an XLR DI, an extension speaker output, and an AppTek socket for iOS amp-sim integration.
The Five 15 Head is a feature-packed, affordable 220-watt bass head in the AAA range for players who prefer a head-plus-cab rig. It has High and Low impedance inputs, a 5-band EQ, tube-emulated drive, a line input, a transparent effects loop, a headphone output with speaker mute, an XLR DI, and an AppTek socket for iOS amp-sim integration.
Ashdown's smallest bass combo, the AAA Tour Bus 10 packs a 10W power amp and a rugged 6.5" driver into a super-compact box. Simple volume, bass and treble controls make it easy to dial in a strong core tone for home practice and learning. A headphone output allows silent practice and an MP3/CD input lets you jam along with your favourite tracks.
A stripped-back budget bass combo, the AAA Tour Bus 15 pairs a 15W power amp with a rugged 8" driver. Simple volume, bass and treble controls make it easy to get a great practice tone. A headphone output allows silent practice and an MP3/CD input lets you jam along with your favourite tracks.
The AAA Vintage 12 is a compact, feature-packed practice and rehearsal bass combo combining a 75W power amp with a high-quality Ashdown 12" bass speaker. High and Low impedance inputs handle active or passive basses, and a tube-emulated drive control takes your tone from warm and clean to fat musical distortion. Its App-Tek socket connects to smartphone and tablet amp-sim and effects apps (including Ashdown's own ABM Pre app), and a DI output feeds a mixer or PA.
A 100-watt bass combo in the AAA EVO range with a 1 x 12" speaker plus HF tweeter. It has High and Low instrument inputs, a line/Bluetooth input with mix control, Bass/Middle/Treble EQ, a balanced XLR DI output, and a 1/4" jack speaker output. Rated at 8 Ohms, dropping to a minimum of 4 Ohms with an extension cab added.
A lightweight 120-watt bass combo delivering classic Ashdown tone through a single 15" speaker. It offers passive and active inputs, a 4-band EQ with sweepable mids, a footswitchable valve-emulated overdrive, an FX loop, a balanced XLR DI output, a switchable tweeter, a headphone output, an extension speaker out, and an AppTek socket for iOS amp-sim integration.
A 30-watt bass combo with a single 8" speaker, delivering full-sized Ashdown bass tone at practice volumes in a portable package. It has a 3-band EQ, a 1/8" line input for playing along, a headphone output for silent practice, and an AppTek socket for iOS amp-sim and FX apps.
A lightweight, punchy 60-watt bass combo with a single 10" speaker and pro features. It offers passive and active inputs, a 3-band EQ, valve-emulated overdrive, a balanced XLR DI output, an aux mix level control for the line input, a headphone output, an 8 Ohm extension speaker output, and an AppTek socket for iOS amp-sim integration.
The ABM 1000 is a professional 1000W bass amp head, delivering the acclaimed ABM sound through a lightweight Class D power amp. It pairs class-leading preamp sophistication with a variable Valve Drive control, the flexible ABM EQ (a 3-band layout supplemented by two pairs of sliders), a one-knob compressor and a sub-harmonic generator, all footswitchable via the FS-4 (not included). Professional connections include a sub-bass output, tuner output, transparent FX loop and a line input.
The ABM 1200 EVO IV is a 1200W bass amp head built for the biggest stages and the studio. It features a sophisticated 9-band EQ with sliders for precise cut and boost, an upgraded Variable Valve Drive preamp that runs from pristine clean to full overdrive, and a One Knob Dynamic Compressor. Professional connectivity includes a tuner output, line out, transparent FX loop and a line input, and it can power single 8 ohm cabinets or pairs of 4 or 8 ohm cabinets. Valve Drive, Compression, EQ and Sub-Harmonic Generation are footswitchable via the optional FS-4.
The ABM 2000 EVO III is the most powerful Ashdown head, pairing the much-loved ABM EVO III preamp with two Class D power sections for 1000+1000W RMS (4000W peak) into two 4 ohm / 4 x 8 ohm outputs. Three rotary tone controls provide 20dB of cut and boost at 60Hz, 660Hz and 5kHz, supplemented by two pairs of sliders. A switchable passive/active input blends solid-state and dual-triode tube preamp stages, and the amp adds a footswitchable compressor, sub-harmonic generator, front-panel balanced DI, sub-bass output, tuner output, FX loop and line input.
The ABM 300 EVO II is a 325W RMS bass amp head designed for bass purists and tech-heads alike. Three rotary tone controls give 20dB of cut and boost at 60Hz, 660Hz and 5kHz, supplemented by two pairs of sliders. A switchable passive/active input blends solid-state and dual-triode tube preamp stages, and the amp adds a footswitchable sub-harmonic generator, a front-panel balanced DI with pre/post EQ switching, a sub-bass output, tuner output, FX loop and line input.
The ABM 300 EVO IV is a 300W bass amp head carrying forward two decades of the ABM legacy, recognisable by its glowing VU meter. It combines class-leading preamp sophistication with the all-new 9-band EQ, a Variable Valve Drive Plus preamp running from clean to overdriven with footswitch control, Ashdown's One Knob Dynamic Compressor and a Sub-Harmonic Generator. Professional connections include a tuner output, transparent FX loop and line input, and it pairs with the optional FS-4 footswitch.
