Big Time
Big Time is a hybrid echo that revisits the mixed-up circuitry found in rackmount delays from the early 80s, pairing a stereo analog preamp and an analog feedback-loop limiter with a digital delay core.
$999
38 products
Boutique effects manufacturer known for innovative analog/digital hybrid pedals.
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Big Time is a hybrid echo that revisits the mixed-up circuitry found in rackmount delays from the early 80s, pairing a stereo analog preamp and an analog feedback-loop limiter with a digital delay core.
$999
A delay with a memory that stores everything you play in a 60-second digital tape reel, letting you scan back through your history to revisit and reuse sounds from the past.
$399
A multidirectional delay pedal made with Empress Effects, featuring three distinct echo voices that move in different directions — forward, backward, and up — with six modulation types, a built-in sequencer, and advanced MIDI/CV/expression connectivity.
An all-analog delay and pitch-shifter built around four MN3005 bucket-brigade chips, featuring a built-in sequencer, tap tempo with subdivisions, CV and expression control, and MIDI support.
Built around a pair of re-issued versions of the legendary MN3005 bucket-brigade delay chips, Tonal Recall puts unmistakable analog delay character and velvety tape-like modulation front and center while adding modern amenities such as tap tempo, optional bypass with trails, expression control over any parameter, and savable presets.
The "Red Knob Mod" version of Tonal Recall is built around 4 re-issued versions of the legendary MN3005 bucket-brigade delay chips. Its maximum delay time is increased to 1100ms and the unmistakable analog character of this delay is front and center.
Ayahuasca is a fuzz pedal and a tremolo pedal — the fuzz can be used independently or together with the tremolo. Described by Chase Bliss as their trippiest pedal, it can also produce ring-mod-like oscillation at high Rate speeds and vibe-like sounds when the tremolo is set to Harmonic mode.
Chase Bliss's first true multi-effect pedal, a collection of 12 rare and strange effect modes that can be blended in countless ways, offering a full spectrum of textures inspired by effects that have captivated and perplexed over the years.
A two-channel micro-looper and spatial effects pedal where one half samples and loops brief moments while the other provides real-time spatial effects, with both channels aware of each other and working together.
MOOD MKII is a different kind of multi-effect. Its two channels are aware of each other and work together — one half samples and loops brief moments, the other is a collection of real-time spatial effects.
$399
Ooey-gooey-analog goodness: an analog vibrato/chorus pedal that simulates the effect of a warped vinyl record, though that is only scratching the surface of what it can do. The signal path is fully analog, but every knob is connected to a little digital brain that opens up effects never before heard in an analog stompbox.
An analog chorus and vibrato pedal built around a 1024-stage bucket-brigade chip, originally conceived to simulate the effect of a warped vinyl record. Features true pitch modulation with an all-analog signal path.
An analog vibrato and chorus pedal originally conceived to simulate the effect of a warped vinyl record. Features an all-analog signal path with digital control over every knob and switch.
$349
A limited-edition collaboration between Chase Bliss Audio and Cooper FX that brings together all aspects of tape degradation, combining random pitch fluctuations, bandwidth-limiting filters, sample rate reduction, and noise to mimic that sound without the need for a broken VHS player.
Generation Loss MKII is a study of tape in all its forms — a VHS Duplicator effect pedal with stereo I/O, presets, MIDI, and CV control.
$399
Lossy captures the special kind of degradation that happens to digital audio when it's shrunk, transferred, and compromised. Made with Goodhertz, it recreates vintage digital artifacts in an easy-to-tweak real-time pedal.
$399
The Billy Strings Wombtone analog phaser effects pedal from Chase Bliss collects multiple styles of phasing in one place, using a rich, all-analog signal path. You can now control the phasing directly with your playing, for responsive, fluid, and tightly-synced movement.
An analog phaser pedal by Chase Bliss, now discontinued.
An all-analog phaser pedal with digitally-controlled parameters, featuring switchable 2, 4, and 6 stages of phase shifting and a rare mix control that moves from full dry to pure phase vibrato.
$349
The exp expression roller works like any other expression pedal but features two completely independent outputs attached to a dual linear 10k pot compatible with any TRS expression input.
$199
Protective covering custom designed for Chase Bliss Automatone line pedals. Installation takes only a few minutes, balancing solid protection with a seamless, simple aesthetic.
$79
Replacement knobs for Chase Bliss pedals, available in 9 color variants to match different pedal models. Price is per knob.
$4
An analog multi-effect pedal that allows sophisticated control over a wide range of effects including EQ, overdrive, boost, tremolo, and filter tones, with a parametric mids control ranging from 150Hz to 4kHz and three separate low pass filter and bass boost/cut modes.
An analog tone shaping pedal that combines a parametric midrange EQ, resonant low-pass filter, and overdrive into a single 100% analog signal path with MIDI, expression, and CV control.
Boost. Drive. Fuzz. Any way you want. Designed in collaboration with Resonant Electronic, Brothers is built upon two independent JFET / IC analog channels comprising a total of six unique boost, drive, or fuzz circuits in one small enclosure.
A tribute to the legendary King of Tone overdrive, created in collaboration with Analog Man. Takes the coveted circuit and provides advanced control with changeable modes, previously hidden parameters, a bonus treble booster circuit, and full external control via expression, MIDI, or CV.
$399
A vintage-inspired stereo reverb pedal featuring room, hall, and plate algorithms with variable fidelity clocking, 32-bit AD/DA conversion, and internally boosted +/-15V rails for line level input.
$899
Dual-channel reverb blender combining three natural algorithms (Spring, Plate, Hall) by Keeley Electronics with three impossible/surreal algorithms by Cooper FX, offering 33 distinct ways to mix and match reverb spaces.
A complete handheld sampler for making music with samples anywhere. Two instruments in one with alternate firmwares — TAPE (free-form sampler with varispeed looper) and TEMPO (intuitive groovebox for syncable patterns and rhythms).
$599
Living landscapes. Onward is a sampler controlled by your playing. It moves when you do, capturing the sounds you make to create rich musical landscapes.
$399
A studio-grade creative compressor with two stages of compression, 100% analog signal path, and true stereo I/O that goes beyond compression into tube-like sag, dynamic EQ, physical modeling, and swell modes.
$399
Through-zero and back again. An analog through-zero flanger pedal replicating the legendary effect created by putting a finger on a set of identical tape recorders, slightly altering the speed of one of the recorders.
$349
The very famous five-knob, two germanium transistor fuzz made in collaboration with ZVEX — in short, a souped-up Fuzz Factory with digital control and a resonant low pass filter.
Performance looper with additive sound design. Merges high-fidelity looping with creative manipulation, allowing you to steer recordings to new and extraordinary places with two channels of hands-on modifiers.
$499
The MIDIbox converts standard 5-pin DIN MIDI to a TRS patch cable, allowing you to connect Chase Bliss, Empress, or Meris pedals to standard MIDI controllers.
$59
Faves is a dead simple MIDI controller that allows the user to access six presets as well as "live" mode on-the-fly for any of the Chase Bliss pedals.
A do-it-all analog drive, filtering, and fuzz pedal built around Benson amplifier circuitry, featuring variable diode clipping, resonant routable mids, two fuzz modes, motorized faders, and 30 internal presets with MIDI/CV/expression control.
Harmonic and/or standard tremolo, pure analog warmth. This tremolo pedal features an all-analog signal path that can do any variety or shape of standard volume modulation, harmonic tremolo (inspired by vintage Brownface) or both simultaneously for a truly unique and beautiful tremolo sound that sits just perfectly in a mix.
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