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Rack Mount

93 products

  • 503HR 3-Space 500-Series Rack

    503HR 3-Space 500-Series Rack

    A-Designs

    A horizontal, single-rack-unit (1RU) chassis designed to house three 500-series modules, with a three-position FEED switch for internal signal routing, an external power supply with LED display, and a three-LED voltage rail indicator. No longer in production.

  • 52HP HI-Power Bus Board

    52HP HI-Power Bus Board

    ALM Busy Circuits

    This high power bus board is rated to supply more than double (2.2 Amps per rail) the power of our standard 52HP bus boards used in ALM cases. Use to upgrade an existing ALM case if your modules require higher power.

    £155

  • 84HP 6U Case

    84HP 6U Case

    ALM Busy Circuits

    Lightweight anodised aluminium construction. Provides up to 2 Amp power total on each -12V & +12V rails (1 Amp total per row).

    £420

  • 84HP HI-Power Bus Board

    84HP HI-Power Bus Board

    ALM Busy Circuits

    This high power bus board is rated to supply more than double (2.2 Amps per rail) the power of our standard 84HP bus boards used in ALM cases. Use to upgrade an existing ALM case if your modules require higher power.

    £165

  • 10MX

    10MX

    Antelope Audio

    10MX is the newest and the premier member of the Isochrone family. It features technologies from two of Antelope's legendary products - 10M & Trinity

    $7,395

  • Isochrone Trinity

    Isochrone Trinity

    Antelope Audio

    The best master clock for your studio. Sample rate up to 384 kHz. Oven Controlled Crystal Oscillator. 4th Gen Acoustically Focused Clocking.

    $3,595

  • OCX HD

    OCX HD

    Antelope Audio

    The perfect solution for mastering, recording and project studios, film-scoring, post-production and live sound.

    €1,795

  • 500-8B 8 Slot Lunchbox

    500-8B 8 Slot Lunchbox

    API Audio

    8-slot 500-series portable rack with internal universal PSU (250 mA/slot), DB-25 rear connectivity, phantom power, and channel linking toggle switches. Rack ears available separately.

  • 500VPR 10-Slot Rack w/PSU

    500VPR 10-Slot Rack w/PSU

    API Audio

    10-slot 500 Series rack accepting all API standard 5.25" × 1.5" format modules. Features XLR input and output connectors wired PIN 2 hot. Includes the API L200PS external tri-polar power supply. Five-year warranty.

  • 6 Slot High Current Lunchbox

    6 Slot High Current Lunchbox

    API Audio

    Portable 6-slot 500-series lunchbox with internal 250 mA/slot power supply, +48V phantom power bussed to all slots, DB-25 audio I/O for all slots, and XLR breakout for channels 7–8. Rack-ears available separately.

  • L200R 12-Slot Rack

    L200R 12-Slot Rack

    API Audio

    2U 12-slot rackmount chassis for API 200-series (L200) modules, with XLR audio I/O and TT jacks for sidechain/aux/mic. Requires external L200PS tri-polar power supply (sold separately).

  • SB1-A Blank Panel

    SB1-A Blank Panel

    API Audio

    Single-slot blank filler panel for API lunchboxes, 500VPR racks, and expansion slots on the 1608 console. Fills unused slots in 500-series modular systems.

  • 11 Space 500 Series Rack

    11 Space 500 Series Rack

    BAE Audio

    An 11-space 500 Series rack enclosure with a heavy-duty steel chassis and point-to-point wiring. It features XLR inputs and outputs with a remote 2.1A power supply to keep transformer interference away from modules.

    $1,250

  • 2CR

    2CR

    BAE Audio

    The 2CR is a two-channel module rack designed to house two 10 series modules (such as 1073, 1084, 1066, and others). It features solid steel internal chassis that are custom molded for easy module insertion without guide rails. The unit includes separate output controls, phantom power capability, and two Carnhill OEP line transformers for direct instrument inputs.