The ABM 400 Ltd Edition marks 25 years of Ashdown's iconic ABM (Ashdown Bass Magnifier) bass amp. UK-built, hand-numbered and signed by founder Mark Gooday, each is supplied in a custom flight case with a personal note of thanks. Central on the front panel is the 7-band EQ that made the ABM a classic, joined by an onboard sub-harmonic generator, a 400W high-headroom power stage and the variable Valve Drive control. Connections include a front-panel balanced DI, rear FX send and return, a pair of Speakon outputs, a line input and a footswitch jack for the included 4-way footswitch.
The ABM 500 EVO III teams Ashdown's acclaimed ABM preamp with a 575W power stage. Its signature VU meter, Variable Valve Drive (from pristine solid-state clean to fat valve overdrive via a single 12AX7), and famous three-band-plus-sliders EQ give a huge range of tones, while a one-knob compressor and independently controllable Sub-Harmonic Generator add fullness. Footswitchable Valve Drive, Compression, EQ, and Sub-Harmonic Generator (via the optional FS-4) plus pro connectivity make it a gigging professional's amp of choice.
A rack-mounted version of the ABM 500 EVO III bass head with a polished chrome panel and 575W power stage. Three rotary tone controls provide 20dB of EQ cut and boost, supplemented by two pairs of sliders. A single input is switchable for passive and active instruments through a blend of solid-state and dual-triode tube preamp stages, all footswitchable along with the compressor and Ashdown's sub-harmonic generator. Front-panel balanced DI (pre/post EQ), sub-bass output, tuner output, FX loop, and line input round out the connectivity.
The most powerful ABM EVO III head, combining the acclaimed ABM preamp with a 575W + 575W stereo power stage for massive power and headroom. Its signature VU meter, Variable Valve Drive (from pristine solid-state clean to fat valve overdrive via a single 12AX7), and famous three-band-plus-sliders EQ deliver a huge range of tones, while a one-knob compressor and independently controllable Sub-Harmonic Generator add fullness. Footswitchable Valve Drive, Compression, EQ, and Sub-Harmonic Generator (via the optional FS-4) plus pro connectivity make it stage- and studio-ready.
A compact 1x10 inch bass combo from the ABM NEO range, pairing the iconic ABM preamp with a lightweight 400-watt power section for pure Ashdown ABM tone in a portable package. Hand-made in the UK, it is sized to be matched with an extension cab from the NEO range for easy rig expansion.
Originally developed for bass legend Mark King, the King Combo combines the ABM 500 EVO II head (575W RMS) with eight 10 inch Ashdown BlueLine drivers in a precision-tuned plywood cabinet. It offers the full ABM preamp toolkit - footswitchable EQ, valve/solid-state blend, compressor, and sub-harmonic generator - plus a balanced DI, sub-bass output, tuner output, FX loop, and line input, all in a rugged birch-ply combo.
A lightweight 1x15 inch bass combo from Ashdown's ABM NEO range, pairing the iconic ABM preamp with a special 400-watt lightweight power section for pure Ashdown ABM tone in a compact package. Assembled in the UK from marine-quality 15mm lightweight plywood and front-ported for maximum forward dispersion.
A lightweight 2x10 inch bass combo from Ashdown's ABM NEO range, pairing the iconic ABM preamp with a special 400-watt lightweight power section for pure Ashdown ABM tone in a compact package. Hand-made in the UK with Ashdown high-frequency horns and custom Italian SICA Neodymium drivers, sized to match a NEO-range extension cab for easy rig expansion.
The Ashdown ABM EVO IV is a 600W bass head building on more than two decades of the ABM range. It features Variable Valve Drive Plus for clean-to-overdriven tones, a new 9-band EQ with precision controls, and an Input VU meter to streamline setup. Beloved ABM features carry over, including the one-knob Dynamic Compressor and the Sub-Harmonic Generator. Professional connectivity (tuner output, transparent FX loop, line input) plus flexible footswitching of Valve Drive, Compression, EQ, and Sub-Harmonic Generation make it stage- and studio-ready.
A rack-mount version of the Ashdown ABM bass head, identifiable by its signature glowing VU meter. The ABM 600RC EVO IV teams the acclaimed ABM preamp with a 600W power stage in a rack-mount chassis.
B-Social delivers signature Ashdown bass tone from a 75W stereo amplifier driving two custom dual-concentric 5" drivers for punchy low-end in a compact enclosure. An App-Tek socket lets players use amp-sim and effects apps on smartphones, including Ashdown's ABM Pre app. It features wireless audio connectivity with a bass transmitter for cable-free playing plus Bluetooth streaming from any compatible music player. A second input lets a bassist play alongside another player, electric or acoustic. Recording is handled by a built-in USB audio interface compatible with major DAWs on PC and Mac, and a speaker-mute switch enables headphone monitoring. Rounding out the connections are a Line In, Line Out and Headphone Out. Available in three high-gloss wood finishes: Natural, Black and White.
