166 products
A 500-series transformer-coupled mic preamp and DI that combines the steel output transformer of the EM-Silver with the proprietary nickel/steel input transformer of the EM-Red, delivering a dark, low-mid-forward character ideal for fattening thin sources. No longer in production.
A 500-series transformer I/O microphone preamp and DI with custom-wound steel input and output transformers that deliver the darkest tonal character in the EM module lineup — ideal for ribbon microphones, bass guitar, and keyboards. No longer in production.
A dual-channel, all-tube microphone preamplifier with discrete circuitry, point-to-point wiring, EF86 and 6N1P tubes, and custom Cinemag transformers, suitable for virtually any microphone or instrument source.
A 500-Series microphone preamplifier and DI inspired by the Pacifica, featuring custom CineMag transformers, discrete Class A circuitry, up to 72dB of gain, and a front-panel Hi-Z instrument input. Handmade in the USA.
A stereo microphone preamplifier inspired by the 1970s Quad Eight Pacifica console, featuring solid-state electronics with custom Cinemag transformers, dual front-panel Hi-Z DI inputs, and up to 72dB of gain.
A three-in-one 1U combination unit featuring an independent microphone preamp with Jensen input transformer, 3-band parametric EQ inspired by the Quad Eight design, and instrument preamp/D.I., with separate access inputs and outputs for each section. No longer in production.
A 1RU rackmount unit combining an independent microphone preamp with Jensen input transformer and Cinemag balanced outputs, instrument preamp/DI, and a modified Quad Eight-style 3-band parametric EQ with three discrete signal paths and flexible insert routing. No longer in production.
The Big Ceil Bundle features 5 iconic british designs in one comprehensive production collection.
€199
A two-channel ribbon preamp and EQ with 3rd-generation JFET circuitry, 85dB of gain, 68KΩ input impedance, and a unique CurveShaper™ EQ with sweepable high- and low-frequency controls for shaping the front end of the signal path.
A 500-series ribbon preamp and EQ with high-frequency and low-frequency shelving controls, 10KΩ input impedance, and AEA's signature high-gain, low-noise JFET topology optimized for passive ribbon microphones.
A 500-series ribbon preamp and EQ bringing AEA's 3rd-generation RPQ3 circuit and CurveShaper™ EQ to the modular format, with 68KΩ input impedance and 7 to 85dB of clean JFET gain.
$799
A two-channel half-rack microphone preamp with AEA's 3rd-generation JFET circuit design, providing high-output, high-impedance, and low-noise gain with a universal power supply for worldwide use.
A single-channel 500-series microphone preamp with AEA's 3rd-generation DC-coupled JFET circuit, providing 85dB of ultra-low-noise gain and 100KΩ input impedance (phantom off) for optimal performance with passive ribbon microphones.
The SGT-DI preamp and DI gives modern bassists an entire rig in a single stompbox. Enhanced Super Grit Technology overdrive with SVT and B-15 voices, versatile 3-band EQ with sweepable mids, variable compressor, and an onboard IR Loader/Cab Simulator deliver authentic Ampeg tone for stage and studio.
Modeled after a super rare and, of course, super sought after classic, BA-31 has managed to preserve the original sound of the Germanium transistors of its hardware inspiration.
$99
Antelope Audio plugin modeled after a 'gold-standard' British analog preamp known for its warmth and musicality.
We love the simple and massive analog powerful of all things Gyraf Audio and the dual tube microphone preamp Gyratec IX real-time plugin emulation is not an exception.
€99
The RD47 plugin is an authentic recreation of one of Abbey Road Studios' most iconic valve line amps which defined the beautiful sound of the 1960s.
$129
Classic API design in 200-Series format, tracing lineage to API's legendary 2488 series consoles. Delivers high frequency articulation with detail alongside big sounding, warm bottom end. All-discrete circuit design with transformer-coupled inputs and outputs.
Limited-edition reproduction of the original 1970s API 312 microphone preamp redesigned for 500 Series format. Faithfully recreates Saul Walker's original PCB design with hand-wired components. Only 150 individually serialized units produced.
Classic 500 Series microphone preamp originally launched in the 1970s. Combines API 2520 discrete op-amps and proprietary AP2516 transformer with vintage-style VU meter, up to 69 dB gain, 48V phantom power, 20 dB pad, and 3:1 output transformer tap selection.