    $2,195

  • 3LB

    3LB

    BAE Audio

    The 3LB is a 3-slot 500 Series lunchbox chassis built to house 500 Series modules or the BAE 1073D. Hand-wired with a solid steel chassis and an overbuilt power supply designed to support third-party modules alongside BAE units.

  • 6 Space 500 Series Rack

    6 Space 500 Series Rack

    BAE Audio

    A 6-space 500 Series rack enclosure with a heavy-duty steel chassis and point-to-point wiring. It features XLR inputs and outputs with a remote 1.6A power supply to keep transformer interference away from modules.

    $699

  • 6LB 500 Series Desktop Chassis

    6LB 500 Series Desktop Chassis

    BAE Audio

    A 6-space 500 Series desktop chassis (6LB) with a heavy-duty steel chassis and point-to-point wiring. It features XLR inputs and outputs with a remote 1.6A power supply to keep transformer interference away from modules.

    $699

  • 8CM 8-Channel Mixer

    8CM 8-Channel Mixer

    BAE Audio

    The BAE 8CM is an 8-channel mixer chassis designed to house 10-series modules including the 1073, 1084, 1023, and 1004. Each channel features individual pan controls and output level, with routing to left or right mix buses. It also functions as a straight 10-series rack with 8 direct outputs.

    $3,700

  • 8CR

    8CR

    BAE Audio

    An 8-module self-powered rack designed for vintage Neve 10-series 8¾" high modules (1066, 1073, 1084, and BAE reproduction modules). Features individual output level controls per channel and lighted 48V phantom power switches, with an oversized external power supply delivering twice the necessary current.

    $2,700

  • DLB

    DLB

    BAE Audio

    The BAE DLB is a 2-slot 500-series desktop/rackmount chassis built with solid steel construction and hand-wired assembly. It features an overbuilt power supply designed to support third-party 500-series modules, with inputs and outputs accessible from either side.

    $525

  • R53

    R53

    BAE Audio

    The BAE Audio R53 is a 3-channel horizontal 500 Series rack with a strong steel chassis and Neutrik XLR inputs and outputs. Shielded wires on individual connectors make it fully serviceable without PCBs, and a linking option chains modules into a channel strip signal path.

    $560

  • BOB

    BOB

    Bastl Instruments

    BOB is a discontinued analog processing full Eurorack system by Bastl Instruments designed for live performance with a microphone stand mount and built-in Meanwell power supply. It includes nine modules — Quattro Figaro (quad VCA), Cinnamon (filter), Tromsø (downsampler), Dynamo (dynamics analyzer), Hendrikson ×2 (instrument interfaces), CV Trinity (modulation), Dup Dup (foot switch routing), and Clutch (attenuator/expression interface) — plus 12HP of expansion space. Hand-crafted in Brno, Czech Republic.

  • BOBEK

    BOBEK

    Bastl Instruments

    BOBEK is a discontinued analog processing full Eurorack system by Bastl Instruments, the compact sibling to BOB, designed for live performance. It includes five modules — Quattro Figaro (quad VCA), Cinnamon (filter), Tromsø (downsampler), Dynamo (dynamics analyzer), and Hendrikson (instrument interface) — plus 10HP of expansion space. Built-in Meanwell power supply (120/240V AC) with microphone stand insert. Hand-crafted in Brno, Czech Republic.

  • Juice Bus

    Bastl Instruments

    Juice Bus is a discontinued ultra-narrow Eurorack power busboard accommodating up to 20 modules via dedicated pin connectors, with an optional on-board 5V converter from +/-12V for digital modules. The board can be split into an 11-connector main and 9-connector secondary section. Dimensions: 410×30×18mm. Handmade in Brno, Czech Republic.