The CTM-15 packs 15 watts of pure valve tone into a compact, studio-friendly bass amp head with a built-in load and headphone output for silent practice. Powered by a dual EL84 stage, it delivers everything from fat cleans to gritty overdrive, with an analogue VU meter for precise output monitoring. Its low wattage makes it easy to drive hard for red-blooded overdrive without shaking the foundations. With 4/8 ohm speaker outputs, rugged construction, and a five-year warranty, the CTM-15 proves big tone can come in small packages.
The CTM-200R is an all-valve rack-mount bass head delivering 200 watts of valve-driven power, built for the stage. Crafted in Essex, England in a 2mm mild steel chassis with spot-welded supports, it runs a five-valve preamp (2 x ECC832, 2 x ECC82, 1 x ECC99) into four KT88 output valves, covering everything from '60s bass warmth to growling '70s tones and thick modern punch. Standard tone controls plus Deep, Mid Shift, and Bright switches shape a responsive passive EQ, while user-adjustable bias via a dual-function VU meter, individually fused and user-replaceable output valves, a tube-driven transformer-derived DI with isolated ground, and a front-mounted valve FX loop round out the feature set.
The CTM-30 Little Stubby is the next step in Ashdown's CTM (Classic Tube Magnifier) bloodline, an evolutionary step forward from the classic LB-30/CTM-30 that packs all-valve bass tone into a highly compact package. Producing 30 watts from 4 x EL84 output valves, it is all about purity of tone combined with real-world versatility: input gain and master volume span deep cleans to heavily overdriven contemporary tones, while a unique Feedback control reshapes the amp's character from old-school vintage voicing to tighter, more mid-heavy modern tones. A well-considered three-band EQ and an FX send/return round out the feature set.
The CTM-30 Tweed delivers 30 watts of all-valve tone in a tweed finish, aimed at recording sessions and smaller gigs. It offers a balanced DI output, a front-mounted FX loop, and passive Bass, Middle and Treble EQ with Bass Shift, Mid Shift and Bright switching for expanded tonal shaping.
The Drophead 15 packages the all-valve tone of the CTM-15 tube bass head into a compact combo with a 1x10-inch cabinet tuned for home and studio use. A dual EL84 power stage delivers deceptively large tones from just 15 watts, making red-blooded overdrive easy to reach, and an analogue VU meter helps find the amp's sweet spot fast. The flip-up head design clips into position for play.
The EB180H is an affordable Electric Blue bass amp head with a 180 watt RMS fan-cooled, fast-transient power stage and a fully-featured preamp with inputs for both active and passive instruments. It offers an illuminated VU meter, a 5-band EQ with Bright and Deep switches, a front-panel balanced DI output, an FX loop, a tuner/line output and the classic Ashdown sub-harmonic generator.
The EB LITE 15-220 EVO III is an affordable Electric Blue 1x15-inch bass combo with a 220 watt RMS fan-cooled, fast-transient power stage and a fully-featured preamp for active and passive instruments. It offers an illuminated VU meter, a 5-band EQ with Bright and Deep switches, a front-panel balanced DI output, an FX loop, a tuner/line output, a built-in compressor and the classic Ashdown sub-harmonic generator, driving an Ashdown 'Blueline' speaker.
The EB LITE 12-220 EVO III is an affordable Electric Blue 1x12-inch bass combo with a 220 watt RMS fan-cooled, fast-transient power stage and a fully-featured preamp for active and passive instruments. It offers an illuminated VU meter, a 5-band EQ with Bright and Deep switches, a front-panel balanced DI output, an FX loop, a tuner/line output, a built-in compressor and the classic Ashdown sub-harmonic generator, driving an Ashdown 'Blueline' speaker.
The Five Fifteen is a budget bass practice combo from Ashdown's All Access range, named in memory of John Entwistle. It combines a 100 watt power section with a single 15-inch Ashdown bass speaker and the acclaimed ABM EQ section for precision tone control, with an input level control ranging from super-clean to classic tube overdrive. It adds an MP3 input with mix level control and the classic Ashdown VU meter.
The Five 15 Mini Stack is a budget bass rig from Ashdown's All Access range, pairing a simplified 100 watt ABM-based head with a 2x10-inch cabinet. A seven-band ABM EQ allows precision tone sculpting, while the input level control takes the tone from clean to overdriven tube-like sounds. It adds a line input with level control for jamming and a headphone output for quiet practice.
The Geezer Butler Combo of Doom is a UK-built, 200-watt 1x12" bass combo created in collaboration with legendary Black Sabbath bassist Geezer Butler. Part of the Ashdown Artist Editions range, it delivers massive tone in a compact, lightweight format built around a premium 12" Sica Neo speaker, a 5-band EQ with Shape control, an FX loop, a balanced XLR DI output and a headphone output that mutes the speaker. A tube-emulated Drive control and pre-gain input matching handle both active and passive basses, and the amp ships in a striking purple Tolex finish with a black grille.
