43 products
Manufacturer of professional microphones and studio monitors.
Official site
The BCM 104 is a dedicated broadcast microphone for radio, streaming and podcast, designed to convey emotion with Neumann perfection. Its functionally optimized design features an integrated pop screen and a shock protected large diaphragm condenser capsule, specially developed for speech. Transformerless circuitry ensures a direct, noise-free sound.
For the classic “American” announcer voice✔️Dynamic capsule✔️ Designed for radio announcers ✔️ Works without phantom power✔️Integrated pop screen and elastic suspension✔
Condenser capsule head. Cardioid characteristic. High feedback resistance. Studio grade sound quality. For Sennheiser SKM 5000 und 5200 handheld transmitters.
Cardioid condenser capsule head for 3rd party* wireless systems
Supercardioid condenser microphone head optimized for speech and vocals. Designed for Sennheiser wireless systems with high feedback rejection.
The combination of the capsule KK 120 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.
The combination of the capsule KK 131 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.
Modular small diaphragm microphone with sound diffraction sphere and analog output stage
The combination of the capsule KK 143 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.
The combination of the capsule KK 145 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.
The combination of the capsule KK 184 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.
The KK 204 is a premium quality capsule head for Sennheiser SKM 2000/6000/9000 handheld transmitters as well as EW G4 300/500 and EW-D wireless systems.
Condenser microphone head delivering studio-grade sound for Sennheiser wireless transmitters. Designed for reliable performance on stage and in broadcast use.
The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.
State-of-the-art small diaphragm condenser microphone
The KMR 81 i is a shotgun microphone for medium distances, e.g. for film dialogue with a clear and focused sound while the microphone is placed outside the picture. The KMR 81 i offers high sensitivity with low power consumption and is lightweight for easy handling.
The KMR 82 i is a shotgun microphone for longer distances, e.g. in ENG and stage applications. With an acceptance angle of 45° and minimal off-axis coloration the KMR 82 i can be used to record individual instruments in an orchestra without problems.
Studio grade stage microphone for vocalists. Cardioid pickup pattern.
The KMS 105 stage microphone features a supercardioid condenser capsule with high feedback rejection, excellent pop protection and studio-grade sound for live vocals.
Dummy head microphone for a truly immersive sound experience. The KU 100 dummy head is a binaural stereo microphone. Two omnidirectional condenser capsules are built into artificial ears mounted on an enclosure resembling a human head. KU 100 recordings played back over high quality headphones give listeners an experience almost identical to what they would have heard with their own ears at the recording position, with stunning lateral and vertical localization and a breathtaking sense of space. Unlike older dummy head microphones, the KU 100 is compatible with loudspeaker playback as well.
The M 147 Tube brings back the classic sound of Neumann's famous tube microphones of the 1950s. The M 147 tube is a cardioid microphone using the same large diaphragm capsule as the legendary U 47 but combines it with an innovative tube circuit for lowest noise.
The M 149 Tube is a modern version of Neumann's famous M 49 microphone. Like its predecessor, it uses the classic K47/49 large diaphragm capsule in an acoustically open headgrille.
The M 150 Tube is a unique small diaphragm condenser microphone for orchestral recordings, based on the legendary Neumann M 50.
Introduced in 1951, the M 49 revolutionized studio technology with its continuously variable, remote-switchable polar pattern. And, of course, with its incomparably full, silky sound, which has made its mark on countless recordings to this day.
Discover the M 50 V, a faithful reissue of the legendary M 50 with enhanced detail improvements, perfect for immersive and stereo recordings.
Big sound for small studios: The TLM 102 is Neumann's most affordable large diaphragm condenser microphone to date. Nonetheless it offers true Neumann quality, made in Germany.
Cardioid characteristic. Large diaphragm capsule. Pristine, clear sound. Extremely low self-noise. Capsule design derived from the legendary U 87 A.
The TLM 107 is a reference class microphone for vocals and instruments with breathtaking realism. Five polar patterns plus variable pad and low cut settings make the TLM 107 exceptionally flexible.
The TLM 170 R is a truly universal microphone for even the most demanding recording situations. It combines technical excellence with the smoothness and flexibility of a large diaphragm capsule.
The TLM 49 brings back the vintage tone of Neumann's post-war classics. The TLM 49 uses the same K 47 capsule and the iconic large headgrille design of Neumann's legendary M 49, but instead of electron tubes the TLM 49 relies on trouble free FET circuitry with a special sound design for smooth vocals and acoustic instruments with timeless elegance.
The TLM 67 captures the spirit of Neumann's classic U 67, which defined the sound of the 1960s. But instead of electron tubes the TLM 67 relies on trouble free FET electronics with a special sound design for a gorgeous retro tone.
Introduced in 1960, the U 67 was the quintessential studio workhorse throughout the formative years of modern music.
The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over.
The U 89 i is a universal studio microphone combining classic transformer coupled circuit topology with a state of the art Neumann capsule.
The USM 69 i is a one-point stereo microphone for all coincident stereo techniques such as XY, MS, and Blumlein.
The Neumann NDH 20 is a closed-back headphone combining excellent isolation with the carefully balanced sound image and outstanding resolution you’d expect from a Neumann product. The NDH 20 is thus ideally suited to monitoring and mixing tasks, even in loud and noisy environments.
$599
NDH 20 Black Edition - Premium quality closed-back studio headphone for monitoring, editing, and mixing
$599
TEC Award Winner 2023: Reference-class open-back studio headphone for editing, mixing, and mastering.
$699
Now in black: Reference-class open-back studio headphone for editing, mixing, and mastering.
$699
Completely re-engineered active monitor with deeper bass, higher SPL and improved resolution. Available in anthracite and white.
Active studio monitor delivering precise reference monitoring and controlled performance in a compact design.
Active studio monitor with integrated AES67 networking, suitable for broadcast and network-based audio workflows.
Class-leading AD/DA converters with enormous dynamic range. Intuitive touchscreen user interface. DSP processing (EQ, dynamics, reverb). 4 independent mixers with integrated talkback. USB, ADAT and AES67 connectivity.
This data is open source. View or improve this entry on GitHub. View on GitHub