Preamp

The 1066D is a hand-wired mic-line preamp and equalizer featuring the same core design as the 1073, with expanded frequency options and a distinctive mid-range character. It includes a 3-band EQ, high-pass filter, phase reverse, and uses Carnhill (St. Ives) transformers throughout.

The 1066DL is a hand-wired 500 Series mic/line preamplifier and 3-band equalizer based on the classic 1066 design, sharing the same mic-line pre-amplification stage as the 1073 but with different EQ frequency selections particularly suited to guitar applications.

The first portable dual 1073 microphone preamplifier featuring the same preamps and Carnhill (St Ives) transformers as the 1073 and 1084 models. It includes a built-in power supply for portability and a hand-wired modular design across two channels.

The 1073DMP (Desktop Mic Pre) is the first portable 1073 microphone preamplifier, featuring the same preamp circuit and Carnhill (St Ives) transformers as the 1073 and 1084 models. It includes the 'Bootsy Collins' mod with an OEP Carnhill DI transformer, making it the first 1073 direct box.

The 1073MP is a Class A, transformer-coupled microphone preamplifier available in single and dual-channel 19" 1U rackmount configurations, delivering the characteristic sound of the 1073 with harmonically rich low end, slight resonant highs, and maintained focused mids.

High-pass filter version of the 1073MP microphone preamplifier, featuring Class A transformer-coupled design with the characteristic sound of the 1073 equalizer — harmonically rich low end, resonant highs, and focused mids.

The 1073MPL is a 500 Series microphone preamplifier based on the 1073MP design, featuring Class A, transformer-coupled circuitry with the characteristic warm, harmonically rich low end, slight resonant highs, and maintained focused mids. It includes two selectable input impedances, a high-impedance DI input, and uses the same Carnhill St Ives transformers as the 1073 and 1084.

The BAE 1272 Module is a microphone preamplifier built to original Neve console specifications, designed to fit directly into vintage Neve 80 Series console frames. Hand-wired using discrete electronics with Carnhill and Jensen transformers, it delivers the classic Neve character in a console module format.

The 312A is a versatile microphone preamplifier engineered for speed and clarity, featuring a design without capacitors in the audio path to preserve transient response. It is particularly favored for drum recording due to its punchy character. Built with BAE 2015 opamps and Jensen input and output transformers, the 312A delivers exceptional transparency and musicality. A high-impedance DI input accommodates instruments directly, while front-panel phantom power switches and gold-contact switches ensure durability and ease of use.

The LA4 is a fully-balanced, line-level preamplifier featuring relay-controlled volume and input selection with exceptionally low noise and distortion across 256 volume control settings. It offers extended bandwidth, linear phase response, and a 135 dB unweighted signal-to-noise ratio.

Discontinued

The PRE420 is a four-channel microphone preamplifier with an integrated stereo mix bus and stereo/mono solo bus in a sleek, 1RU chassis. It is designed for maximum transparency, wide bandwidth, low-noise, low-distortion, and superior RF immunity for demanding studio and live venue applications.

Classic preamp circuit with a germanium gain stage, servo-biased for stability.

The 424 MKII Preamp takes its inspiration from the raw and grimy distortion texture and broad EQ control from a classic cassette 4-track recorder preamp.

FET-based Chimera preamp circuit in pedal form.

8-channel Auteur mic/line/DI preamp with inserts, word clock, ADAT, and 8 Cinemag transformers

Single-channel Auteur Mic/DI preamp in desktop format

2-Channel Auteur Mic/Line preamp with Edcor transformers

Single-Channel Auteur Mic/Line preamp in 500-series format

2-channel Auteur mic/line/DI preamp with 2 Cinemag transformers

4-channel rack-mount mic preamp based on the Auteur mkII with Edcor transformers

A boutique mic preamp — four times over! Auteur Quad² is a four-channel rackmount edition of our lauded Auteur mic preamp. Auteur preamps are known for their snappy, transparent, American-style IC-based input stage while also providing a fat, colorful British-style output stage via US-made Cinemag transformers.

Single-channel American-style mic/DI preamp with Cinemag transformers

4-channel American-style mic/DI preamp with Cinemag transformers

Single-channel British-style mic/DI preamp with Cinemag transformer

4-channel British-style mic/DI preamp with Cinemag transformers

Vintage tube preamp plugin inspired by the Altec 1567A. Motown grit, saturation and 3-band EQ for vocals, bass, drums.

Vintage preamp plugin inspired by the Neve 1073. Add transformer weight, THD and sheen to vocals, guitars and drums.