API 312 microphone preamplifier circuitry integrated with Karno's SEPIA digital control platform, enabling real-time automation and preset recall. Exclusive to the SEPIA L6 rackmount system.
2-channel rack-mount mic preamp with API 2520 op-amps and AP2516 input transformer. Features switchable front/rear XLR inputs, front-panel Hi-Z instrument inputs, variable output with 3:1 transformer tap, high-pass filter, and analog VU meters with peak LED.
4-channel rack-mount mic preamp with integrated stereo mixer. Each channel features API 2520 op-amp and AP2516 input transformer, 48V phantom power, 20 dB pad, polarity switch, stereo panning, post-fader aux send, and per-channel insert points. Includes master stereo mix outputs (balanced XLR + unbalanced 1/4"), aux return, and VU metering.
4-channel rack-mount mic preamp with API's classic AP2516 input transformer, proprietary output transformer, and API 2520 op-amps. Delivers up to 65 dB gain per channel with switchable mic/instrument inputs, 48V phantom power, 20 dB pad, polarity invert, and variable 3:1 output transformer tap.
Classic API microphone preamp in 500-series format, delivering the distinct API sound with up to 65 dB of mic gain via a fully discrete 2520 op-amp circuit.
Fully discrete 500-series mic/line/instrument preamp with switchable 3:1 output transformer tap and variable output level control, delivering the classic API 2520 sound with up to 65 dB of mic gain.
500-series line amplifier modeled after API's console 325 booster cards, using 2510/2520 discrete op-amps to amplify, attenuate, and add tonal character to line-level signals. Features continuously variable input trim, output ratio selector, 20 dB pad, calibrated level mode, and polarity switch.
Limited run of 50 individually serialized 1U rackmount channel strips combining the 312 Anniversary Edition mic preamp and 550A Anniversary Edition 3-band EQ on original Saul Walker 500-series PCBs. Hand-wired with vintage faceplate.
2-channel all-tube Class-A microphone preamplifier with API's proprietary AP2516 input transformer and custom output transformer, featuring 12AT7WC and 12BH7 vacuum tubes, variable input impedance, 48V phantom power, and analog VU meters.
The definitive sound of the world's best studios, perfectly recreated for the modern producer. Color your tone, saturate your signal, or give everything a subtle, vintage lift. The perfect way to warm up a digital signal.
$99
One of the most sought-after, exclusive channel strips ever made has been reborn for your DAW. Get ultimate control of your channels' tone with an all- in-one plug-in that's destined to become one of your go-to choices.
$99
If you want to explore the sound that defined 60s pop music, this is the plug- in for you. Combining the accurately emulated V612 EQ and V76 preamp in one unit, you can enjoy that legendary sound in your virtual studio.
$99
Asp880 is an 8-channel microphone preamplifier & adc, the perfect addition to your set-up. Asp880 provides eight of audient's renowned console mic pres, pristine converter technology and a versatile feature set that includes variable impedance and variable high pass filters. All in a 1ru rack.
The Avalon V5 is a dual mono, Pure Class A discrete microphone preamplifier, DI, and re-amp unit with a 10-position passive TONE-BANK, transformer-coupled inputs with selectable impedance, a built-in headphone monitor amp, and professional VU metering.
The Avalon V55 is a dual-channel, Pure Class A microphone preamplifier, DI, and re-amp unit with a 10-position passive TONE-BANK, transformer-coupled inputs with selectable impedance, professional VU metering, and multiple outputs including transformer-isolated re-amp sends in a 2U rack-mount chassis.
The 1023 is a handwired microphone/line preamp with a three-band equalizer featuring expanded frequency options compared to the 1073, using the same mic/line preamp circuit but with significantly more mid and high-frequency selections allowing overlapping EQ curve manipulation.
$3,695
The 1023L is a 500 Series preamp/EQ module based on the classic 1023, featuring the mic/line preamp from the 1073 with significantly expanded frequency options in the high and mid sections, allowing the mid bell curve to be played directly against the high and low shelves where they overlap.
$2,695
The 1028 is a hand-wired microphone/line preamplifier with a 3-band equalizer featuring the identical mic/line preamp as the 1073 but with significantly expanded mid and high-frequency EQ sections, offering 28 total frequency options for enhanced tone-shaping versatility.
$4,075
The BAE 1032 is a Class A transformer-coupled 4-band microphone/line preamplifier with equalizer, inspired by the classic 1081 EQ frequencies combined with the 1073 preamp design. Hand-wired with all-discrete construction using modular cards for serviceability.