  • Long Skiff

    Long Skiff

    Bastl Instruments

    Long Skiff is a discontinued single-row 104HP Eurorack case by Bastl Instruments built from 10mm plywood with an integrated power supply. Depth is 80mm (approximately 40mm in the power supply area) and exterior dimensions are 550×150×100mm. Power supply: 100–240V AC input, +5V/5000mA, +12V/2800mA, -12V/500mA.

  • Marton Case

    Marton Case

    Bastl Instruments

    Marton Case is a discontinued Eurorack case with integrated power supply built from 10mm plywood. It provides two 72HP rows with 100mm depth (approximately 60mm in the power supply area). Exterior dimensions: 385×280×110mm. Power supply: 100–240V AC input, +5V/5000mA, +12V/2800mA, -12V/500mA.

  • Marton Skiff

    Marton Skiff

    Bastl Instruments

    Marton Skiff is a discontinued single-row 72HP Eurorack case by Bastl Instruments built from 10mm plywood with an integrated power supply. Depth is 100mm (approximately 60mm in the power supply area) and exterior dimensions are 385×150×110mm. Power supply: 100–240V AC input, +5V/5000mA, +12V/2800mA, -12V/500mA.

  • Rumburack 2.0

    Rumburack 2.0

    Bastl Instruments

    Rumburack 2.0 is a discontinued compact portable Eurorack full system by Bastl Instruments designed for live performance. It ships as a complete 11-module bundle (Tea Kick, Noise Square, Skis ×2, Cinnamon ×2, grandPa, Knit Rider + Exp, Popcorn, Tromsø, Quattro Figaro, ABC, Ciao!) in a carry case with an integrated Meanwell power supply supporting 100–240V AC. Fully Eurorack-compatible and hand-built in Brno, Czech Republic.

  • Rumburack Case

    Rumburack Case

    Bastl Instruments

    Rumburack Case is a discontinued Eurorack case with integrated power supply built from 10mm plywood. It provides 2×52HP of rack space with 80mm depth (approximately 40mm in the power supply area). Exterior dimensions: 280×280×90mm (300×300×150mm with cover). Weight: 2kg. Power supply: 100–240V AC input, +5V/5000mA, +12V/2800mA, -12V/500mA.

  • Oneiroi Pod

    Befaco

    The Oneiroi Pod is a compact 42HP desktop Eurorack enclosure developed with 4ms, purpose-built to house the Befaco Oneiroi synth voice module for use alongside desktop synthesizers and other gear. Its built-in power supply provides 1.4A at +12V across four Eurorack power headers, and the two daisy-chainable barrel jack inputs support linking multiple 4ms Pod enclosures.

  • AS 80

    AS 80

    MIDAS

    The Midas AS 80 is designed to seamlessly convert a single, high-bitrate HyperMac connection into two redundant 1GBit connections and vice versa, whilst ensuring ultra-fast audio switching. Additionally, it can also run up to 192 bidirectional channels at 96 kHz.

  • AS88

    AS88

    MIDAS

    The Midas AS88 is designed to seamlessly convert two high-bitrate HyperMAC connections into eight fully redundant AES50 connections, and vice versa, whilst ensuring ultra-fast audio switching. Built for speed and reliability, the AS88 supports up to 192 bidirectional channels at 96 kHz. Using the AS88 with the flagship HD96 console enables full redundancy across both console Snake ports, unlocking greater channel capacity and enhanced system reliability. Its FPGA-based switching technology ensures dependable HyperMAC failover to a redundant connection when needed. Equipped with industry-standard RJ45 and optical connectors, the AS88 provides reliable, high-performance audio transmission over long distances. Housed in a rugged 2U rackmountable chassis, it is engineered for touring and live sound environments.

  • DL151

    DL151

    MIDAS

    24 Input Stage Box with 24 Midas Microphone Preamplifiers. DL151 is a 2U 19" fixed-configuration rack I/O unit with 24 mic/line level inputs and delivers legendary Midas sound quality utilising our time-tested and road-proven technologies. Featuring award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and two AES50 network ports providing dual redundancy, the DL151 is the ideal partner to all Midas PRO and M32 Series digital consoles, enabling a digital snake connection from Front of House to stage.