A Neve 1073-style vintage preamp with a Pre Drive multiplier and sweepable high-pass for heavy saturation.

The Bricasti M20 is a dual-mono, fully differential preamplifier featuring a proprietary all-discrete R2R resistor ladder attenuator, three independent Class A linear power supplies, and three separately buffered analog outputs. Handcrafted in Massachusetts, USA.

500-series microphone preamplifier featuring proprietary BX3 input and BX2 (or BX4 on the B1D) output transformers, all-discrete class-A direct-coupled capacitor-free circuit path, and 70 dB of gain.

4-channel MIC/LINE input daughter card for the B80 and B16 MOTHERSHIP chassis featuring the new BX6 input transformer, class-A NextGen Analog BOPA14 circuitry, and the same ADC as the BAD8 — delivering up to 40 channels of audiophile MIC/LINE inputs per B80 chassis.

A bass preamp pedal offering a flat boutique response with extensive tone shaping, a mid-sweep semi-parametric EQ, and a built-in compressor with threshold and strength controls.

An acoustic guitar preamp offering natural acoustic tone with extensive tonal control, including gain, EQ, compressor, and effects loop.

A tube preamp pedal delivering the sound of Steve Vai's Legacy amplifier, usable as a preamp, pedal, or direct output device.

An all-tube guitar preamp pedal that delivers the sound of the classic Carvin X-100B amplifier in a compact pedal format with added connectivity.

The Trident A-Range console dominated the UK recording scene in the late '60s to early '80s, due in part to just how good it made things sound. The heart of the beast consists of a discrete germanium-and-transformer-equipped preamp that can be adjusted to suit all tastes, from the tones of Lou Reed to the fuzzy freakouts of Frank Zappa.

A pedalboard-friendly preamp inspired by the RCA BA-31 studio microphone preamp, featuring germanium and transformer components with a UREI-style discrete op-amp. Spans clean boost, overdrive, distortion, and fuzz tones with dynamic-sensitive, vintage-flavored character.

The Chandler Limited Germ 500 MKII preamp is a discrete, transformer balanced 500 Series module that combines Wade Goeke's designs with recording studio favorites of the past, using classic germanium transistors in all Class A, transformer balanced circuits.

Warm, Organic, and Chandler's Most Vintage Sounding Pre Amp Yet! The Chandler Limited Germanium Pre Amp/DI uses classic germanium transistors in an all class A, transformer balanced circuit. The use of germanium devices opens a whole new sound palette not found in any pro audio equipment currently manufactured.

The Chandler Limited Little Devil Preamp is a discrete, transformer balanced 500 Series module combining Wade Goeke's designs with recording studio favorites of the past. The Class A gain stage is big, open, and full of life.

Discontinued

The Chandler Limited LTD-1 is a hand wired and handmade 10-series equalizer and pre amp using parts and build techniques from the original manufacture of the modules. Discontinued January 2019.

Chandler Limited's REDD.47 Mic Amplifier is a recreation of the original valve line amplifiers used in Abbey Road Studios' heralded and rare EMI REDD.51 recording consoles circa 1959-1968.

The REDD.47 Special Edition Pre Amp is a mono microphone preamplifier built with 53 new-old-stock and vintage parts from the 1960s and 1970s, authentically recreating the sound of the original EMI REDD.47 amplifier from the legendary REDD.51 mixing console.

The Chandler Limited TG Microphone Cassette is a full-featured channel strip combining the TG2 Pre-Amp, Curve Bender EQ, and TG1 Opto Limiter into a single unit. An independently patchable compressor section makes this the ultimate TG channel strip reimagined for modern studio use.

The Chandler Limited TG12411 Channel (formerly TG Channel MKII) combines the TG2 preamp section with an equalizer redesigned from the EMI TG12410 Transfer Console — a recreation of the passive inductor EQ found in the Abbey Road mastering chain.

The Chandler Limited TG2 Pre Amp/DI is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road including The Beatles 'Abbey Road' and Pink Floyd 'Dark Side of the Moon.' This microphone pre-amplifier features the same discrete transformer balanced amplifiers as the TG series and offers a creamy, smooth tone with a surprisingly open, clear top end.

The Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. It features the same discrete, transformer-balanced amplifiers as the TG series and packages the microphone pre-amplifier and line amplifier from the TG2 Pre Amp/DI into the industry standard 500 Series format.