$4,285
The 1066D is a hand-wired mic-line preamp and equalizer featuring the same core design as the 1073, with expanded frequency options and a distinctive mid-range character. It includes a 3-band EQ, high-pass filter, phase reverse, and uses Carnhill (St. Ives) transformers throughout.
$3,285
The 1066DL is a hand-wired 500 Series mic/line preamplifier and 3-band equalizer based on the classic 1066 design, sharing the same mic-line pre-amplification stage as the 1073 but with different EQ frequency selections particularly suited to guitar applications.
$2,395
The first portable dual 1073 microphone preamplifier featuring the same preamps and Carnhill (St Ives) transformers as the 1073 and 1084 models. It includes a built-in power supply for portability and a hand-wired modular design across two channels.
$2,595
The 1073DMP (Desktop Mic Pre) is the first portable 1073 microphone preamplifier, featuring the same preamp circuit and Carnhill (St Ives) transformers as the 1073 and 1084 models. It includes the 'Bootsy Collins' mod with an OEP Carnhill DI transformer, making it the first 1073 direct box.
$1,370
The 1073MP is a Class A, transformer-coupled microphone preamplifier available in single and dual-channel 19" 1U rackmount configurations, delivering the characteristic sound of the 1073 with harmonically rich low end, slight resonant highs, and maintained focused mids.
$1,370
High-pass filter version of the 1073MP microphone preamplifier, featuring Class A transformer-coupled design with the characteristic sound of the 1073 equalizer — harmonically rich low end, resonant highs, and focused mids.
$1,720
The 1073MPL is a 500 Series microphone preamplifier based on the 1073MP design, featuring Class A, transformer-coupled circuitry with the characteristic warm, harmonically rich low end, slight resonant highs, and maintained focused mids. It includes two selectable input impedances, a high-impedance DI input, and uses the same Carnhill St Ives transformers as the 1073 and 1084.
$1,200
The BAE 1272 Module is a microphone preamplifier built to original Neve console specifications, designed to fit directly into vintage Neve 80 Series console frames. Hand-wired using discrete electronics with Carnhill and Jensen transformers, it delivers the classic Neve character in a console module format.
The 312A is a versatile microphone preamplifier engineered for speed and clarity, featuring a design without capacitors in the audio path to preserve transient response. It is particularly favored for drum recording due to its punchy character. Built with BAE 2015 opamps and Jensen input and output transformers, the 312A delivers exceptional transparency and musicality. A high-impedance DI input accommodates instruments directly, while front-panel phantom power switches and gold-contact switches ensure durability and ease of use.
The LA4 is a fully-balanced, line-level preamplifier featuring relay-controlled volume and input selection with exceptionally low noise and distortion across 256 volume control settings. It offers extended bandwidth, linear phase response, and a 135 dB unweighted signal-to-noise ratio.
$3,050
The PRE420 is a four-channel microphone preamplifier with an integrated stereo mix bus and stereo/mono solo bus in a sleek, 1RU chassis. It is designed for maximum transparency, wide bandwidth, low-noise, low-distortion, and superior RF immunity for demanding studio and live venue applications.
Classic preamp circuit with a germanium gain stage, servo-biased for stability.
$259
The 424 MKII Preamp takes its inspiration from the raw and grimy distortion texture and broad EQ control from a classic cassette 4-track recorder preamp.
$199
$249
8-channel Auteur mic/line/DI preamp with inserts, word clock, ADAT, and 8 Cinemag transformers
$259
$419
4-channel rack-mount mic preamp based on the Auteur mkII with Edcor transformers
A boutique mic preamp — four times over! Auteur Quad² is a four-channel rackmount edition of our lauded Auteur mic preamp. Auteur preamps are known for their snappy, transparent, American-style IC-based input stage while also providing a fat, colorful British-style output stage via US-made Cinemag transformers.
$899
$399
$1,199
$449
$1,499
The Bricasti M20 is a dual-mono, fully differential preamplifier featuring a proprietary all-discrete R2R resistor ladder attenuator, three independent Class A linear power supplies, and three separately buffered analog outputs. Handcrafted in Massachusetts, USA.
500-series microphone preamplifier featuring proprietary BX3 input and BX2 (or BX4 on the B1D) output transformers, all-discrete class-A direct-coupled capacitor-free circuit path, and 70 dB of gain.