Handcrafted in the UK Custom Shop for Black Sabbath's Geezer Butler, the Head of Doom is a 600-watt bass head delivering signature Ashdown tone with crushing power and versatility. Built on the flagship ABM platform, it features a 9-band EQ, a Sub-Harmonic generator and the unique Doom control that drives a 12AX7 preamp stage for rich harmonic distortion. Dual inputs handle passive and active basses, twin illuminated VU meters monitor input and output, and full pro connectivity includes a balanced DI, FX loop, line in/out, tuner output and dual Jack/Speakon speaker outputs. UK-built to order.
Created with Guy Pratt, the Interstellar is a 600-watt UK-built bass head inspired by his long history with the ABM-900. It features a 9-band EQ, valve drive, and foot-switchable compression and sub-harmonics, delivering the versatility, punch and precision that define Pratt's tone. The custom wood enclosure is visually striking and acoustically tuned, with an optional rack kit for flexible setups. Full pro connectivity includes a balanced DI, tuner output, line input, FX return and dual Jack/Speakon speaker outputs.
The JJB-500 is a signature bass amp head developed with The Stranglers bass icon JJ Burnel. Built as a versatile, rack-mounting head with a thrilling dynamic range and an ultra-clean, fast-response 575-watt RMS output section, it offers a balanced low-impedance XLR input alongside a conventional jack, a 12-band graphic EQ, the Ashdown Harmonic Emphasis circuit, a switchable pre/post-EQ balanced DI output, a tuner output with mute, an effects loop, a line output, and speaker outputs on both jack and Speakon connectors.
The LB 30 2.N delivers 30 watts of EL84-driven valve warmth with modern flexibility thanks to built-in Two Notes Torpedo cabinet simulation. Choose from six Ashdown cab models via a rotary selector, edit or update IRs over USB, and integrate seamlessly with a balanced DI, MIDI control, and full I/O for studio or stage. Lightweight at 10 kg, with ECC81/82/83 preamp valves and both active and passive inputs, it blends vintage tone with cutting-edge control.
Based on the all-valve CTM-30 head, the LB-30 Drophead 15H (Drophead 30 C115H) brings classic all-tube tone in a retro combo format suited to studio recording and small gigs, pairing the CTM-30 amp with a boutique-style 1x15" plus HF horn cabinet. It offers hi and low inputs for active or passive basses, Bass/Mid/Treble EQ with Mid Shift, Bass Shift and Bright switching, a balanced DI, a front-mounted effects loop, and a flip-up drophead design.
The Little Giant 1000 is an ultra-compact bass amp head that fits in the front pocket of a gig bag yet punches well above its 3.5 kg / 7.7 lb weight. It packs switchable active/passive instrument inputs, a 7-band semi-parametric EQ, Deep and Shape switches, an EQ in/out switch and an input level meter, plus a pre/post switchable balanced DI, FX send and return, line in/out and a pair of combination Speakon/Jack speaker outputs, delivering 1000 watts into 4 Ohms.
The MAG 300H EVO III is a bass amplifier head with a fan-cooled 300-watt power section. It carries a comprehensive 5-band EQ with rotary bass, middle and treble plus 15dB cut and boost at 220Hz and 1.6kHz, front-panel Bright and Deep push switches, the trademark Ashdown sub-harmonic generator, a built-in compressor and a footswitchable Overdrive control. Inputs are provided for active and passive instruments, and the front panel adds an effects send and return, a tuner/line output and a balanced DI output for direct connection to a mixing console.
The MAG 600H EVO III is a bass amplifier head with a fan-cooled 600-watt power section. It carries a comprehensive 5-band EQ with rotary bass, middle and treble plus 15dB cut and boost at 220Hz and 1.6kHz, front-panel Bright and Deep push switches, the trademark Ashdown sub-harmonic generator, a built-in compressor and a footswitchable Overdrive control. Inputs are provided for active and passive instruments, and the front panel adds an effects send and return, a tuner/line output and a balanced DI output for direct connection to a mixing console.
The MAG C115-300 EVO III is a 300-watt bass combo with a single 15" driver. Its feature-packed preamp offers rotary bass, middle and treble plus 15dB cut and boost at 220Hz and 1.6kHz, front-panel Bright and Deep push switches, the trademark Ashdown sub-harmonic generator, a built-in compressor and a tube-emulated drive control. Connections include active and passive instrument inputs, an effects send and return, a tuner/line output and a balanced DI output.
The MAG C210T-300 EVO III is a 300-watt bass combo with a pair of 10" drivers and a high-frequency tweeter. Its feature-packed preamp offers rotary bass, middle and treble plus 15dB cut and boost at 220Hz and 1.6kHz, front-panel Bright and Deep push switches, the trademark Ashdown sub-harmonic generator, a built-in compressor and a tube-emulated drive control. Connections include active and passive instrument inputs, an effects send and return, a tuner/line output and a balanced DI output.
The MAG C410T-600 EVO III is a 600-watt bass combo with 4 x 10" drivers and a high-frequency tweeter. Its feature-packed preamp offers rotary bass, middle and treble plus 15dB cut and boost at 220Hz and 1.6kHz, front-panel Bright and Deep push switches, the trademark Ashdown sub-harmonic generator, a built-in compressor and a tube-emulated drive control. Connections include active and passive instrument inputs, an effects send and return, a tuner/line output and a balanced DI output.