  • DL152

    DL152

    MIDAS

    24 Output Stage Box. DL152 is a 2U 19" fixed-configuration rack I/O unit with 24 line level outputs and delivers legendary Midas sound quality utilising time-tested and road-proven technologies. Featuring 24 active servo-balanced low impedance line level outputs with high output current capability for driving long cable runs and two AES50 network ports providing dual redundancy, the DL152 is the ideal partner to all Midas PRO and M32 Series digital consoles, enabling a digital snake connection from Front of House to stage.

  • DL153

    DL153

    MIDAS

    PRO Series 2U 19" fixed-configuration rack I/O unit (stage box) with 16 mic/line level inputs and 8 line level outputs. Features 16 award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and switchable +48 V phantom power, and 8 active servo-balanced low impedance line level outputs with automatic mute and per-output LED indicators. Two AES50 SuperMAC (AES50-Compliant) network ports provide dual cable redundancy and connect to Midas PRO Series consoles at 96 kHz or Midas M32 Series consoles at 48 kHz. Remote operation supported up to 100 m via CAT5/5e cable. All settings are configurable from the mixing console or via the front panel LCD with menu navigation and LED status indicators (power-supply rail, AES50, and Ethernet network status). Built in a rugged steel 2U rackmount chassis with auto-ranging universal switch-mode power supply for worldwide use, designed as the ideal stage-end partner to Midas PRO and M32 Series digital consoles for a digital snake from Front of House to stage.

  • DL154

    DL154

    MIDAS

    8 Input, 16 Output Stage Box with 8 Midas Microphone Preamplifiers. A 2U 19" rack-mounted I/O unit designed as a digital snake connection interface between front-of-house mixing consoles and stage equipment, featuring award-winning Midas microphone preamplifiers, dual AES50 redundancy, and SuperMAC (AES50-compliant) digital audio networking.

Show all 93 products
  • DL155

    DL155

    MIDAS

    16 Input, 16 Output Stage Box with 8 Midas Microphone Preamplifiers and AES3 Digital Interface. DL155 is a 2U 19" fixed-configuration rack I/O unit featuring 8 award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps, 8 line-level outputs, an 8 channel digital AES3 (AES/EBU) interface (8 in / 8 out across 4 streams) with sample rate conversion, and two AES50 network ports providing dual redundancy. Compatible with all Midas PRO and M32 Series digital consoles.

  • DL16

    DL16

    MIDAS

    Digital stage box providing a 16 x 8 signal distribution solution for live entertainment production. Features 16 award-winning Midas Pro Series microphone preamplifiers with switchable +48V phantom power, 8 balanced analogue XLR outputs, dual AES50 ports for connection to a FOH console via a single shielded CAT5 cable, integrated ULTRANET output for P16-M personal monitor mixers, ADAT optical outputs (supporting up to 16 additional analogue outputs via converters), MIDI In/Out, and a front-panel headphones jack. AES50 provides 48 bidirectional audio channels at 48 kHz with ultra-low deterministic latency (1/8 ms per node) and phase-aligned networked clock distribution. Up to three units can be daisy-chained for 48 channels in and 24 out. Occupies two rack spaces.

  • DL231

    DL231

    MIDAS

    DL231 24-Input / 24-Output Active Microphone Splitter. With two independent Midas mic preamps per input, the highest quality of sonic performance is guaranteed. Dual-redundant network ports and power supplies provide peace of mind. The DL231 features MIDI (In, Out and Thru), an Ethernet Control port, and four AES50 ports for dual-redundant digital audio interfaces. Switchable between 24-bit 96 kHz and 48 kHz operation, with a Mute All Outputs button for convenient onstage re-patching. Housed in a road-ready, rugged rack-mountable chassis, designed to work with all Midas digital consoles.