4-channel MIC/LINE input daughter card for the B80 and B16 MOTHERSHIP chassis featuring the new BX6 input transformer, class-A NextGen Analog BOPA14 circuitry, and the same ADC as the BAD8 — delivering up to 40 channels of audiophile MIC/LINE inputs per B80 chassis.
The Trident A-Range console dominated the UK recording scene in the late '60s to early '80s, due in part to just how good it made things sound. The heart of the beast consists of a discrete germanium-and-transformer-equipped preamp that can be adjusted to suit all tastes, from the tones of Lou Reed to the fuzzy freakouts of Frank Zappa.
$179.99
A pedalboard-friendly preamp inspired by the RCA BA-31 studio microphone preamp, featuring germanium and transformer components with a UREI-style discrete op-amp. Spans clean boost, overdrive, distortion, and fuzz tones with dynamic-sensitive, vintage-flavored character.
$179.99
The Epoch Bias expands upon the Epoch Boost with four controls — Preamp, Boost, Bias, and Filter — to faithfully replicate the preamp characteristics of the Maestro EP-3 solid-state Echoplex. The Bias knob simulates out-of-spec vintage components to shape gain and body, making it a versatile finishing touch anywhere in the signal chain.
$179.99
The Chandler Limited Germ 500 MKII preamp is a discrete, transformer balanced 500 Series module that combines Wade Goeke's designs with recording studio favorites of the past, using classic germanium transistors in all Class A, transformer balanced circuits.
Warm, Organic, and Chandler's Most Vintage Sounding Pre Amp Yet! The Chandler Limited Germanium Pre Amp/DI uses classic germanium transistors in an all class A, transformer balanced circuit. The use of germanium devices opens a whole new sound palette not found in any pro audio equipment currently manufactured.
The Chandler Limited Little Devil Preamp is a discrete, transformer balanced 500 Series module combining Wade Goeke's designs with recording studio favorites of the past. The Class A gain stage is big, open, and full of life.
The Chandler Limited LTD-1 is a hand wired and handmade 10-series equalizer and pre amp using parts and build techniques from the original manufacture of the modules. Discontinued January 2019.
Chandler Limited's REDD.47 Mic Amplifier is a recreation of the original valve line amplifiers used in Abbey Road Studios' heralded and rare EMI REDD.51 recording consoles circa 1959-1968.
The REDD.47 Special Edition Pre Amp is a mono microphone preamplifier built with 53 new-old-stock and vintage parts from the 1960s and 1970s, authentically recreating the sound of the original EMI REDD.47 amplifier from the legendary REDD.51 mixing console.
The Chandler Limited TG Microphone Cassette is a full-featured channel strip combining the TG2 Pre-Amp, Curve Bender EQ, and TG1 Opto Limiter into a single unit. An independently patchable compressor section makes this the ultimate TG channel strip reimagined for modern studio use.
The Chandler Limited TG12411 Channel (formerly TG Channel MKII) combines the TG2 preamp section with an equalizer redesigned from the EMI TG12410 Transfer Console — a recreation of the passive inductor EQ found in the Abbey Road mastering chain.
The Chandler Limited TG2 Pre Amp/DI is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road including The Beatles 'Abbey Road' and Pink Floyd 'Dark Side of the Moon.' This microphone pre-amplifier features the same discrete transformer balanced amplifiers as the TG series and offers a creamy, smooth tone with a surprisingly open, clear top end.
The Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. It features the same discrete, transformer-balanced amplifiers as the TG series and packages the microphone pre-amplifier and line amplifier from the TG2 Pre Amp/DI into the industry standard 500 Series format.
A do-it-all analog drive, filtering, and fuzz pedal built around Benson amplifier circuitry, featuring variable diode clipping, resonant routable mids, two fuzz modes, motorized faders, and 30 internal presets with MIDI/CV/expression control.
The dbx 286A (Project 1) is a discontinued microphone preamp processor from the Project 1 series, combining a mic preamp with compressor, de-esser, enhancer, and expander/gate.
Four-channel transformer-coupled microphone preamplifier in a 2U rack enclosure. Incorporates four of Focusrite's renowned ISA mic pres with selectable input impedance (600Ω, 1400Ω, 2400Ω, 6800Ω), front-panel instrument inputs, rear-panel line inputs, switchable insert points on every channel, and a variable high-pass filter.