The MiBass 2.0 is a compact bass amplifier head with a 400W RMS (640W peak) power section that fits in a gig-bag pocket. It distills Ashdown's musical EQ into a classic 3-band Bass, Middle and Treble section paired with a variable Gain control for tones from warm and clean to full overdrive. Connections include a headphone socket, a line input for jamming and a pro-quality DI for sending bass tone straight to the desk.
The MiBass 220 is a compact bass amplifier head delivering 220W of Class D power in a gig-bag-sized chassis with an internal power supply. It features a switchable Active/Passive instrument input, input level control with the trademark Ashdown VU meter, and a 7-band semi-parametric EQ with Deep and Shape voicing buttons and an EQ In/Out bypass. The rear panel carries combination Jack/Speakon speaker outputs, a Pre/Post switchable balanced DI, an FX send and return and a headphone jack.
It fits in the pocket of a gig bag, yet it is big enough to fill a serious venue with warm authoritative Ashdown tone. The MiBass 550 packs 550W of Class D power and a plethora of pro features into a stylish, compact bass head with an internal power supply.
A lightweight 300-watt bass combo with a single 12" speaker, weighing just 12.5kg (27.5lbs). A 5-band EQ gives precise tone shaping, and a front-facing FX loop, XLR DI output, and headphone jack cover modern needs. Its kickback design lets it double as a floor monitor. Scuff-proof paint and sturdy construction handle the road, backed by a 5-year warranty, auto-protect voltage for global touring, and an adaptive temperature-controlled fan.
A lightweight 300-watt bass combo inspired by the classic Flip Top design, with a custom 15" speaker and a weight of just 15kg. A comprehensive 5-band EQ handles booming lows through crystalline highs, while a front-facing FX loop, XLR DI output, and built-in headphone out add modern convenience. Its kickback design works as a floor monitor or in standard vertical position. Rugged build, scuff-proof paint, and quality-control pots survive the road, backed by a 5-year warranty, auto-protect voltage, and an adaptive temperature-controlled fan.
A lightweight 300-watt bass combo delivering Ashdown tone through two 10" speakers while weighing just 14.5kg (32lbs). A comprehensive 5-band EQ makes dialling in tone easy, and a front-facing FX loop, XLR DI output, and headphone out add modern convenience. Its kickback design works either as a floor monitor or in standard vertical position, with tough carpet covering and a steel grille completing the package.
A 300-watt mini bass head weighing just under 2.5kg (7lbs), combining power, portability, and tonal versatility. At its heart is a 5-band EQ (bass, middle, treble plus hi-mid and lo-mid) with a Shape control for further sculpting. A front-facing effects loop and XLR DI output keep the signal clean and manageable, while the rear panel carries a headphone out for silent practice and multiple speaker outputs for versatile rig configurations. A rugged design with scuff-proof paint and a steel and alloy chassis, backed by a 5-year warranty, auto-protect voltage, and an adaptive temperature-controlled fan.
A 500-watt lightweight bass amp head, the same compact size as the best-selling OriginAL 300 with power increased for players who need headroom on larger stages. At under 2.5kg (7lbs) it is highly portable, with a 5-band EQ (bass, middle, treble plus hi- and lo-mid), a front-facing effects loop, and an XLR DI output. Delivers Ashdown tone in a gig-ready, versatile and affordable package.
A compact, road-ready 300-watt bass amp head. The OriginAL-EVO-300 combines a versatile 5-band EQ, an effects loop, and an XLR DI output with rugged construction, making it a partner for rehearsals, studio sessions, and gigs. Lightweight and reliable, it delivers Ashdown bass tone you can carry anywhere.
A portable 300-watt bass combo weighing just 13.5kg, built for players who need big sound without the bulk. The OriginAL-EVO-C112-300 pairs a flexible 5-band EQ with an FX loop, a headphone output, and rugged construction backed by a 5-year warranty, making it an all-in-one solution for rehearsals, studio sessions, and live gigs.
Designed with bass maestro Wojtek Pilichowski, the PiBass 240 is a compact digital bass amp head packing 240 watts into a 1.5kg (3.3lbs) box small enough for a gig-bag pocket. A digital design delivers the fat low-end Ashdown is known for, with a single 8 ohm output for full power through one cab. A flexible EQ offers four sliders (Bass, Lo-Mid, Hi-Mid, Treble) that boost or cut up to 15dB, with FREQ-Hz rotary controls setting the frequency for the mid and treble sliders. A Bright switch adds warmer, vintage-flavoured EQ, and input level switching accommodates active or passive instruments. A Ground Lift switch (specified by Wojtek) eliminates noise from bad power, and a headphone output and professional DI output round out the connections.
The Rootmaster RM220 is a compact, reliable bass head built for hard-working players on a budget. A classic 220W solid-state engine drives an ultra-low-noise instrument input with matching Input Level control, five-band rotary EQ, a Shape switch for instant classic Ashdown tone, a one-knob compressor, footswitchable tube-emulated overdrive, and a footswitchable Sub-Harmonic Generator. Rear-panel connections include an FX loop send and return, a DI output for PA or recording, a line input for backing tracks, and a combined Jack/Speakon speaker output rated to a minimum 4-ohm load.