Discontinued

A do-it-all analog drive, filtering, and fuzz pedal built around Benson amplifier circuitry, featuring variable diode clipping, resonant routable mids, two fuzz modes, motorized faders, and 30 internal presets with MIDI/CV/expression control.

A single-channel mic activator using Class-A discrete JFET amplifier circuitry to provide up to +25dB of ultra-clean gain for passive microphones.

A dual-channel mic activator using Class-A discrete JFET amplifier circuitry to provide up to +25dB of ultra-clean gain on two channels simultaneously.

A four-channel mic activator using Class-A discrete JFET amplifier circuitry to provide up to +25dB of ultra-clean gain on four channels simultaneously.

A transformer-coupled mic activator using Class-A discrete JFET circuitry with a custom CineMag transformer, offering switchable +12dB or +36dB gain settings for passive microphones.

A dual-channel transformer-coupled mic activator using Class-A discrete JFET circuitry with a custom CineMag transformer, offering selectable +12dB or +36dB gain settings for passive microphones.

A mic activator with Vari-Z continuously variable impedance control and up to +25dB of clean gain.

An ultra-compact, in-line mic activator delivering up to +25dB of clean, transparent gain for passive dynamic, ribbon, or tube microphones.

A 500-series microphone preamplifier and instrument DI offering up to +76dB of ultra-clean gain, a variable high-pass filter, and illuminated Cloud Touch Controls.

Camden 500 is the most astoundingly clean, linear, transparent 500 series preamp you've ever heard. But it also has "Mojo" analogue saturation.

Camden EC1 combines award winning preamp technology with a reference-grade headphone amplifier to elevate your audio interface's front-end to a professional level.

Camden EC2 is a Two channel 19", 1U preamp featuring award-winning Camden preamps, Mojo analogue saturation circuits, and dual reference-quality headphone amplifiers with discrete line mixers.

A two-channel discrete class A microphone preamp that can operate as a musically transparent preamp or emulate vintage and distinctive new sounds via switchable IRON, SOUND, and TONE circuits.

Syren is a classic-sounding tube preamp in a 500 series package, built around a dual triode circuit with a 12AX7 tube. It offers a dual gain stage with overdrive capability and a switchable negative-feedback path that shifts the tone between an accurate, wide-frequency-response sound and a more open, warmer character.

The Darkglass Tone Capsule is an onboard bass preamp system installed inside an electric bass guitar. Instead of a typical bass/mid/treble layout, it offers bass, mid, and high-mid tone shaping, each with a +/-12dB range.

The Luminal Booster Ultra is a clean bass preamp and DI pedal that blends the Harmonic Booster with a versatile multiband compressor for a pristine, controlled signal. It adds a cab-sim DI output with up to 7 custom impulse responses, a 6-band EQ, and a headphone output.

Discontinued

Discontinued microphone preamp from dbx Professional Audio, designed for studio applications.

Single-channel microphone preamp processor combining a sonically pristine mic preamp with OverEasy® compressor, frequency-tunable de-esser, HF/LF enhancer, and expander/gate. Features XLR mic input with +48V phantom power and balanced 1/4" TRS outputs.

Discontinued

The dbx 286A (Project 1) is a discontinued microphone preamp processor from the Project 1 series, combining a mic preamp with compressor, de-esser, enhancer, and expander/gate.

Single-channel microphone preamp and channel strip processor combining a studio-quality mic/instrument preamp with OverEasy® compressor, frequency-tunable de-esser, HF/LF enhancer, and program-adaptive expander/gate. Features XLR mic input with +48V phantom power.

Single-channel tube channel strip with mic preamp, 3-band parametric EQ, OverEasy® compressor, de-esser, and AES/EBU plus S/PDIF digital outputs. Features a 200V tube plate voltage mic preamp and dbx Type IV® A/D conversion.

Dual-channel vacuum tube microphone preamplifier combining tube warmth with dbx Type IV® A/D conversion. Features AES/EBU and S/PDIF digital outputs, word clock sync I/O, 60dB of gain, +48V phantom power, 20dB pad, and selectable sample rates up to 96kHz.

Discontinued

Discontinued tube microphone preamp from dbx Professional Audio.

500 Series microphone preamp delivering sonically-transparent gain with EQ, instrument input, and 60dB of headroom.

Dual-channel vacuum tube microphone preamplifier with XLR and 1/4" I/O, 48V phantom power, high-pass filter, insert points, and limiter on each channel.

Single-channel Class-A tube microphone preamp channel strip featuring high-voltage gain (250V DC), a compressor/limiter based on the dbx 162SL, and a 3-band semi-parametric EQ with VU metering.