$2,529.99
Featuring a rugged, portable all-metal enclosure, Focusrite ISA One combines the classic Focusrite microphone preamp with a flexible, independent DI channel.
$719.99
Focusrite's ISA Two brings together a totally independent pair of legendary ISA microphone preamps from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve — the Lundahl LL1538.
$1,079.99
Eight-channel mic preamp and ADAT expander featuring eight 2nd generation Scarlett mic preamps with 50 dB of gain, switchable 48V phantom power and pad on every channel, two front-panel high-headroom instrument inputs, eight balanced line outputs, ADAT optical output, and word clock I/O.
$599.99
An emulation of the rare 1950s RCA Model BA-2C all-tube booster amplifier, originally used as a microphone preamplifier and transcription turntable booster amp. Faithfully recreates the two triode-strapped 6J7 pentodes and original transformer configuration, delivering a rich THD spectrum. Lower gain settings produce a well-defined balanced sound with mid-range accent; higher gain adds warmth, weight, and smoothness. Includes selectable pre/de-emphasis filter, Mix control, and Boost mode.
$49
An emulation of the ultra-rare 1960s RCA BA-31A germanium transistor preamplifier — a 4-transistor design with a custom UTC input transformer, fixed 40 dB gain, and a single power switch. Captures the characteristic even-harmonic structure unique to germanium-based designs, with a powerful low-end projection and musical 'grind' when pushed. Extended controls include a compensated drive, impedance selector, VU metering, phase inversion, and noise control.
$39
An emulation of the Telefunken V376, a highly sought-after vintage broadcast tube microphone preamp originally designed for broadcasting. Fully emulates the audio transformers, discrete class-A preamp and driver circuitry of the original. The V376 is a rare piece of hardware commanding thousands of dollars for original units. Functions as both a coloring preamp and a saturation tool with different levels of harmonic distortion.
$39
An emulation of a vintage tube-based low-wattage amplifier from the early 1960s (model 562A), originally designed as a PA amplifier before being adopted by UK bands for guitar and bass. The circuit features an EF86 gain stage, an ECC82 phase splitter, and two 6L6 push-pull pentodes driving the output transformer, with a passive tonestack implementing two rolling shelf filters. Ranges from subtle vintage coloration to full-on gritty distortion.
$69
A free emulation of the classic V72 tube preamp, originally manufactured in the 1950s by Maihak, TAB, Siemens, and TFK. The V72 became the blueprint for the later V76 and the REDD.47 preamps used on numerous Beatles sessions. Captures the input/output transformers, dual EF804 pentode circuit with its peculiar feedback structure, and the heavy output choke that produces a subtle touch of air. Includes a Drive control for saturation, V76-style low and high-cut filters, gain compensation, and instance grouping.
$0
Custom-built tube preamp by Ignite Amps, crafted with top shelf engineering and passionate dedication for ultimate tone, following the tradition of fine Italian instrument building.
A digital emulation of a three-channel tube preamplifier for guitar, modeled after a custom hardware unit built for Fleshgod Apocalypse guitarist Cristiano Trionfera in 2009. The circuit draws inspiration from a famous boutique preamplifier made in 1988, modded to suit the guitarist's needs. Features Ignite Amps' 3rd generation triode modeling engine with three independent channels (clean, rhythm, and lead), mono and stereo processing, oversampling up to 8x, and 64-bit double precision floating point math.
$0
A digital emulation of a three-channel tube preamplifier for guitar, accurately modelling its real hardware counterpart designed by Andy Zeugs. Features three fully independent channels with separate signal paths and tonestack controls: a Clean channel inspired by classic Californian circuits, a Rhythm channel with hot-rodded British character ranging from mild crunch to high-gain distortion, and a Lead channel delivering super-tight metal tones at very high gain settings.
$0
Preamp/DI pedal with advanced tone shaping that lets you shape the sound of your instrument with the input circuits from IK Multimedia's award-winning AXE I/O interface. Features active/passive pickup selector, PURE and JFET channels, variable impedance Z-TONE control, output buffering, adjustable boost circuit, balanced XLR output, and true bypass.
$169.99
The JHS Pedals 424 Gain Stage is a recreation of the TASCAM 424 MKI Portastudio cassette preamp circuit, offering warm lo-fi overdrive and DI functionality with XLR balanced output for recording direct.