Powered by a 420W digital amp, the RM420 is the lightest Rootmaster head at 4kg, the perfect choice for working bassists looking for power and features without the weight.
A compact powerhouse bass combo pairing a single 12 inch Ashdown bass speaker with a 220W solid-state amp, loaded with Rootmaster tone-shaping features for players who dig the mid-range punch of a compact combo.
For players who love the smooth, warm, bottom-heavy tone of a 1x15 inch cabinet, the RM C115-420 delivers 420W of thunderous bass power into a single 15 inch Ashdown speaker, loaded with Rootmaster tone-shaping features.
Powered by a 420W digital amp, the RM C210-420 is ideal for players who favour a tight, defined sound, delivering its power via a pair of 10 inch custom drivers supplemented by a high-frequency piezo for increased top-end bite and articulation.
The Rootmaster RM-300 EVO II delivers Ashdown tone, power, and reliability without the weight, tipping the scales at just 2.1kg (4.6lbs) while producing 300 watts. It is well suited to practice, rehearsals, and small to medium gigs. Passive and active input jacks feed the input control and trademark Ashdown VU meter, followed by a Shape button, five-band EQ, onboard compressor, valve-emulated drive, and Sub-Harmonic controls (drive and sub-harmonic footswitchable via the optional FS2). An onboard headphone preamp allows silent practice, and a mute button switches the VU meter from orange to blue between sets.
Now in its second evolution, the RM-500 EVO 500-watt power section maintains a deep low end, defined mids and transient highs into a 4-ohm load. Ashdown Rootmaster heads are the perfect choice for working bassists looking for power and features without the weight.
The Ashdown RM-500 EVO II is a compact bass head for those who demand Ashdown's signature tone, uncompromising power and reliability without the weight. At just 2.1kg it delivers 500 watts with an onboard headphone preamp, 5-band EQ, compressor and tube-emulated overdrive.
Delivering 500 watts of classic Ashdown sound in a lightweight, portable head, the Rootmaster 500 EVO III combines a flexible EQ, Sub Harmonic Generator, compression, and Valve Emulated Drive with pro features like an Analogue Cab Sim DI output, balanced DI, and monitor filters.
Powered by an 800W digital amp, the RM800 is a lightweight Rootmaster head at 4.5kg, the perfect choice for working bassists looking for power and features without the weight.
The Ashdown RM-800 EVO II is a lightweight bass head for musicians seeking massive headroom without the weight. At just 2.6kg it delivers 800 watts with an onboard headphone preamp, 5-band EQ, compressor and valve-emulated overdrive.
Delivering 800 watts of iconic Ashdown tone in a lightweight head, the Rootmaster 800 EVO III packs a versatile EQ, Sub Harmonic Generator, compression and Valve Emulated Drive, plus an Analogue Cab Sim DI output for seamless live or studio use.
A powerful 500 watt Rootmaster EVO combo loaded with a single Ashdown White Line 12 inch speaker and a switchable tweeter, offering improved features and finish with a dramatic reduction in weight.
A powerful 500 watt Rootmaster EVO combo loaded with a single Ashdown White Line 15 inch speaker and a switchable tweeter, offering improved features and finish with a dramatic reduction in weight.
Experience the Ashdown Rootmaster RM C210-500-T EVO II, the ultimate solution for bassists in search of Ashdown's renowned tone, power, and reliability without the heavy bulk of high-power amplifiers.
Created with System of a Down's Shavo Odadjian, the hand-built UK-made SO-1200 delivers a staggering 1200 watts of bass power through dual 600-watt sections for ultimate versatility.
Weighing just 13.11kg, the Studio 12 delivers 100 watts of classic Ashdown tone through a custom lightweight 12" speaker, combining portability with punch.
Weighing just 15.5kg, the Studio-15 delivers 300 watts of signature Ashdown sound through a custom 15" NEO speaker, combining portability with uncompromising tone.
The Ashdown Studio-4 Bass Combo is a compact, battery-powered amp delivering premium sound wherever you go, with built-in wireless audio streaming and versatile outputs.
Ashdown Engineering's Superfly combines a sophisticated programmable bass preamplifier and a powerful 500 Watts RMS power section in a compact bass amp head that weighs just 10 pounds.
The ANT is Ashdown's pedalboard bass amp, packing 250 watts of signature bass power into a compact, ultra-portable aluminium chassis. Designed for bassists who rely on pedals, modelers, and effects processors, it offers versatile tone sculpting with a 3-band EQ and Shape preset, plus a transformer-balanced XLR DI out and a headphone out for silent practice.
The Tour Bus 10 is Ashdown's smallest bass combo, a super-compact practice amp with a 10-watt power amp and 6.5" speaker. It keeps things simple with volume and 2-band bass and treble EQ, plus a headphone socket for silent practice and a CD/MP3 input for playing along.
The Tour Bus 15 is a compact bass practice combo with a 15-watt power amp and 8" speaker, offering a little more headroom than the Tour Bus 10. It keeps things simple with volume and 2-band bass and treble EQ, plus a headphone socket for silent practice and a CD/MP3 input for playing along.