Single-channel solid-state reference-grade microphone preamplifier designed for studio recording, providing high-transparency gain with XLR mic input and line outputs.

Compact microphone preamplifier for studio applications.

A 500-series mic preamp kit adapting the vintage three-stage 1073-style circuitry, featuring a Grayhill gain switch, line mode, adjustable input impedance, and Carnhill transformers.

A transparent, low-noise 500-series microphone preamp with a single Colour module socket for adding adjustable analog character to the signal.

A Colour module that accepts any 2520-style discrete operational amplifier (DOA), allowing users to add the tone and saturation of various discrete opamps to their signal chain.

A two-channel inline mic booster kit that provides 26dB of extra clean gain for ribbon and dynamic microphones, with high input impedance and phantom power protection.

A DIY FET preamp/buffer kit for the Roland RE-201 that solders directly to the instrument jack to clear up muddy guitar tone and add FET saturation when driven.

Four-channel transformer-coupled microphone preamplifier in a 2U rack enclosure. Incorporates four of Focusrite's renowned ISA mic pres with selectable input impedance (600Ω, 1400Ω, 2400Ω, 6800Ω), front-panel instrument inputs, rear-panel line inputs, switchable insert points on every channel, and a variable high-pass filter.

Featuring a rugged, portable all-metal enclosure, Focusrite ISA One combines the classic Focusrite microphone preamp with a flexible, independent DI channel.

Focusrite's ISA Two brings together a totally independent pair of legendary ISA microphone preamps from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve — the Lundahl LL1538.

Eight-channel mic preamp and ADAT expander featuring eight 2nd generation Scarlett mic preamps with 50 dB of gain, switchable 48V phantom power and pad on every channel, two front-panel high-headroom instrument inputs, eight balanced line outputs, ADAT optical output, and word clock I/O.

Listen is a Eurorack module offering two independent microphone amplifiers to boost low-level signals such as mics or contact mics to Eurorack standard audio level.

An emulation of the rare 1950s RCA Model BA-2C all-tube booster amplifier, originally used as a microphone preamplifier and transcription turntable booster amp. Faithfully recreates the two triode-strapped 6J7 pentodes and original transformer configuration, delivering a rich THD spectrum. Lower gain settings produce a well-defined balanced sound with mid-range accent; higher gain adds warmth, weight, and smoothness. Includes selectable pre/de-emphasis filter, Mix control, and Boost mode.

An emulation of the ultra-rare 1960s RCA BA-31A germanium transistor preamplifier — a 4-transistor design with a custom UTC input transformer, fixed 40 dB gain, and a single power switch. Captures the characteristic even-harmonic structure unique to germanium-based designs, with a powerful low-end projection and musical 'grind' when pushed. Extended controls include a compensated drive, impedance selector, VU metering, phase inversion, and noise control.

An emulation of the Telefunken V376, a highly sought-after vintage broadcast tube microphone preamp originally designed for broadcasting. Fully emulates the audio transformers, discrete class-A preamp and driver circuitry of the original. The V376 is a rare piece of hardware commanding thousands of dollars for original units. Functions as both a coloring preamp and a saturation tool with different levels of harmonic distortion.

An emulation of a vintage tube-based low-wattage amplifier from the early 1960s (model 562A), originally designed as a PA amplifier before being adopted by UK bands for guitar and bass. The circuit features an EF86 gain stage, an ECC82 phase splitter, and two 6L6 push-pull pentodes driving the output transformer, with a passive tonestack implementing two rolling shelf filters. Ranges from subtle vintage coloration to full-on gritty distortion.

A free emulation of the classic V72 tube preamp, originally manufactured in the 1950s by Maihak, TAB, Siemens, and TFK. The V72 became the blueprint for the later V76 and the REDD.47 preamps used on numerous Beatles sessions. Captures the input/output transformers, dual EF804 pentode circuit with its peculiar feedback structure, and the heavy output choke that produces a subtle touch of air. Includes a Drive control for saturation, V76-style low and high-cut filters, gain compensation, and instance grouping.

Custom-built tube preamp by Ignite Amps, crafted with top shelf engineering and passionate dedication for ultimate tone, following the tradition of fine Italian instrument building.

Preamp/DI pedal with advanced tone shaping that lets you shape the sound of your instrument with the input circuits from IK Multimedia's award-winning AXE I/O interface. Features active/passive pickup selector, PURE and JFET channels, variable impedance Z-TONE control, output buffering, adjustable boost circuit, balanced XLR output, and true bypass.