$249
A FET preamp/boost based on the Boss FA-1 with a three-band EQ, three EQ mode settings, and an XLR output for direct use with acoustic, electric, or bass guitar.
$199
A 500-series lunchbox preamplifier and EQ inspired by Neve BA283 gain stages, with DI, mic, and line inputs, Carnhill transformers, and a seven-band EQ capable of everything from pristine clean to destructive saturation.
$0
The original Colour Box pedal format preamp, EQ, overdrive, distortion, fuzz, and DI box — a studio-grade Neve-inspired signal processor in a compact pedal enclosure with seven controls and no shift EQ knobs.
$0
An expanded pedal-format studio preamp, EQ, overdrive, distortion, fuzz, and DI box inspired by Neve console circuitry, adding EQ shift knobs, Hi/Lo headroom switch, 48V phantom power, and an output transformer over the V1.
$449
A simplified little-brother to the Colour Box, delivering vintage studio preamp tones from gritty overdrive to gated fuzz with an active Tilt EQ, Hi-Pass filter toggle, and instrument/XLR inputs for guitar, bass, or microphone.
$199
A mono transformer-coupled preamplifier and passive two-band boost-only EQ. Use it to add low-end punch and silky smooth high-end to your mixes.
$9.99
The world's first 500 series audio processor with Twin Tone-Amp architecture, accepting analog plugins called Colour Modules. Functions as both a microphone preamp and line-level processor, featuring Twin MOJO Amps inspired by American (A) and British (N) console designs, a Baxandall Tone EQ section, and full Colour Format module compatibility.
$729
The Chroma X is a 10-channel, 3RU tracking and mixing processor designed for hybrid studios. It combines microphone preamp and line-level processor functionality with Twin Tone-Amp architecture and one Colour Module analog plugin slot per channel for customizable signal processing.
$6,499
Professional 4-channel vacuum tube mic preamp with high-voltage Class A topology and MANLEY IRON® transformers. Engineered for exceptional clarity.
$2,999
Jumbo Shrimp® delivers White Follower 5670 tube topology, 50Ω output impedance, zero global feedback. Minimalist all-tube signal path with RF remote.
$4,999
The Neo-Classic 300B RC: first 300B tube preamplifier. 6SL7 input, tube rectification, custom transformers. Drives headphones and line-level sources.
$7,999
Manley OASIS delivers 6922 tube amplification with MANLEY POWER®, passive RIAA, and variable MM/MC loading. No ICs in signal path. California-made.
$3,999
The Steelhead® RC features autoformer MC loading, 6922/7044 tubes, variable capacitive loading to 1100pF, and remote volume control. Direct amp drive.
$10,899
Reference 15.4 channel home theater pre-amplifier/processor powered by HEOS with Dolby Atmos. Features Marantz HDAM discrete circuitry, fully balanced outputs, 8K HDMI support, and advanced immersive audio processing for reference-level home theater systems. Crafted in Shirakawa, Japan.
11.4-channel balanced AV preamplifier powered by HEOS, engineered for large media rooms and dedicated home theater systems. Features Marantz HDAM discrete circuitry with seven 8K-compatible HDMI inputs, Audyssey MultEQ XT32 room correction (Dirac Live upgradable), Dolby Atmos, DTS:X Pro, and Auro-3D support with fully balanced XLR pre-amp outputs and four independent subwoofer outputs. Crafted in Shirakawa, Japan.
Classic 80s British crunch and searing leads recreated in a modular all-tube preamp module designed to fit Synergy Amps chassis. Advanced three-tube architecture delivers deeper saturation and clarity, with two independent channels for rhythm and lead tones, a high/low input switch for adjustable gain and harmonic intensity, and a built-in phase inverter with mini transformer that recreates the feel of a cranked amp at lower volumes. Tuned for aggressive midrange, tight punch, and classic 80s overdrive.
$449.99
All-tube Plexi preamp module built for the Synergy Amps modular preamp system. Recreates the iconic Marshall JMP 'Plexi' sound, from sparkling cleans to classic overdriven distortion, via a dual-channel design with independent 3-band EQ, master volume, and bright switches per channel. Selectable 60s/70s voicing switches dial in era-specific Plexi character, while an onboard phase inverter with 0-watt circuitry and mini transformer delivers the feel of a cranked amp at low volumes. Loaded with 12AX7 tubes and connected via 1/4" instrument cabling.