The UK-built UK-ABM-300-EVO IV delivers 300 watts of classic Ashdown bass tone with tonal flexibility. It features a foot-switchable Variable Valve Drive Plus, a precision 9-band EQ, a One Knob Compressor, and a Sub-Harmonic Generator, with comprehensive connectivity including an FX loop, tuner out, DI out, and line input.
The ABM 600 EVO IV Dual VU Rack Head delivers 600 watts of stage-ready power in a rugged 3U steel chassis, complete with Ashdown's signature dual illuminated VU meters. Its class-leading preamp features Variable Valve Drive Plus for everything from clean warmth to driven grit, while a 9-band EQ, one-knob compressor, and Sub-Harmonic Generator give precision control and huge low-end authority. Built for touring reliability with pro-grade connectivity.
Made in the UK, the UK-ABM-600-EVO IV offers 600 watts of power with legendary Ashdown tone and flexibility. It features a footswitchable Variable Valve Drive Plus, a detailed 9-band EQ, a Sub-Harmonic Generator, and a One Knob Compressor, with comprehensive stage and studio connectivity including an FX loop, line and tuner outputs, and a DI output.
Celebrating 25 years of Ashdown tone, the ABM EVO V is the most powerful ABM yet, delivering 750 watts with wide dynamics and headroom. Dressed in all-black with dual illuminated VU meters on input and output, it packs the features players know - 9-band EQ, 12AX7-driven Valve Drive, compressor, and Sub-Harmonic Generator - plus upgrades like voltage switching, low-noise cooling, and a transformer-isolated DI. Built for the stage, the studio, and the road.
Hand-built in the UK in rugged marine-grade birch ply, the CTM-100 delivers 100 watts of all-valve power via a five-valve preamp and dual KT88s, ideal for small to medium gigs. It covers a wide tonal range, from smooth '60s warmth to snarling '70s growl and thick modern punch, with Deep, Mid Shift, and Bright switches alongside highly interactive passive tone controls. A user-adjustable bias via a dual-function VU meter, individually fused valves, a tube-driven DI, and a front-mounted valve FX loop combine vintage character with modern durability.
Hand-built in the UK Custom Shop, the CTM-300 delivers 300 watts of all-valve power through six KT88 output tubes and a five-valve preamp, spanning smooth vintage warmth to modern punch. It features Deep, Mid Shift and Bright switches, a user-adjustable bias with a dual-function VU meter, individually fused tubes, a tube-driven DI output and a front-mounted FX loop, housed in marine-grade birch ply.
UK-built, ultra-compact 300-watt bass head finished in Ice Blue. Lightweight and punchy, it features a responsive 5-band EQ, classic Pre-Shape circuit, DI output, FX Loop, and auto-voltage for worldwide use. A clean, dependable amp designed for bassists who want great tone in an extremely portable format.
UK-built, ultra-compact 500-watt bass head finished in striking Ice Blue. Lightweight and powerful, it features a versatile 5-band EQ, classic Pre-Shape tone contour, FX Loop, DI Output, and auto-voltage operation for worldwide gigging. A clean, punchy, no-nonsense amp built for players who want reliability and great tone in the smallest possible format.
UK-built, ultra-compact 300-watt 1x12" combo finished in Ice Blue. Lightweight yet powerful, it features a responsive 5-band EQ, classic Shape circuit, FX Loop, and a premium Sica NEO 12" speaker housed in durable Charcoal Tweed with a Silver Weave grill. A clean, portable solution for rehearsals, small gigs, and home playing.
UK-built, Ice Blue, lightweight 500-watt kickback combo designed for powerful tone in a compact format. Featuring a premium Sica NEO 12" speaker, 5-band EQ, classic Shape circuit, FX Loop, and durable Charcoal Tweed with a Silver Weave grill, it delivers clean, reliable performance for rehearsals, gigs, and studio sessions, no separate head required.
UK-built, Ice Blue 200-watt micro bass head designed as the perfect Pocket Bass Magnifier. Lightweight and ultra-compact, it features a responsive 3-band EQ, classic Pre-Shape, DI output, Headphone Out, and auto voltage for worldwide use. A clean, powerful, travel-friendly bass amp that delivers far beyond its size.
UK-built, Ice Blue lightweight 500-watt bass head crafted for players who want punchy performance in a highly portable format. Equipped with Sub-Harmonic Generator, smooth Compression, expressive Valve-Emulated Overdrive, an FX Loop, and both DI and Ashdown's Analogue Cab Sim DI outputs, it delivers refined tone-shaping options for stage, studio, and silent practice through its dedicated Headphone Out.
UK-built, lightweight 800-watt bass head finished in striking Ice Blue. Designed to magnify your bass tone with clarity and power, it features Ashdown's signature Sub-Harmonic Generator, smooth onboard Compression, responsive Overdrive, and versatile FX Loop, Headphone Out, DI, and an analogue Ashdown Cab Sim DI. Compact yet commanding, it delivers reliable performance and unmistakable Ashdown character on stage, in the studio, or at home.