  • DL251

    DL251

    MIDAS

    48 Input / 16 Output Stage Box with 48 Midas Microphone Preamplifiers and Dual-Redundant AES50 Networking. The DL251 is a 5U 19" rack-mount fixed-configuration I/O unit that delivers legendary Midas sound quality utilising time-tested and road-proven technologies. Featuring 48 mic/line level inputs with award-winning Midas microphone preamplifiers and 2.5 dB analogue gain steps, 16 servo-balanced line level outputs, and three AES50 network ports supporting N+1 redundancy, the DL251 enables a digital snake connection from Front of House to stage for all Midas digital consoles.

  • DL32

    DL32

    MIDAS

    The DL32 is the perfect solution for connecting the onstage talent with your Front of House (FOH) console. A 32x16 digital stage box featuring 32 Midas PRO Series remote-controllable mic preamps and 16 balanced analog XLR returns, connecting to the FOH console via a single Cat 5e cable. Built-in AES50 ports allow cascading of two units for 32 outputs, providing 48 bidirectional audio channels at 48 kHz. Housed in a 2 rack space form factor and compatible with M32 and M32C consoles.

  • DL431

    DL431

    MIDAS

    6U 19" fixed-configuration rack I/O unit designed for microphone signal splitting applications with 24 mic/line level inputs and 72 line level outputs.

  • DL8

    DL8

    MIDAS

    Digital stage box providing an 8 x 8 signal distribution solution for live performance and studio applications. Features 8 award-winning Midas PRO microphone preamplifiers with switchable +48 V phantom power on balanced XLR/TRS combo inputs, 8 electronically balanced low-impedance XLR line outputs, dual AES50 SuperMAC ports for connection to a FOH console via a single shielded CAT5 cable (with daisy-chaining of up to three DL8s for 48 channels in/out), and an integrated ULTRANET distribution hub with two powered RJ45 outputs for Behringer P16-M personal monitor mixers or Turbosound speaker systems. A type-B USB port provides system updates. 24-bit @ 44.1/48 kHz A/D-D/A conversion with 114 dB dynamic range and 1.1 ms networked I/O latency. Occupies two rack spaces.

  • DN4816-O

    DN4816-O

    MIDAS

    Audio Interface from the Midas DN48XX Series for the StageConnect ecosystem. Provides 16 balanced line-level analog outputs (XLR male, e.g. for wireless / IEM transmitters or as stage spare outputs) plus an ULTRANET input that allows AIR-mixer style 16-channel 24-bit personal-monitoring signals to be carried over CAT5 and fed into the StageConnect bus. StageConnect transports 32 channels of uncompressed 24-bit PCM audio over a single standard XLR (110 Ohm DMX) cable with I/O latency at or below 0.5 ms, and can also distribute up to 18 W of remote power down the cable. Devices can be daisy-chained to scale to combinations such as 32 in or 32 out, or 16 in / 16 out in parallel.

  • DN4888

    DN4888

    MIDAS

    The DN4888 is a StageConnect I/O interface that provides 8 balanced line-level analogue inputs and 8 balanced line-level analogue outputs for connecting additional equipment to a monitor or FOH console. Part of the DN48XX Series, it connects to other StageConnect devices via a single XLR cable for multi-channel audio transmission, supporting up to 32 channels of uncompressed PCM audio at 24-bit / 48 kHz with latency below 0.05 ms. The device can be powered via DC input or receive up to 18 W of power through the StageConnect cable from the master device. Designed for use with the Behringer WING mixing console and compatible with the broader StageConnect ecosystem, including Ultranet devices for legacy product integration.

  • HUB4

    HUB4

    MIDAS

    Personal Monitoring with DP48. Midas HUB4 is the multi-tool in your stage rack providing analogue and digital outputs for various applications. HUB4 can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit / 48 kHz audio. HUB4 also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4. HUB4 features 16 balanced line-level outputs that can carry the 8 stereo mixes from the connected DP48 mixers for connections in the side rack, and also features a designated StageConnect port on the rear panel.