$399.99
The MICROPHONE PREAMPLIFIER 502 brings the award-winning Midas microphone preamp to the 500 Series format, available as an add-on to any mobile or recording system when used with the LEGEND L10, L6, or other standard 500 Series rackmount chassis. Considered by leading live sound and recording engineers as the very essence of the famous Midas sound, the preamp has been upgraded with four discrete ultra low noise input transistors and retains the soft clipping characteristic that provides crystal-clear audiophile reproduction with just the right amount of harmonics. The 502 also honours the legacy of the XL4 console by bringing back its swept low and high pass filters. A 12-position rotary switch sets gain from 0 to +60 dB in 5 dB increments, while a fully variable output trim potentiometer adds another ±20 dB of range for up to +80 dB of total gain. The input stage accepts signal levels up to +24 dBu without requiring a pad. Outputs are electronically balanced by default, with a switchable transformer-balanced output (TX) for additional tonal character.
The MICROPHONE PREAMPLIFIER 502 V2 is the award-winning Midas microphone preamp delivered as a 500 Series add-on module for mobile or recording systems, particularly designed for use with the LEGEND L10 or L6 500 Series Rackmount Chassis. The V2 iteration upgrades the original 502 with four discrete ultra low-noise input transistors, retaining the legendary Midas sound while extending dynamic range. The input stage accepts signal levels up to +24 dBu with soft clipping, gain is set via a 12-position rotary switch from 0 to +60 dB in 5 dB increments, and a ±20 dB output trim potentiometer brings total maximum gain to +80 dB. Twin balanced outputs (main and an auxiliary TX output) feed independent destinations, with illuminated push-button switches handling low-pass and high-pass filter engagement, phase reverse, 48 V phantom power, and TX output routing. Variable low-pass (1 kHz–40 kHz, -3 dB) and high-pass (10 Hz–400 Hz, -3 dB) filters provide on-module shaping, and 11-segment rotary LED meters monitor input and output levels.
XL4-2 is a classic 2-channel vacuum tube mic preamp. It's designed to work great with vocals, instruments and any line-level source while also giving you that rich vacuum tube sound in any kind of studio setup, modern or vintage, thanks to its premium 12AX7s that provide exceptional warmth and dynamic response.
Analog studio rack provides a modular rack with hot-swappable 500 series style eq's, compressors, gate, exciter and a tube driven pre-amp as an all-in-one channel strip. The rack has been split into individual modules for separate and bundle purchase.
$99
Mono transformer-coupled preamplifier and passive two-band boost-only EQ. Its all-discrete design provides smooth gain, creamy color, and heavy punch for vocals, acoustic guitar, electric guitar, bass, and overhead recordings.
$9.99
The OctaMic II provides 8-Channel 192 kHz / 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology. It offers 8 balanced XLR mic/line inputs via Neutrik XLR/TRS combo jacks, with switches for 48V phantom power, low cut filter and phase reversal per channel. Amplification can be set between 6 and 60 dB. The 8-Channel AD-conversion operates at up to 192 kHz, with the digitized signal available simultaneously at the double ADAT output (S/MUX, up to 96 kHz) and at a DB-25 connector (4 AES/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES/EBU and SPDIF. RME's SteadyClock(TM) ensures perfect AD-conversion by removing jitter on external sync-sources.
A 500 Series microphone preamplifier featuring a big, bold preamp, a swept high-pass filter and the powerful saturation control of variable Silk. Combines legendary Rupert Neve tone with 500 Series value and delivers clean or vintage characters at will.
A unified 500-series module combining a world-class microphone preamp, one-knob opto compressor, and instrument DI input. Features a 12-way precision gain switch, Vari-phase alignment, Silk saturation with blend controls, and a custom output transformer.
Simple and elegant, the 5211 is the natural evolution of what is arguably the most famous gear in audio recording history: Rupert Neve's microphone preamps. With two channels of the classic tone you know and love and the power of Mr. Rupert Neve's dual-tap transformers with variable Silk.
The Portico 5017 is a rugged, portable two-channel unit combining a world-class transformer-coupled microphone preamp, a high-impedance instrument DI, and a 2:1 compressor in a single chassis. Vari-phase, Silk, and DI/mic blending controls make it a versatile tool for studio recording, location work, and live performance.
The 5022 is a dual mic preamp module for the Rupert Neve Designs 5088 console, featuring two class-A, electronically balanced mic preamps with variable high-pass filters, 48V phantom power, polarity reverse, and Silk/Texture controls for harmonic shaping. Designed to maximize the number of inputs available in a single 5088 Penthouse Module.