The JHS Pedals 424 Gain Stage is a recreation of the TASCAM 424 MKI Portastudio cassette preamp circuit, offering warm lo-fi overdrive and DI functionality with XLR balanced output for recording direct.

A FET preamp/boost based on the Boss FA-1 with a three-band EQ, three EQ mode settings, and an XLR output for direct use with acoustic, electric, or bass guitar.

Discontinued

A 500-series lunchbox preamplifier and EQ inspired by Neve BA283 gain stages, with DI, mic, and line inputs, Carnhill transformers, and a seven-band EQ capable of everything from pristine clean to destructive saturation.

Discontinued

The original Colour Box pedal format preamp, EQ, overdrive, distortion, fuzz, and DI box — a studio-grade Neve-inspired signal processor in a compact pedal enclosure with seven controls and no shift EQ knobs.

An expanded pedal-format studio preamp, EQ, overdrive, distortion, fuzz, and DI box inspired by Neve console circuitry, adding EQ shift knobs, Hi/Lo headroom switch, 48V phantom power, and an output transformer over the V1.

A simplified little-brother to the Colour Box, delivering vintage studio preamp tones from gritty overdrive to gated fuzz with an active Tilt EQ, Hi-Pass filter toggle, and instrument/XLR inputs for guitar, bass, or microphone.

Golden58 is a two-channel tube preamp and saturator plugin built with AudioScape Engineering, based on a limited-run hardware unit using the 5879 tube and four NOS transformers per unit.

Omega is a preamp system – an ecosphere of unlimited colors. On its own, this pre captures a gorgeous sound: silky smooth, widely extended, and highly detailed.

A mono transformer-coupled preamplifier and passive two-band boost-only EQ. Use it to add low-end punch and silky smooth high-end to your mixes.

The world's first 500 series audio processor with Twin Tone-Amp architecture, accepting analog plugins called Colour Modules. Functions as both a microphone preamp and line-level processor, featuring Twin MOJO Amps inspired by American (A) and British (N) console designs, a Baxandall Tone EQ section, and full Colour Format module compatibility.

The Chroma X is a 10-channel, 3RU tracking and mixing processor designed for hybrid studios. It combines microphone preamp and line-level processor functionality with Twin Tone-Amp architecture and one Colour Module analog plugin slot per channel for customizable signal processing.

Professional 4-channel vacuum tube mic preamp with high-voltage Class A topology and MANLEY IRON® transformers. Engineered for exceptional clarity.

Jumbo Shrimp® delivers White Follower 5670 tube topology, 50Ω output impedance, zero global feedback. Minimalist all-tube signal path with RF remote.

The Neo-Classic 300B RC: first 300B tube preamplifier. 6SL7 input, tube rectification, custom transformers. Drives headphones and line-level sources.

Manley OASIS delivers 6922 tube amplification with MANLEY POWER®, passive RIAA, and variable MM/MC loading. No ICs in signal path. California-made.

The Steelhead® RC features autoformer MC loading, 6922/7044 tubes, variable capacitive loading to 1100pF, and remote volume control. Direct amp drive.

AV 10 represents the highest measure of performance and capability for reference-level home theater systems. Marantz Sound Masters meticulously tuned AV 10 for amazing performance with careful parts selection to create the most memorable home theater experiences possible.

AV 20 delivers the highest measure of performance and capability for reference-level home theater systems. This 13.4-channel balanced AV preamplifier features Marantz HDAM discrete circuitry, seven 8K UHD-compatible HDMI inputs, Dolby Atmos, DTS:X Pro, AURO-3D, and four independent subwoofer outputs for advanced custom home theater installations.

AV 30 delivers exceptional performance and capability for large media rooms and dedicated home theater systems. This 11.4-channel balanced AV preamplifier features Marantz HDAM discrete circuitry and boasts seven HDMI inputs, each of which is 8K Ultra HD compatible.

Discontinued

The AV8805A is made for home cinema enthusiasts who seek versatility and flexibility, without sacrificing musicality. Marantz Sound Masters leveraged decades of experience in Hi-Fi to drive exceptional, audiophile-quality surround sound for all your entertainment.

Classic 80s British crunch and searing leads recreated in a modular all-tube preamp module designed to fit Synergy Amps chassis. Advanced three-tube architecture delivers deeper saturation and clarity, with two independent channels for rhythm and lead tones, a high/low input switch for adjustable gain and harmonic intensity, and a built-in phase inverter with mini transformer that recreates the feel of a cranked amp at lower volumes. Tuned for aggressive midrange, tight punch, and classic 80s overdrive.