  • HUB4 PRO

    HUB4 PRO

    MIDAS

    The HUB4 PRO is the essential multi-tool in any stage rack, providing analogue and digital outputs for various applications and offering reliable performance for seamless integration into diverse audio setups. The HUB4 PRO allows a more streamlined and customisable monitoring experience, with front panel buttons and 16 balanced analogue outputs for sending 4x2 personal stereo mixes from DP48 to IEM transmitters in the side rack. It also allows collecting audio from 4 of the brand-new Midas DL8 Stage Box, which can be connected and powered from ports 1-4. Ensuring reliable connections is key for the transmission of multiple channels in any setting, the HUB4 PRO features industry-standard RJ45 AES50 network ports and remote operation via shielded CAT5e cables. With a versatile and adaptive power supply, the HUB4 PRO can be used globally, and it has a rugged 1U chassis making it extremely durable for travel.

  • L1B

    MIDAS

    500 Series modular blank plate designed to cover empty bays in 500 series modular chassis. Engineered for Midas LEGEND L10 and L6 chassis, with compatibility extending to similar third-party equipment. Solid anodised aluminium construction provides dust protection and prevents internal damage.

  • LEGEND L10

    LEGEND L10

    MIDAS

    500 Series Rackmount Chassis for 10 Modules with Advanced Audio Routing. The L10 accommodates up to 10 single-width modules in a compact 3U rackmount format, featuring advanced audio routing, compressor bus linking, and universal power supply compatibility for worldwide use.

  • LEGEND L6

    LEGEND L6

    MIDAS

    The LEGEND L6 is a 500 series portable chassis for 6 single-width modules, featuring advanced audio routing with output link switches for cable-free daisy-chain connections between modules and Compressor Bus Link switches for stereo and multi-channel dynamics sidechain linking. It includes a rugged free-standing chassis with carry handle for portable applications and a 3U 19-inch rackmount kit for installation in recording studios and live touring racks. An earth lift switch eliminates ground loop problems, and the high-power auto-ranging universal switch-mode power supply provides 3.2 A at +/-16 V and 300 mA at +48 V to power compatible 500 series modules. Main and auxiliary inputs and outputs per channel are provided on industry-standard XLR connectors.

  • Neutron

    Neutron

    MIDAS

    High-performance audio system engine at the centre of the Midas PRO X live mixing system, the result of a three-year R&D program. Delivers 168 simultaneous input channels and 99 time-aligned, phase-coherent output mix buses operating at 96 kHz with 40-bit floating-point processing and 62.5 µs latency. State-of-the-art DSP and FPGA technology in a MIMD architecture provides more than 100 Gigaflops of real-time audio processing, supporting up to 24 simultaneous multi-channel effects and up to 36 graphic equalizers. Klark Teknik HyperMAC (AES50-compliant) and AES50 digital audio networking provide 288 inputs and 294 outputs at 96 kHz over Gigabit Ethernet, with dual redundant HyperMAC snake connection to the PRO X Control Centre on optical fibre (up to 500 m on 50/125 µm multimode) or copper CAT5/5E (up to 100 m). N+1 redundancy across four DSP cards (three required for operation) and three removable, interchangeable power supplies. Compatible with all Midas digital I/O units and any AES50-equipped device. Rugged 7U steel rackmount enclosure with a future-proof expansion card slot. Designed for theatres, concert touring, broadcast and festivals.

  • PRO369-16U

    PRO369-16U

    MIDAS

    The PRO369-16U touring grade 19" rackmount road case for the Midas PRO3, PRO6, PRO9 and PRO X Live Digital Console systems is designed to withstand the rigours of live concert tours.