UK-built, Ice Blue 100-watt 1x10" bass combo designed for exceptional portability and modern clarity. Featuring a premium Sica NEO 10" speaker, smooth Overdrive, FX Loop, Balanced DI, and Headphone Out, it is wrapped in Charcoal Tweed with a Silver Weave grill. The perfect compact amp for practice, rehearsal, and small acoustic sessions.
UK-built, Ice Blue 200-watt 1x12" bass combo designed for portability and modern clarity. Featuring a premium Sica 12" speaker, a Speaker Mute switch, onboard Overdrive, FX Loop, Balanced DI, and Headphone Out, it is finished in Charcoal Tweed with a Silver Weave grill. A compact, lightweight solution for rehearsal, small gigs, and home recording.
UK-built, Ice Blue 500-watt 1x15" combo designed for full, warm low-end with modern clarity. Delivering 250 watts into its internal speaker and expanding to 500 watts when paired with an 8-ohm external cabinet, it features a premium Sica NEO 15" speaker with an Eminence tweeter, Tweeter and Speaker Mute switches, onboard Overdrive, FX Loop, Balanced DI, and Headphone Out. Finished in durable Charcoal Tweed with a Silver Weave grill, it is a powerful, versatile combo built for stage, studio, and home practice.
UK-built, Ice Blue 500-watt 2x10" bass combo inspired by the acclaimed Studio series. Lightweight and powerful, it delivers 250 watts into its internal speakers and expands to 500 watts when paired with an 8-ohm external cabinet. Featuring premium Sica NEO speakers with an Eminence tweeter, Tweeter and Speaker Mute switches, onboard Overdrive, FX Loop, Balanced DI, and Headphone Out, it is finished in Charcoal Tweed with a Silver Weave grill for clean, modern performance with classic Ashdown style.
The Alpha·Omega 200 is a slim, lightweight 200-watt bass amplifier head featuring the signature Alpha·Omega distortion voicing, a studio-quality 4-band EQ, aux input, headphone output, and XLR DI.
The Alpha·Omega 500 is a 500-watt bass amplifier head combining Darkglass' signature Alpha and Omega distortion engines with a studio-grade VCA compressor, 6-band graphic EQ, cabinet simulation, and USB IR loading.
The Alpha·Omega 900 is a 900-watt solid-state bass amplifier head combining Darkglass' signature Alpha and Omega drive engines with a VCA compressor, 6-band EQ, IR cabinet simulation, and MIDI remote switching.
Exponent 500 is a new concept Darkglass calls a Powered Platform: a clean amplifier that, once connected, turns into a multi-effect with fully programmable and presettable signal chains.
The Darkglass Infinity 1x12 combo amp is a bass amplifier that redefines tonal possibilities with digital drive voices, sub octave, compression, and graphic EQ.
The Darkglass Infinity 500 2x10 Combo amp is a bass amplifier that redefines tonal possibilities with digital drive voices, sub octave, compression, and graphic EQ.
The Microtubes 200 is a 200W bass amplifier head featuring the signature Microtubes voicing in a slim, lightweight body. It has a studio-quality 4-band EQ, a Microtubes B3K drive engine, XLR DI and headphone outputs, and an aux input for backing tracks.
The Microtubes 500 V2 is a 500W bass amplifier head with an all-analog solid-state preamp and a custom Class D power module. It runs the signature Dual Microtubes engine (B3K and Vintage drive circuits), with cab-sim, a 6-band graphic EQ, and an intelligent compressor.
The Microtubes 500 V2 Iku-Turso is a limited-edition run of the 500W Microtubes 500 V2 bass amplifier head, dressed in a full-color print of the Iku-Turso sea deity from Finnish mythology. Only 200 units were produced.
The Microtubes 900 V2 is a 900W bass amplifier head with the signature Darkglass Microtubes engine, studio-grade compression, impulse-response cabinet emulation, a 6-band graphic EQ, and pre/post DI outputs. This is the black-cosmetic version.
The Microtubes X 900 is a compact 900W bass amplifier head built around the X-series preamp voicing. It pairs an all-analog preamp and Class D power section with parallel compression and distortion, an adjustable frequency crossover, a 6-band graphic EQ, and cab-sim.
AmpliTube SVX features 18 models including 4 amps, 6 cabinets and 8 stomps, giving you the "greatest hits" amps, from the earth-shattering sound of rock & roll bass from the svt the grandaddy of them all, to the smooth groove-making rolls of the b-15. The scooped edginess of the 4pro. Plus a complete set of bass-specific pedals to give you unprecedented tone shaping options.
A hybrid bass amplifier combining a hand wired tube preamp with a Class D power module scaling up to 700 watts, featuring a tube EQ. It includes a rear panel DI with XLR output and level control for use as a standalone tube preamp.
The Bass Block V803 is an 800-watt Class-D bass amplifier head offering three selectable amp voicings (Modern, Warm, Q-Tube), a 3-band EQ with sweepable mid, dual inputs, an effects loop, and an XLR line out.
The PowerStage 700 Bass is a compact, 700-watt bass head with pristine tone, versatile EQ, built-in overdrive, and seamless stage or studio integration.