The Portico II 5024 is a four-channel microphone preamplifier featuring 72dB of gain, custom transformers, and Rupert Neve's Silk circuit for vintage-style harmonic saturation. Channels 1 and 2 include transformer-isolated high-impedance DI inputs with parallel THRU outputs, while channels 3 and 4 include a built-in Mid-Side (M/S) decoder, combining four channels of legendary front-end tone into a single 1U enclosure.
Network-integrated 8-channel microphone preamplifier featuring class-A mic preamps with custom Rupert Neve transformers and mastering-grade 24-bit/192kHz Dante converters for professional live sound and studio applications.
Two channels of Rupert Neve's Shelford preamplifier in a 1RU rackmount chassis. Built around a custom direct-coupled input transformer that delivers the first 15 dB of gain, with selectable Silk Red/Blue and continuously variable Texture for harmonic shaping, plus dual transformer-coupled outputs (Main at +26 dBu and -6 dB) for either pristine headroom or saturated tone without clipping converters.
An optional MC phono equalizer module designed exclusively for the SRM-T8000 amplifier. Features completely separated left and right channels with Class-A amplification, DC amplifier configuration, and premium audio-grade components including WIMA film capacitors for high signal-to-noise performance.
Professional XLR microphone adapter developed with Canon, FUJIFILM, and Nikon for mirrorless and DSLR cameras. Transmits digital audio directly via camera accessory shoe, eliminating analog signal degradation. Features two XLR/TRS combo inputs with HDDA preamps, +48V phantom power, a 1/8-inch stereo input for lavalier mics, headphone monitoring, and 48/96kHz up to 24-bit recording synchronized with camera settings.
8-channel mic preamp and analog-to-digital converter with integrated single-knob analog compressor per channel. Features TASCAM HDIA preamps (EIN −127dBu), per-channel switchable +48V phantom, dual TOSLINK S/MUX optical outputs for up to 8 channels at 96kHz, a DB25 analog output, and Word Clock I/O. 1U rack-mount.
Ultra-Compact Acoustic Guitar Pedal for Acoustic Pickup Enhancement with Studio-Quality Tone and Feedback Suppression
Dual-channel guitar preamp faithfully recreating the sound of a 1965 Top Boost AC30 in a pedal, with independent channel controls, pre/post boost, optional cab simulation, and dedicated outputs for direct recording and live rig integration.
Two-channel high-gain preamp pedal modeled on the legendary Dual Rectifier, with global Presence control for tonal flexibility, optional cab simulation, and dedicated outputs for direct recording and live rig integration.
Dual-Channel Guitar Preamp Faithfully Recreates the Sound of a 1965 45W PLEXI with Independent Channel Controls, Pre/Post Boost, Optional Cab Sim and Dedicated Outputs for DI and Headphones
Twin-channel guitar preamp faithfully recreating the sound of a legendary British high-gain amp in a pedal, with independent channel controls, pre/post boost, optional cab simulation, and dedicated outputs for direct recording and live rig integration.
High-Quality Bass Preamp and Drive Pedal with Built-In TubeDrive and SpectraComp TonePrints
Twin-channel guitar preamp faithfully recreating the sound of a legendary 5150 high-gain tube amp in a pedal, with independent channel controls, pre/post boost, optional cab simulation, and dedicated outputs for direct recording and live use.
$99
Put Unison preamps on stage or in your studio with Dante. Expand any Dante network with remote-controlled mic/line preamps using Power over Ethernet (PoE). Combine with Apollo X16D interface to get the authentic Unison mic preamp sounds of API, Avalon, Manley, Neve, SSL, and more. Link multiple Apollo E1x units together for expanded I/O within a centralized Dante network.
$399
$149
Get clear, smooth Manley tube sound for your vocals, bass, and more.
$99
Record and mix with the ultimate all-tube vocal processor.
$149
Get the classic '70s Neve preamp sound, with top‑of‑the‑line EQ.
$199
$99
UA 610-A Tube Preamp & EQ faithfully emulates the classic UA 610 modular console tube preamp and EQ module.
UA 610-B Tube Preamp & EQ faithfully emulates the classic UA 610 modular console tube preamp and EQ module with expanded controls.
Get the rich tube sounds of the world's most coveted standalone mic preamp.
$149
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