All-tube Plexi preamp module built for the Synergy Amps modular preamp system. Recreates the iconic Marshall JMP 'Plexi' sound, from sparkling cleans to classic overdriven distortion, via a dual-channel design with independent 3-band EQ, master volume, and bright switches per channel. Selectable 60s/70s voicing switches dial in era-specific Plexi character, while an onboard phase inverter with 0-watt circuitry and mini transformer delivers the feel of a cranked amp at low volumes. Loaded with 12AX7 tubes and connected via 1/4" instrument cabling.

The M97 is a 500 series microphone preamplifier that provides full bandwidth, low noise amplification with vintage color, using custom in-house wound input and output transformers with a discrete op amp.

Discontinued

The MICROPHONE PREAMPLIFIER 502 brings the award-winning Midas microphone preamp to the 500 Series format, available as an add-on to any mobile or recording system when used with the LEGEND L10, L6, or other standard 500 Series rackmount chassis. Considered by leading live sound and recording engineers as the very essence of the famous Midas sound, the preamp has been upgraded with four discrete ultra low noise input transistors and retains the soft clipping characteristic that provides crystal-clear audiophile reproduction with just the right amount of harmonics. The 502 also honours the legacy of the XL4 console by bringing back its swept low and high pass filters. A 12-position rotary switch sets gain from 0 to +60 dB in 5 dB increments, while a fully variable output trim potentiometer adds another ±20 dB of range for up to +80 dB of total gain. The input stage accepts signal levels up to +24 dBu without requiring a pad. Outputs are electronically balanced by default, with a switchable transformer-balanced output (TX) for additional tonal character.

The MICROPHONE PREAMPLIFIER 502 V2 is the award-winning Midas microphone preamp delivered as a 500 Series add-on module for mobile or recording systems, particularly designed for use with the LEGEND L10 or L6 500 Series Rackmount Chassis. The V2 iteration upgrades the original 502 with four discrete ultra low-noise input transistors, retaining the legendary Midas sound while extending dynamic range. The input stage accepts signal levels up to +24 dBu with soft clipping, gain is set via a 12-position rotary switch from 0 to +60 dB in 5 dB increments, and a ±20 dB output trim potentiometer brings total maximum gain to +80 dB. Twin balanced outputs (main and an auxiliary TX output) feed independent destinations, with illuminated push-button switches handling low-pass and high-pass filter engagement, phase reverse, 48 V phantom power, and TX output routing. Variable low-pass (1 kHz–40 kHz, -3 dB) and high-pass (10 Hz–400 Hz, -3 dB) filters provide on-module shaping, and 11-segment rotary LED meters monitor input and output levels.

XL4-2 is a classic 2-channel vacuum tube mic preamp. It's designed to work great with vocals, instruments and any line-level source while also giving you that rich vacuum tube sound in any kind of studio setup, modern or vintage, thanks to its premium 12AX7s that provide exceptional warmth and dynamic response.

A dual-channel, Class A microphone preamplifier with a pristine signal path and linear response. It offers 70dB of gain, variable impedance selection, 48-volt phantom power, and a high-pass filter.

A software preamp pedal emulation based on the Chimera preamp circuit, substituting vacuum tubes with FET transistors for a versatile pedal full of rich, musical harmonics.

An all-tube preamp and EQ plugin modeled after the D.W. Fearn preamp design, offering Mic, Line and Instrument input modes each with unique gain structure, saturation and EQ curve, plus a passive-style EQ with High/Low Cut and Boost.

Studio-Grade Acoustic Tone, Straight from Your Pickup. Turn your direct pickup signal into a rich and natural acoustic guitar sound with studio-grade modeling, microphone emulations, and advanced tone-shaping tools.

A dynamic multistage guitar preamp pedal with compressor, noise gate, speaker simulator, presets and MIDI control.

Analog studio rack provides a modular rack with hot-swappable 500 series style eq's, compressors, gate, exciter and a tube driven pre-amp as an all-in-one channel strip. The rack has been split into individual modules for separate and bundle purchase.

A bass preamp pedal that reproduces the sound of the legendary Acoustic 360 preamp, delivering a dense, powerful bass tone with adjustable EQ.

A bass preamp pedal designed to reproduce the sound of old school 60s/70s bass amplification, adding low-end boost with extremely low distortion. It offers volume, brilliance, and gain controls to shape the tone.