  • M-1620 Pro

    M-1620 Pro

    RME

    16 channel A/D, 20 channel D/A converter with ADAT, Milan and MADI. The M-1620 Pro converts analog line-level signals (switchable up to +24 dBu per channel) to and from MADI, ADAT, and Milan network technology. A front panel combining LED level meters with display and two separate headphone outputs sits within a single-height 19-inch rack device. Includes dual network and dual MADI connections with redundancy, full stand-alone capability, and Milan certification supporting up to 128 channels at 48 kHz (96 @ 96 kHz, 64 @ 192 kHz).

  • M-32 AD

    M-32 AD

    RME

    RME's M-32 AD is a 32-channel high-end AD converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 32 times. The unique set of features includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I/O up to 192 kHz, 6.3 mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U enclosure. An extraordinary limiter, conceived and optimised for professional studio, stage, and broadcast applications, offers essential operational safety with its capability to limit an input's overload of up to 17 dB without audible distortion (max. input level + 30 dBu).

  • M-32 AD Pro II

    M-32 AD Pro II

    RME

    High-end 32-Channel 192 kHz AD or DA Converter with MADI and AVB. The M-32 Pro II series is designed to meet the demanding requirements of professional studios, immersive sound installations, live sound systems, and industrial applications that need a reliable solution for analog conversion with high-end network audio processing. These converters are available with either 32 analog inputs or outputs, and either with Dante or AVB for a choice of four different models. Boasting up to 32 channels, fully equipped MADI I/Os (coaxial & optical via optional SFP module), improved specs with extremely low THD values, intelligent channel routing and innovative usability, the M-32 Pro II Series represents the state-of-the-art in audio performance.

  • M-32 DA

    M-32 DA

    RME

    32-channel MADI/ADAT to analog converter in a 19-inch, 2U enclosure, combining excellent analog circuit design with the latest converter chips and RME's SteadyClock.

  • R10 Ten-Space 500 Series Rack

    R10 Ten-Space 500 Series Rack

    Rupert Neve Designs

    Ten-slot 500 Series chassis engineered with abundant power and rugged build quality. Delivers 2650mA of total current — more than 150% of the maximum required by a fully loaded rack — to prevent rail sag under heavy loads. Features LED current metering, a double-shielded power supply, balanced XLR and TRS I/O on every channel, 48V phantom power, and VCA link switches on channel pairs for stereo operation.

  • R6 Six-Space 500 Series Rack

    R6 Six-Space 500 Series Rack

    Rupert Neve Designs

    A six-slot 500 Series chassis built around an over-engineered power supply and a flexible rear-panel I/O design with interchangeable DB-25, XLR, or TRS connectors. Aimed at engineers who want a higher degree of confidence in their 500 Series rack — at home, in the studio, or on the road.

  • 202MKVII

    202MKVII

    Tascam

    Professional-grade dual cassette deck with USB digital output, supporting recording, playback, dubbing, and archiving. Features pitch control, Dolby B noise reduction, parallel recording to both decks, and a 3U rack-mount design.

  • BD-MP1MKII

    BD-MP1MKII

    Tascam

    Professional-grade 1U rackmount Blu-ray player supporting disc media (Blu-ray, DVD, CD), SD/SDHC/SDXC cards, and USB flash drives for commercial and residential installations. Features HDMI output with Dolby Atmos and DTS-HD passthrough, balanced XLR stereo outputs at +4dBu, and 7.1 surround sound RCA outputs. RS-232C and Ethernet ports enable external system control, and panel/IR/tray lock functions support secure, unattended operation.

  • BD-MP4K

    BD-MP4K

    Tascam

    Professional-grade 4K UHD Blu-ray player in a 1U rackmount form factor, designed for installation in theaters, educational facilities, and commercial venues. Supports 4K Ultra HD BD, standard Blu-ray, DVD, and CD playback, as well as file playback from SD cards, USB 3.0 drives, and networked Samba/NAS servers. External control is available via Gigabit Ethernet or RS-232C, with panel lock, IR remote lock, and power-on play for unattended operation.

