Recovery Effects and Devices

An experimental lo-fi synth, octave, and fuzz hybrid pedal built around an ATtiny85 microcontroller, producing unstable, glitch-heavy digital textures.

A hand-wired glitch, pitch, slice, and dice pedal that distorts, modulates, glitches, and slices signal on the fly.

A pedal that emulates vintage reel-to-reel tape overdrive and echo, with separate controls for tape saturation and tape delay levels, a freeze function, and expression/CV control for time.

A pedal delivering complex delay and reverb with two distinct modes, offering vintage-style modulated delay with small room reverb, or high-fidelity analog-style delay with large hall reverb.

A transparent drive/compression pedal offering a slight boost/compression to warm light overdrive, with switchable transistors for modern and vintage tones.

An all-analog, real spring reverb pedal with a built-in boost that can go from splashy reverb to gritty, fuzzy, psychedelic tones.

The Sound Destruction Device is a pedal that distorts, filters, oscillates, glitches, and clips guitar or other 1/4-inch instrument signals into unusual sounds. Its oscillation can be controlled with an expression pedal.

White Gold is a choral synthesizer pedal that creates densely lush harmonized textures, synthesized pads, and shimmering ensembles from any instrument, drum machine, synth, or vocal source.

Zenith And Vales is a digital distortion pedal that uses bit crushing, sample rate reduction, and aliasing to produce angular fuzz tones and heavily pixelated digital artifacts. It has two algorithm modes and two aliasing modes for varying degrees of digital destruction.

Discontinued

A tape-style delay pedal with a distinct modulation response compared to later versions.

A fast, precise, punchy envelope generator eurorack module in a tiny 2hp footprint.

A sine wave-based eurorack voice for bass and percussion sounds, offering thick, snappy kicks, low rattling subs, and tom-like tones with CV control over pitch.

A eurorack module combining glitch, delay, and chaotic distortion effects, allowing users to freeze oscillations, create scrambled gated delays, and add over-the-top distortion.

A eurorack module that starves, bit crushes, splatters, and filters audio sources, featuring an 8-step sequencer that interacts with a destruction effect for gated and filtered glitches.

A eurorack module that emulates vintage reel-to-reel tape overdrive and echo, providing saturated tape tone and delay repeats with a freeze function and CV control for time.

The Sound Destruction Device is a Eurorack module with a variable resistor distortion and twin T-notch filter that distorts, glitches, clips, and filters sound. It has CV control over its five parameters for creating fuzz, splatter, and sonic malformations.

Ghost Writer is a pedal that converts the notes played into MIDI data, allowing a synth to be played from a guitar. It also lets users trigger phrases or samples and add functionality to MIDI-equipped pedals.

Ghost Writer is a pedal that converts the notes played into MIDI data, allowing a synth to be played from a guitar. It also lets users trigger phrases or samples and add functionality to MIDI-equipped pedals.

Ghost Writer is a pedal that converts the notes played into MIDI data, allowing a synth to be played from a guitar. It also lets users trigger phrases or samples and add functionality to MIDI-equipped pedals.

Motion Pictures is a delay and reverb plug-in bringing the sound of the Motion Pictures Eurorack module into a DAW. It combines large-hall stereo reverb with tempo-synced delay for rich ambient textures.

Motion Pictures is a 10HP Eurorack module combining a switchable digital or analog delay with a large-hall stereo reverb. Delay time and levels can be controlled via knob, tap tempo, or CV for glitchy, pitch-bending rhythmic effects.

Instrument 01 is a pocket-sized Arduino-based FM drone synth with five knobs controlling pitch, modulation, rate, carrier frequency, and carrier frequency modulation. It can be used standalone or connected to an effects pedal chain or modular gear to create glitchy FM synth tones.

A hand-wired, one-off FM drone synth prototype and predecessor to the Mystic and Instrument 01, producing rich evolving tones from growls to cascading atmospherics.

The Pearl is a modified vintage fuzz pedal delivering a heavy bass fuzz tone with versatile controls, designed for bass but also usable with guitar. It uses hand-picked oil-can BC109 transistors for classic vintage tone.

The Pearl Eurorack module is a classic fuzz adaptation of the Pearl pedal with CV control over the Destroy parameter. Its all-analog silicon design adds a wall of fuzz while remaining musical, with intensity, tonality, compression, and output level controls.

A stereo spring reverb unit designed for studio use with two separate reverb tanks and independent controls for stereo sculpting, running at line level.

Moonstruck combines real spring reverb with an analog-style delay in one device, allowing independent control of each effect. The delay section offers up to 550ms of echo with an all-analog dry path and adjustable feedback for self-oscillation.

Motormatic is a Eurorack module that produces its own variable frequency latched to CV, creating bizarre textures and erratic pitches from an original sound source through bit crushing ring modulation.

An early pedal-format version of the Motormatic Eurorack module, using tactile toggle switches to shift between unstable ring modulation, saturated fuzz, and glitch textures.

Larking is a 4-voice polyphonic ambient drone synthesizer with quantized pitch, selectable keys and musical modes, a morphing tonal engine, and onboard reverb. Voices can be triggered via onboard controls, MIDI, or CV/gate.

The Mystic is a semi-modular desktop FM synth with two operator voices, two modulators, and an analog-style echo with up to 500ms of delay, designed to create swirling, ethereal drones and atmospheric textures. All synth parameters and delay time are controllable via CV.

A Type A 3.5mm male TRS to female 5-pin MIDI cable for connecting the Ghost Writer pedal.

A bus-powered, low-profile, rack-mountable DAW controller with 6 knobs and 3 buttons assignable to any parameter for transport control, automation, and fades.

The RFZ-1 is Recovery's take on the original Vox Distortion Booster, known for classic garage and psych tones. It stays tight and crunchy at any drive setting, delivering a warm, compressed, fuzzed-out tone.

A compact, stereo delay and reverb unit that operates at line level, with 1 second of delay time and a large hall reverb.

Phantom Operator is a random flux filter pedal offering rhythmic patterns, complex tremolo, cadenced filters, and glitched-out sounds via Sample and Hold mode, plus a smooth Voltage Controlled Filter mode. Controls include filter frequency, resolution, attack, and decay.

A vintage telephone converted into a microphone and preamp, allowing the handset to be used as a mic and the base to accept instruments like guitar, bass, or synth for boosted, uniquely shaped tones.

Gallows in the Morning is a guitar pedal combining double overdrive with reverb. It offers switchable Bold and Brazen modes for shifting between shimmering, melancholic tones and heavy distortion with foreboding reverberation.

XCV is a dual-channel expression and CV distribution device that generates rhythmic modulation patterns and can sync via tap tempo or an external clock to control up to four devices.