A bass-specific buffer with an adjustable input impedance control and two split outputs for routing to an amplifier and a DI simultaneously.

A bass preamp pedal that reproduces the sound of an iconic 70s tube bass amp, featuring an active Mid knob with ±15dB boost/cut around 800Hz and a Tone knob low-pass filter sweeping from 300Hz to 10kHz.

Mono transformer-coupled preamplifier and passive two-band boost-only EQ. Its all-discrete design provides smooth gain, creamy color, and heavy punch for vocals, acoustic guitar, electric guitar, bass, and overhead recordings.

A Class A triode preamplifier plugin inspired by the legendary Binson Echorec 2 delay unit. Delivers rich, easily controllable saturation suitable for drums, vocals, electric pianos, synthesizers, and drum loops. Features a high-pass filter, high-frequency rolloff, drive and output level controls, input pad, polarity switching, blend control, and internal quad sampling up to 192 kHz with only 13 samples latency.

12-channel digitally controlled microphone preamplifier with AVB & MADI connectivity, featuring SteadyClock FS, a 268x282 routing matrix and 75 dB gain range.

12-channel digitally controlled microphone preamplifier with Dante, ADAT & MADI. Twelve microphone and line level inputs with studio-quality conversion, remote-controllable gains, and integrated MADI and Dante connectivity.

8-channel AES42 interface and controller for digital microphones, converting their signals to ADAT, AES/EBU, analog and optional MADI formats, with per-channel sample rate conversion, MIDI/MADI remote control and SteadyClock technology.

8-channel full-range microphone and line preamplifier with AD converter, 85 dB gain range, AES/EBU and ADAT digital outputs, optional MADI I/O, and complete MIDI remote control.

The OctaMic II provides 8-Channel 192 kHz / 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology. It offers 8 balanced XLR mic/line inputs via Neutrik XLR/TRS combo jacks, with switches for 48V phantom power, low cut filter and phase reversal per channel. Amplification can be set between 6 and 60 dB. The 8-Channel AD-conversion operates at up to 192 kHz, with the digitized signal available simultaneously at the double ADAT output (S/MUX, up to 96 kHz) and at a DB-25 connector (4 AES/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES/EBU and SPDIF. RME's SteadyClock(TM) ensures perfect AD-conversion by removing jitter on external sync-sources.

A 500 Series microphone preamplifier featuring a big, bold preamp, a swept high-pass filter and the powerful saturation control of variable Silk. Combines legendary Rupert Neve tone with 500 Series value and delivers clean or vintage characters at will.

A unified 500-series module combining a world-class microphone preamp, one-knob opto compressor, and instrument DI input. Features a 12-way precision gain switch, Vari-phase alignment, Silk saturation with blend controls, and a custom output transformer.

Simple and elegant, the 5211 is the natural evolution of what is arguably the most famous gear in audio recording history: Rupert Neve's microphone preamps. With two channels of the classic tone you know and love and the power of Mr. Rupert Neve's dual-tap transformers with variable Silk.

The Portico 5017 is a rugged, portable two-channel unit combining a world-class transformer-coupled microphone preamp, a high-impedance instrument DI, and a 2:1 compressor in a single chassis. Vari-phase, Silk, and DI/mic blending controls make it a versatile tool for studio recording, location work, and live performance.

The 5022 is a dual mic preamp module for the Rupert Neve Designs 5088 console, featuring two class-A, electronically balanced mic preamps with variable high-pass filters, 48V phantom power, polarity reverse, and Silk/Texture controls for harmonic shaping. Designed to maximize the number of inputs available in a single 5088 Penthouse Module.

Discontinued

The Portico II 5024 is a four-channel microphone preamplifier featuring 72dB of gain, custom transformers, and Rupert Neve's Silk circuit for vintage-style harmonic saturation. Channels 1 and 2 include transformer-isolated high-impedance DI inputs with parallel THRU outputs, while channels 3 and 4 include a built-in Mid-Side (M/S) decoder, combining four channels of legendary front-end tone into a single 1U enclosure.

Network-integrated 8-channel microphone preamplifier featuring class-A mic preamps with custom Rupert Neve transformers and mastering-grade 24-bit/192kHz Dante converters for professional live sound and studio applications.