  • CD-200BT

    CD-200BT

    Tascam

    Professional 2U rack-mount CD player with integrated Bluetooth receiver supporting aptX, AAC, and SBC codecs. Plays CD, CD-R, CD-RW, and CD-ROM discs and supports WAV, MP3, and MP2 audio formats. A 10-second shockproof memory prevents skipping, and the unit pairs with up to eight Bluetooth transmitters for wireless audio streaming.

  • CD-400U

    CD-400U

    Tascam

    1U rack-mount media player supporting playback from CD, SD card, USB flash drive, Bluetooth, and a built-in FM/AM tuner with 20 presets each. Offers dual analog outputs — balanced XLR and unbalanced RCA — alongside a front-panel headphone output and AUX input for portable devices. RS-232C serial control and a wireless remote make it well-suited for fixed installation environments.

  • DA-3000SD

    DA-3000SD

    Tascam

    2-channel DSD/PCM master recorder and AD/DA converter featuring BurrBrown PCM1795 converters (one per channel), recording up to 192kHz PCM and 5.6MHz DSD. 1U rack-mountable with fanless design, high-precision TCXO oscillator (±1ppm), and support for cascading up to 16 tracks with eight units.

  • DA-6400

    DA-6400

    Tascam

    Compact 64-channel digital multitrack recorder designed for live and broadcast applications. Records 64 channels at 48kHz/24-bit or 32 channels at 96kHz/24-bit PCM to 2.5-inch SSD in BWF (.wav) format. Features SMPTE LTC timecode sync, cascade support for up to 128-channel operation, and two expansion slots for optional I/O interface cards.

  • MP-800U

    MP-800U

    Tascam

    1U rackmount SD/USB media player with USB DAC and FM tuner. Supports WAV, MP3, and AAC playback from SD cards and USB flash drives. Features balanced XLR and unbalanced RCA outputs with a dedicated tuner output pair, pitch control, auto cue, and fade in/out. Bluetooth streaming available via optional AK-BT2 adapter. Compatible with Q-SYS platform (in development). Suited for installed audio environments such as restaurants, hotels, and entertainment venues.

  • SS-CDR250N

    SS-CDR250N

    Tascam

    Professional 2-channel CD/SD/USB recorder and player with integrated network capabilities for installation audio applications. Supports high-resolution recording up to 96kHz/24-bit across dual SD card slots, USB, and CD-R/RW media, with mirror and relay recording modes for redundancy. Network features include an FTP client for automated file transfer and an Event List scheduler for unattended recording and playback operations.

  • SS-R250N

    SS-R250N

    Tascam

    2-channel SD/USB recorder and player with built-in network connectivity designed for permanent installation applications. Supports high-resolution audio up to 24-bit/96kHz via WAV or MP3 formats, with dual SD card slots for mirror or relay recording. Network features include FTP client functionality, smartphone app control, SNTP time-based event scheduling, and an Event List automation system for unattended operation.

  • VS-R264

    VS-R264

    Tascam

    Compact half-rack HD video streamer functioning simultaneously as a Full HD (1920×1080p) H.264 encoder, decoder, and SD recorder without requiring an external computer. Supports RTMP, RTSP, and HLS streaming protocols with up to 8 simultaneous streams including 3 simultaneous RTMP streams for simulcast and backup. Powered by PoE+ Class 4 over its Gigabit Ethernet port for simplified installation.

  • VS-R265

    VS-R265

    Tascam

    Standalone half-rack 4K video streamer that simultaneously encodes, decodes, streams, and records without an external computer. Supports H.264 and H.265 (HEVC) up to 3840×2160p and outputs up to eight simultaneous streams via RTMP/RTMPS, RTSP, HLS, RTP/UDP, and multicast. Recording is available to internal 17GB storage, USB drives, or SD/SDHC cards in MPEG2-TS or MP4 format.

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