Two channels of Rupert Neve's Shelford preamplifier in a 1RU rackmount chassis. Built around a custom direct-coupled input transformer that delivers the first 15 dB of gain, with selectable Silk Red/Blue and continuously variable Texture for harmonic shaping, plus dual transformer-coupled outputs (Main at +26 dBu and -6 dB) for either pristine headroom or saturated tone without clipping converters.

Expertly engineered with a deep passion for monster bass tones, the ZIO Analog Bass Preamp+DI packs massive punch and flexibility in a compact and easy-to-dial-in pedal.

The goal in creating the ZIO Analog Front End + Boost was simple yet ambitious: "Make Everything Sound Better!" ZIO is an all-analog preamp/boost pedal that includes a choice of four distinct preamp circuits, each with up to +20dB of additional output boost.

An optional MC phono equalizer module designed exclusively for the SRM-T8000 amplifier. Features completely separated left and right channels with Class-A amplification, DC amplifier configuration, and premium audio-grade components including WIMA film capacitors for high signal-to-noise performance.

Professional XLR microphone adapter developed with Canon, FUJIFILM, and Nikon for mirrorless and DSLR cameras. Transmits digital audio directly via camera accessory shoe, eliminating analog signal degradation. Features two XLR/TRS combo inputs with HDDA preamps, +48V phantom power, a 1/8-inch stereo input for lavalier mics, headphone monitoring, and 48/96kHz up to 24-bit recording synchronized with camera settings.

8-channel mic preamp and analog-to-digital converter with integrated single-knob analog compressor per channel. Features TASCAM HDIA preamps (EIN −127dBu), per-channel switchable +48V phantom, dual TOSLINK S/MUX optical outputs for up to 8 channels at 96kHz, a DB25 analog output, and Word Clock I/O. 1U rack-mount.

Ultra-Compact Acoustic Guitar Pedal for Acoustic Pickup Enhancement with Studio-Quality Tone and Feedback Suppression

Dual-channel guitar preamp faithfully recreating the sound of a 1965 Top Boost AC30 in a pedal, with independent channel controls, pre/post boost, optional cab simulation, and dedicated outputs for direct recording and live rig integration.

Two-channel high-gain preamp pedal modeled on the legendary Dual Rectifier, with global Presence control for tonal flexibility, optional cab simulation, and dedicated outputs for direct recording and live rig integration.

Dual-Channel Guitar Preamp Faithfully Recreates the Sound of a 1965 45W PLEXI with Independent Channel Controls, Pre/Post Boost, Optional Cab Sim and Dedicated Outputs for DI and Headphones

Twin-channel guitar preamp faithfully recreating the sound of a legendary British high-gain amp in a pedal, with independent channel controls, pre/post boost, optional cab simulation, and dedicated outputs for direct recording and live rig integration.

Discontinued

High-Quality Bass Preamp and Drive Pedal with Built-In TubeDrive and SpectraComp TonePrints

Twin-channel guitar preamp faithfully recreating the sound of a legendary 5150 high-gain tube amp in a pedal, with independent channel controls, pre/post boost, optional cab simulation, and dedicated outputs for direct recording and live use.

Get the hit-making color and tone of API's iconic 212L preamp.

Put Unison preamps on stage or in your studio with Dante. Expand any Dante network with remote-controlled mic/line preamps using Power over Ethernet (PoE). Combine with Apollo X16D interface to get the authentic Unison mic preamp sounds of API, Avalon, Manley, Neve, SSL, and more. Link multiple Apollo E1x units together for expanded I/O within a centralized Dante network.

Get the fat sound of rock's "Golden Age."

Get clear, smooth Manley tube sound for your vocals, bass, and more.

Record and mix with the ultimate all-tube vocal processor.

Get the classic '70s Neve preamp sound, with top‑of‑the‑line EQ.

The authentic Neve Preamp sound, right at your fingertips.

UA 610-A Tube Preamp & EQ faithfully emulates the classic UA 610 modular console tube preamp and EQ module.

UA 610-B Tube Preamp & EQ faithfully emulates the classic UA 610 modular console tube preamp and EQ module with expanded controls.

Get the rich tube sounds of the world's most coveted standalone mic preamp.

A tone tweakers delight, the EB-10 works as a preamp, EQ and boost with three available presets to meticulously craft your guitar's sound allowing for studio-grade electric guitar tone in a live setting.

The Mantle is a premium preamp and DI for electric bass, created in close collaboration with Ian Martin Allison.

Makrophonie is a Eurorack module offering three identical preamps for amplifying contact mics, other microphones, or patch cables into loud distortion. The output of each preamp normals into the input of the next, allowing cascading distortion across the three stages.